Bak fat moh lui zyun

This is one of the few times a classic Chinese novel has been accurately brought to life on the big screen.So why do I say this film is so great? How about brilliant acting, incredible cinematography, great music & sound effects, and the most un-Hollywood ending of all time.I would give a kidney to find a CD of the soundtrack. And never has a film made you want to see the sequel so bad in your life. My only regret is that Ronny Yu will never be able to top this film. Flat-out brilliant!

A big, mainstream Chinese movie, "bang bang, kiss kiss", except with swords and sorcery. "Clang clang, kiss kiss". Yet,I liked it.

I was a little worried when it started out, it looked like it might get high-handed or overblown. It's a fine line between mythic and stupid, but the reviews on IMDb were all so glowing, I kept at it. The love story was engaging, very believable, and the conflicts were unique. The movie manages to drop on the mythic side of the line.

One thing I noticed: The values are all what we call Western. The individual over the group, the convictions of the heart over the traditions of the clan, etc., and there was no real question about it. The main character kind of reminded me of James Dean or Montgomery Clift. There was even some actual kissing, too, which I think is a Western thing.

It's well done. I especially liked the acting of the two leads. You might find itinteresting, as long as you don't mind the dark witchy stuff or the definitely R-rated violence.

I'm looking forward to Part II. I feel like I'm crowding into the back of a big Hong Kong movie theater.

Zhuo Yi-Hang (Leslie Cheung) is raised by his master Tzu Yang (Fong Pao) to be his successor in the leadership of their clan. Yi-Hang meets Lien (Brigitte Lin), a warrior adopted by wolves and accepted by a tribe leaded by the evil magic twins Ji Wushuang (Francis Ng / Elaine Lui), in a lake, and they fall in love for each other. Yi-Hang promises to trust her forever. However, Ji Wushuang also loves Lien and she is sent away from their tribe. When the clan of Yi-Hang is attacked, he does not believe on Lien, thinking that she killed his master and cursing their love.

This beautiful and tragic love story, a kind of Chinese version of "Romeo and Juliet", has wonderful cinematography and costumes. The choreography of the fights is also amazing. The non-linear screenplay is a little confused, but when the viewer sees for the second time, it becomes clearer. My vote is seven.

Title (Brazil): "Entre o Amor e a Glória" ("Between the Love and the Glory")

The "Bride with White Hair" is often defined as a wuxiapian version of "Romeo and Juliet": indeed it's amusing, as we follow this tale of two warriors united by love but separated by their belonging to opposite clans, to ponder on the many joints with Shakespeare's tragedy.

For half of the movie (i.e. 45 minutes), it qualifies as being one of the most astounding fantasy movies I ever saw: firstly, it captures the spectator by showing beautiful images and settings (and I'm sure Cho Yi-hang [Leslie Cheung] is not the only one who dropped, out of bewilderment, his jaw!). Secondly, it creates an aura of mystery around the female lead Lien Ni-chang [Lin Ching Hsia], an assassin who is not less beautiful than she is deadly with the whip. Indeed, Cho Yi-hang one day accidentally stumbles upon her and, although her face is shrouded by a veil and only her eyes appear to him, inevitably falls for her. Out of trivia, in another movie Lin Ching Hsia reveals just the rest of her face (i.e. masking herself behind a raincoat and sunglasses) and yet spellbinds people - precisely, Takeshi Kaneshiro. Is there any way that people can escape Lin Ching Hsia's charm?

So far for the good points for "Bride": fascinating setting, a clever hero (with an endearing portrait of his childhood included) and an alluring assassin, all surrounded by a thick veil of mystery and folklore.

On the negative side, the second half of the movie. Just as Cho Yi-hang's feelings get corresponded by Lien Ni-chang and we expect that love will provide a new injection of vitality and creativity over the ruthless and cold world they dwell in, the movie sinks into predictability and shallowness: our heroes just don't have the same mutual trust that Romeo and Juliet had and, since their decisions are guided, more than love, by their impulsive nature, I missed being fully emotionally involved into their ending struggle. However, the transformation that overcomes sorrowful Lien Ni-chang is super-cool! 7/10

Colorful Asian fantasy with the emphasis on romance and fanciful action; enjoyable enough in itself but not particularly compelling. The plot and look of the film reminded me of the "Chinese Ghost Story" Trilogy (1987-91), which I watched – and loved – only a few years back, while the gravity-defying stunts looked forward to Ang Lee's (obviously more accomplished) CROUCHING TIGER, HIDDEN DRAGON (2000). As is the norm for this sort of film, the characters are all stock types (the nasty Siamese-twin villains being a particular liability) – which means that, for all the pseudo-philosophy which gets spouted (usually by elders) from time to time, the tale follows a rigid, rather simplistic and all-too-familiar path which doesn't allow for much depth or surprise…though "The Bride With White HaIr" herself (when she belatedly appears) is a memorable creation – and I wouldn't mind catching up eventually with this film's sequel (from the same year and director).