Maledetta ambizione

The stalker from hell was the most popular plot in Hollywood in the early 1990s . In fact come to think of it , it was probably the only Hollywood plot in those days . Never a week went by without a major film studio releasing film featuring a spurned lover from hell , a lodger from hell , a cop from hell a flatmate from hell etc . What I didn`t know was that there was a personal assistant from hell film called THE TEMP untill I saw it on TV the other night .

I`ve got to admit I`ve got a soft spot for these type of movies even though they`re all the same . As you`d expect THE TEMP plays out like the rest of them with an everyman character finding his life falling apart with the climax involving a physical life or death struggle . Timothy Hutton plays the everyman character fairly well in this , and the final scene isn`t as how you`d expect it . Without doubt the best scene involves some public samples of biscuits .

If you like these type of movies you`ll like THE TEMP . If not you won`t

Many of the key scenes are telegraphed in the style of Friday the 13th.

Faye Dunaway is over-the-top. She's sort of like The Joker in batman. She kind of channeled her character from the movie Network, but it didn't work here as well.

Timothy Hutton is my favorite actor. He makes it look so easy, and has such an appealing presence. Another reviewer said that you want to root for his character, because you identify with him. I agree. That's the case with most of his movies.

Lara Flynn Boyle was great. She nailed it. However, her hair style, and the psychotic look in her eyes were a real turn off. Maura Tierney is meant to look depressed and plain. Therefore, there was no eye-candy in this one for me, although I understand that Boyle was, for most men.

Portland, and Oregon in general looked great. I never thought of skycrapers and big businesses in Portland, but I guess there are some. There is a scene when the characters are traveling down to the state capitol of Salem, via the Coast Highway. That was just thrown in for scenery, because the coast is way west of the road to Salem.

The main character's personal problem from the past is key to the plot. It seems a bit far-fetched, but I liked it. A simple, cheap plot device, but I'll allow it.

I thoroughly enjoyed the physical atmosphere, the buddy aspect, the believable wife, Hutton's persona, and the devilish Boyle. Not a great film, but I will undoubtedly take out my VHS copy again in a few years, or introduce it to a friend.

This is one of my "guilty pleasures" movies. A movie that has no real message and nothing profound to say. It's just fun to watch. (Con Air is another example for me.) The performances are more than adequate for this type of movie, so it is easy to watch.

Basic premise, Peter Derns (Timothy Hutton) gets a temp, Kris Bolin (Lara Flynn Boyle) that is smart, sexy and ambitious. She seems like a Godsend at first because she actually helps him in his dog-eat-dog world of marketing. His boss, Charlene (Faye Dunaway) is great in her supporting role as both mentor & menace.

One of the problems is that Peter is under mental supervision (aka: shrink) for supposed paranoia & extreme jealousy. When things start to go wrong as Kris works her way up the ladder, everyone thinks he's just paranoid. Hmm?

Well, you can probably guess what happens next. But even though this movie is predictable, it doesn't stop me from watching it whenever it's on. The actors are fun to watch, and very attractive. The sexual tension between Hutton & Boyle is believable. And there are plenty of deaths to keep it moving right along!

Just a fun movie, nothing major or worthy of the Academy of Dramatic Arts- but then not everything has to be. Just enjoy this for what it is- a guilty pleasure.

I'm relieved to see I'm not the only one who finds pleasure in this cunning little trifle from "Fright Night" director Tom Holland.

Yes, it's a blank-from-hell picture and yes also, the blank in question happens to be a secretary/admin assistant (amazing how much mileage this particular career gets in this role), but "The Temp" jazzs up the stakes by making the stalkee --- in this case ad man Peter Derns (Timothy Hutton) --- a paranoid head case with anger management problems.

Lara Flynn Boyle of Twin Peaks fame plays the stalker with a mix of innocence and deliberateness that suggests a truly unhinged personality waiting to detonate. Watching her manipulate and provoke Hutton's character provides for some sick thrills --- it's like tormenting a wounded insect only the insect probably has more going on upstairs.

The plot is cheesy, for sure, but the script always keeps you watching. The dialogue is smooth for the most part and even when it borders on camp, it's not so over the line that it breaks the spell (until near the end when some of the action gets a bit superhero-ish).

Despite being a fun ride, "The Temp" suffers from one of the lamest closing lines ever (tied with "Get a Life" from "Sliver") but even that will give you a little chuckle. And there's worse things to get from grade B thrillers.

A standardized psychological thriller, in the "The Hand That Rocks The Cradle" mold; we have yet another female character that seduces the men with her attractiveness and at first appears to be incredibly genial and helpful, but gradually turns into a possessive, obsessive person, ready to try anything to achieve her goals. The film is overly predictable and long but fairly entertaining. Lara Flynn Boyle is not quite up to the level we'd like her to be, but Timothy Hutton is an effortlessly likable actor, easy to identify with. (**)