Jídlo

'Food (1992)' is a Czech short film comprised of three distinct segments: breakfast, lunch and dinner. The first involves a man entering a room and following a bizarre set of instructions to receive his meal, the second follows a pair of diners who are unable to get their waiter's attention and decide to eat whatever they can get their hands on instead, and the final is about a series of high-society people who are so focused on the extravagant garnishes they've been provided with that they fail to realise exactly what it is they've been served (or, perhaps, they just don't care). Initially, director Jan Svankmajer wanted to create this short back in the 70s, but was unable to do so due to the Communist rule in his country. By the time the 90s rolled around, the Velvet Revolution had occurred and the filmmaker was now free to create what would become a scathing commentary on the very people who prevented it from being made in the first place. The subtext of the picture is very clearly anti-Communist and each segment has a distinct theme targeting different aspects of the political movement. On top of its messaging, the piece is just an engaging and fairly bracing display of unconventional filmmaking. The live-action picture is created primarily using stop-motion techniques, which not only lends it a deliberately uncanny vibe but also allows for a seamless introduction of some absurdist visuals (crafted with plasticine). It's really convincing in its own way. This aesthetic consistency enhances the disturbing effect of some of the gags, as does the disgustingly precise sound design (if you don't like the sound of people eating, this isn't going to be a nice time for you). Some sections are more funny than frightening, even if the short is constantly conceptually unsettling and has a dark tone overall. There's definitely something off about the whole thing and this makes it a really compelling watch; it's the sort of thing you just can't look away from. It's a really well-made film that feels like it has something to say and a distinct way of saying it.

Food is like a surreal comedy horror that comments on humanity's relationship with food, all through the lens of Jan Svankmajer's filmmaking lens of stop-motion and live-action mixing, making up for some truly fever-dream-like stories! For a short film it's got a lot of story in its three brief sequences: Breakfast, Lunch, and Dinner.

Food is probably one of the truest films about dining, and possibly one of the greatest criticisms of communism encouraging people 'eating off each-other' (at least that's my interpretation of the Breakfast segment); Lunch's critique of classism in that regard is also very sharp, and Dinner's indulgence of 'eating your own body parts' is comically dark stuff at its finest.

The 1990s were really a remarkable time for stop-motion cinema and Food was something of a radical film in a post-Wallace-&-Gromit world (A Grand Day Out was released in 1989). Also it was an achievement for the Czech Republic finally breaking free from its communist trappings and restrictions on filmmaking.

Food is good stuff; it's plentiful and satirical on what it's covering, and shows the cross-quadrant world of dining and how every experience says something about the consumer (and their priorities) and what they do to get by.

Food is a 4/5 star film. 8/10 IMDb points. It's not for everyone, but it certainly says a lot about all of us. It's like a cerebral stop-motion film. And a good one at that.

What strikes me about this movie it is how little I can give to make much sense of it. I guess it has some social comments on it, about our consumption and our consumerism society, on life and everything else. But most importantly, it doesn't really matter, you get to just experience, pay attention and to be in that state of not getting it. I think that might be the experience to have, unlearning things. Turning them upside down, to transform them. In a personal level it affected me, after seeing a sequence of his shorts and this one, to be more conscious on how we act and driven our desires, you know that feeling of salivating when you think about a bacon sandwich, it has stopped, and it was interesting to be that far apart, to change that programming to one that wasn't completely destructive and irrational.

All this conversation, reminded me of that Elliott Smith song called, "A distorted reality is now a necessity to be free."

It's an apt title and solo-focus for Food to be a Jan Svankmajer short; he's obsessed with it, in case you couldn't tell from his other movies (it's used sometimes to ridiculous amounts in Little Otik), and in both playful and gleefully deranged ways. In this short we see his knack at mixing live-action and stop-motion as two gentlemen at a table have plates of food and eat them up... then they eat the forks, then the plates, then the table, then the chairs, not to mention their clothes, and we see how their mouths suddenly flip over to stop-motion for just that bit of mastication and then back to the real human forms. There's also the great bit with the man as a kind of cash-register of food as people sit down and at the flick of a button on his jacket get plastic forks and other things to munch down on their lot of good. Sometimes its disgusting, and at the end when actual body parts get in the mix of things (including, not too undeservedly, a penis and testicles, which actually are the dividing line that isn't crossed) it's downright crude, but it's downright raunchy and crazy and quintessentially Svankmajer. The icing on the cake, of course, is the Blue Danube used as the two naked men munch on their table.

Jan Svankmajer is the most unusual stop-motion filmmaker whose work I have seen. Instead of the typical models which are brought to life using this method, Svankmajer takes everyday objects or creepy stuff he's found, perhaps, in antique shops to create films that are truly unique.

I hate reviewing the films of Jan Svanmajer, as each time I see one of his films I am convinced that it's THE weirdest film the man has ever made. And yet, time and again, I find I am wrong, as some other film of his turns out to be even weirder. This is definitely true of "Food"--a truly bizarre and fanciful film that is really impossible to describe--you just need to see it for yourself. I will TRY to briefly explain what the film is like. As in other Svankmajer films, this one uses stop-motion but in this film it's mostly to animate people--making them move in a very jerky and robotic manner. What, exactly, they do is beyond belief but always involves the eating process. It consists of a segment about several different meals and all are VERY creative and ultra-strange--so strange that you might want to show this one to others. And, unlike a few of his films, this one is okay to show to most kids--it's creepy but in a very cartoony way. And, interestingly, it also uses some claymation which is blended into the characters. Very much worth seeing--especially if you are a bit weird yourself (which I happily am). I assume that this is NOT for everyone's taste.

Not to be missed!