RoboCop

Detroit is under siege by a corrupt CEO in the police department...also by rapists, robbers, and the group of thugs who murdered Officer Murphy. Murphy (flawlessly played by Peter Weller) was a family man with a big heart whose body is eventually 'saved' by tech-geniuses, transforming him into a robot-cop (with a big heart, natch). The violence in the film is incredibly brutal in the manner of "Death Wish", yet it can almost be overlooked--even deemed necessary--in the context of the plot. Weller exudes sensitivity (not easy to do under that coat of armor), and he's matched very well by Ronny Cox (delightfully sinister and sniveling) and spunky Nancy Allen (in her best performance). A bleak vision of the future, though one which offers hope underneath its chestplate of destruction. Followed by "RoboCop 2" in 1990, "RoboCop 3" in 1993, and a television series in 1994. ***1/2 from ****

"RoboCop" is a surprisingly impressive action film about a young cop (Peter Weller) who is killed by a gang of cruel criminals and is brought back to life with both human and robotic characteristics. Now he is cleaning up the city of Detroit and going after those who brutally murdered him when he was 100% human. This film is ultra-violent in every sense of the word. Anyone under the age of 17 should be strongly cautioned before seeing this film. However, the violence makes the film realistic and more exciting. Paul Verhoeven does some of his best work as a director. The screenplay is very smart for an action film and all the actors give bravura performances. Peter Weller will always be remembered as the original "RoboCop". Ronny Cox, Nancy Allen, Miguel Ferrer, and an incredibly evil Kurtwood Smith all do the best work of their careers. An impressive film from the action genre. 4 stars out of 5.

In a futurist Detroit, crime is high and the police are run by a massive private company, keener to reduce running costs than reduce crime. When their new police robot ED209 develops a glitch, they turn to a prototype that blends human tissue with high-tech circuitry. Meanwhile Police officer Murphy and his partner Lewis are out gunned by criminals leaving Murphy mortally wounded. OCP take Murphy's body and use it to make Robocop. However Robocop is so successful that he is targeted by criminal Boddicker. Boddicker turns to his shadowy partners in crime, while Robocop struggles to deal with human memories and a programming system that seems designed to control him and keep him in the dark.

Verhoeven's first US film was to set the mould for how the rest of his career would pan out - extreme violence and very little idea of restraint. However this is one of his best films and has much in common with one of his other best (Starship Troopers) - ultra-violence, funny black humour, great action and tonnes of satirical digs at modern life. Here the plot revolves around the creation of Robocop and his fight against crime that goes right to the top. This is complimented by the sub-plot of him trying to rediscover his human side. This is full of great action scenes and eccentric villains.

The black comedy is funny, although sometimes you feel bad laughing at so much violence, but the sideswipes are the best. Verhoeven takes digs at TV with his advert filled news broadcasts, at privatisation by showing the crumbling police stations and the huge corporate towers and at heroism by showing Robocop creating just as much mayhem and destruction as the criminals he pursues. His strength however is the action scenes and the sense of tension he creates - I'll don't think anyone can forget the sheer terror of ED209's `glitch'.

Weller is good - cast because of his strong jaw and ability to project emotion through a suit of armour - and he does manage to bring out the human side. Allen is good but a but dry. The real support comes from the eccentric, and well known villains and corporate bosses. Ronny Cox, Smith, Ray Wise, Perry, O'Herlihy and Miguel Ferrer are all great in various capacities. Criminal or greedy corporate leader - it's hard to tell which is which at times.

A classic bit of sci-fi. Verhoeven has sadly not had a moment as fine as this since and has recently had problems being excessive in Hollywood - the land of excess! This is a landmark film that may not be to everyone's taste.

My favorite Paul Verhoeven feature by a mile. It's a decent film if you like action but everything around it makes Robocop a different film in the genre. It's a movie that's blatant and upfront about its story but depending on who you are you can interpret it in different ways. It could be about public funding, gentrification, humanism, or just a dude who goes around shooting drug dealers. But what I really like about it is even though it's a movie that might seem fascistic on the surface it surprisingly doesn't punch down, at least not like films of the era that were just military propaganda. I know not everything I'm mentioning is an intentional decision on the writer's part, and to be honest I never thought the action was that great (except during the end), but my main point is this movie deserves more thought IF you're a fan of the genre.

When I look at the modern day West, and the 2008 financial crisis, I often see parallels with images from RoboCop: protests, mind-numbing commercials, crime as the result of huge poverty, profit as the main goal of life, no matter at what (or whose) expense. There is not one OCP today, but dozens of OCPs, huge modern mega-corporations that influence every aspect of the society and drain it of its wealth. Just like in RoboCop, the middle class is almost gone and we only have the poor and the rich.

RoboCop started out as a pure B-movie, but unlike Cyborg (1989) or The Six Million Dolar Man (1974), it kept its relevance, satire and sharpness precisely because it is so close to today that it hurts. Even as a kid, I somehow got that one of the messages of the film was how the power was slowly shifting from the government to the OCP. Let's be fair, though, Verhoeven sometimes directs a scene in a heavy, clumsy manner, and some cheap ideas slightly reduce my enjoyment whenever I re-watch this. Overall, this is still a strong film, and I stand behind what I say. Kurtwood Smith is one of the most fiendish villains of the 80s, and one of the most unorthodox ones, too, with those glasses, but we must also mention Peter Weller who is often overlooked under that armor, yet his stoic presence tells us everything we need to know. His Murphy is a character designed by the corporations, a being that is a product, not a being anymore. The way he finds his humanity, nonetheless, is still powerful. He defies the system, he defies the cold exploitation - and he becomes worthy to become recognized. And the ED-something-something robot is still cool as ever, too.