I nuovi eroi

Two dead American soldiers from Vietnam resurface years later as nuclear machines that help take down terrorists. However when a nosy reporter starts snooping around she rekindles the memories of the soldiers, one wants to go home and the other wants to kill the other. Jean-Claude Van Damme and Dolph Lundgren together in one film doesn't exactly bring up expectations of quality. However Universal Soldier manages to be far more entertaining than one would've guessed and not even in guilty pleasure way. The action is rather spectacular and while Van Damme and Lundgren are rather well suited to their parts. The secondary characters such as Jerry Orbach,Ed O'Ross and Ally Walker only provide our hero and villain with targets to shoot at but for mindless enjoyment, you can certainly do worse.

* *1/2 out 4-(Pretty good)

Before films like Sylvester Stallone's The Expendables (2010) were released, most action stars performed solo. Arnold Schwarzenegger, Sylvester Stallone, Bruce Willis, Dolph Lundgren, and Jean-Claude Van Damme all made their own separate movies. Combining star power wasn't usually thought of because of how different the fan bases were. However, this movie is one those exceptions. Today it could be considered a movie where they collaborated before they were extremely well known (although at the time they were anyway). It was rare at that time to see two big names on the same screen - which probably pumped up a lot of people.

Here, Jean-Claude Van Damme and Dolph Lundgren play Luc Deveraux and Andrew Scott, two Vietnam veteran soldiers killed in the line of duty, who end up being regenerated to serve as a UniSol (short for Universal Soldier). As a UniSol, their purpose is to carry out impossible tasks that no other ordinary soldier could do. To carry out these missions, the UniSols are monitored and commanded by remote audio instructions. One day on the latest mission, Luc begins to have a relapse of old memories and begins to bug out. After disobeying an order, he runs off with reporter Veronica Roberts (Ally Walker) to find out what he missed. Close behind them is Luc's colonel with Andrew Scott 2nd in command looking to rid them of their existence.

For the majority of the running time, the plot is a big chase. Yet, in only some instances does it actually feel like a chase. Writer Dean Devlin managed to include some unique scenes but his pacing on how the story moves, plods from time to time. That's not to say the material he includes in the story isn't noteworthy. Again, this goes back to some unique scenes that Devlin included - most of which involve Andrew Scott (Lundgren). This movie is also one of the few that director Roland Emmerich did not include a political commentary on since this idea is so far fetched. However, he does mingle some themes that are still important to recognize - for example, playing the role of God. If there was the technology to actually re-animate dead tissue, would it be possible to have complete control over the body? Hard to say, the mind is a tricky thing.

However, the movie cannot be analyzed too much because throughout the story there are a lot of loopholes and questions that aren't answered - like how can someone survive a fall from an enormous height and not come back mangled or even bruised? This is one those films where it's fun to watch but cannot be taken literal because of how absurd the idea really is. The acting can be moderately dealt with. Ally Walker plays her role like any other person would. She has a few lines that'll make people chuckle but not much else. Jean-Claude Van Damme's acting is stone faced for most of the time because of how he's not familiar with the world. However, Dolph Lundgren looked like he had a great time playing his role because of how deranged his character is. It was also wise of the casting department to at least make Lundgren the antagonist because of his height. If it were the other way around, I'm not sure if the entertainment level would be as high.

What is fun to watch here, is when Lundgren and Van Damme finally clash. Since they both have martial arts training, there's no question that the kicks and fists will fly between them. Lundgren's got the bulk and Van Damme's got the agility. They both are good in contrast to each other, the only thing that was needed was Van Damme putting just a little more emotion into his role. Other than that, the cinematography and editing works well too. Finally, composing the musical score belongs to Christopher Franke who now produces music for The Amazing Race (2002) series. Franke's score does contain tunes that can be heard with light emotional tones but it's nothing too deep; which is pretty much how the film should be taken. Fun but not deep.

The action on screen between Dolph Lundgren and Jean-Claude Van Damme is fun even though it is sporadic. The story elements are interesting considering it also makes the plot drag. Look for nothing too deep here.

Big, dumb, loud, and fun. Four words that could aptly summarise the appeal of this blockbuster movie which proved a hit with audiences back in '92 and spawned three inferior sequels. UNIVERSAL SOLDIER is probably Van Damme's most successful mainstream movie to date and his pairing with Lundgren as the enemy is a good one; Lundgren's height alone gives him the imposing edge over the smaller, tougher Van Damme and their final one-on-one battle is one to remember. Packed with lots of hard-edged violence and some unwanted comic relief from a highly annoying female support (Ally Walker), UNIVERSAL SOLDIER is a movie that gets better as it goes along.

At first, the sheer woodenness of Van Damme and Lundgren is inexcusable. I know that they're supposed to be playing emotionless dead robots, but even after they first rebel they seem wooden and unable to even say their lines convincingly. Thankfully this wears off as time goes on and the pair settle down into their roles. In fact Lundgren goes a 360-degree turnaround at the end and actually becomes quite good as the psychotic soldier who believes that he's surrounded by the enemy. Van Damme? Well, here he plays a more sympathetic character than usual which will no doubt endear him to female fans, while still providing the high-kicking action that the fans expect. Ally Walker is terrible, though, as the intensely annoying female lead, and although it's good to see Ed O'Ross make an appearance as a colonel, he's underused and killed off quickly.

The flimsy plot strings together a scene of big-budget action sequences (no surprise, as most of Roland Emmerich's films are thus styled, e.g. INDEPENDENCE DAY) which are pretty impressive. From the opening hostage stakeout at the Hoover Dam to the shoot-up at a motel, to the climatic truck chase and the final battle with Van Damme and Lundgren, things just keep getting better and better. The high body count sees lots of people getting shot or killed in nasty ways, and of course there's the usual quota of bullet-shedding and big explosions.

Lundgren's method of death at the end of the movie (like you couldn't guess) is highly graphic and unexpected. The loud score is sufficiently adrenaline-pumping to work and the film tries so hard to please that the feeling rubs off on the audience. Although it may be dumb entertainment, UNIVERSAL SOLDIER "delivers the groceries" so to speak and is quite watchable in a forgettable way, in that it passes the time and engages the attention but doesn't leave much impact afterwards. It may be a popcorn movie but it's undoubtedly a well-made one.

In a war zone Luc Deveraux stops his officer Andrew Scott, killing innocent civilians. However both die in the struggle. Years later they are part of a reanimation programme all Universal Soldiers – perfect fighting machines controlled like robots. However Deveraux has memory flashbacks causing him to flee with a reporter, his commander also experiences memory residues and takes the remaining soldiers to go after Deveraux.

One of Van Damme's and Lundgren's best films – although that's not saying much. The plot is pretty basic although there is some reasonable moralising about the soldiers. The action isn't fancy but it's solid and, unlike it's sequel, it's not afraid to be violent. While it's not a classic it does allow some good scenes and is a bit better than the usual Van Damme fare.

The cast are mixed. Van Damme is a perfect cardboard robot but doesn't convince when he has become human. He is the brunt of some good jokes too (`what accent?') and gets to bare his ass in customary style. Lundgren is actually quite good and his character develops from robot into war-weary soldier quite well. Ally Walker is so-so but she doesn't convince.

Overall this is enjoyable but it isn't perfect. For action fans it's solid enough to satisfy.

What's not to like? Van Damme and Dolph star as soldiers who kill each other in Vietnam and are than reanimated as Uni Sols but when Dolph remembers his sadistic ways the trouble starts.

Universal Soldier is Van Damme and Lundgren's best movie ever made.It has some strong action scenes and decent acting from the cast. The climax is one of the greatest in a long time. And if anybody tells you this movie sucked. Feel free to knock them upside their heads. (JK)

Overall Universal Soldier is a great movie that shouldn't be missed.

**** (Out of four)