Legend of the Overfiend

There is a certain type of individual that I greatly admire. It is the individual who can sit across a table from me and explain in exhaustive detail the very complicated plot fabric of Urotsukidoji: The Legend of the Overfiend, fully divulging all theories and histories and backstories and somehow never crack a smile. The smile comes to my lips when I realize that they have explained this movie over and over again to various people and are skilled at dodging the question of how and why a movie about a universal demon war includes scene after scene of naked lesbian schoolgirls.

What also puzzles me is how they can explain the movie with a straight face after they've introduced the film to their friends by waving a VHS tape, smiling and saying "Dude! You gotta see this". For those of us who have had this movie shoved down our throats, that experience is communal.

Those individuals waving the tapes aren't hard to find. They very often hide the tape in the underwear drawer and their only real female attachment is either a paper fold-out or is telling them for the third time to take out the garbage (I know them, I know them well). Not to say that everyone who engages in hentai is a pathetic momma's boy but based on my experience they seem to make up a good chunk of the fanbase.

Hentai (porn, let's just call it what it is), for those of us who don't indulge in such questionable "entertainments" is more or less and endurance test. The filmmakers throw in as many splatter-fied effects and forbidden sexual tableaus as their imaginations can allow. It is often called "sick" and "disgusting" but I find less interest in the movies themselves and more interest in the people who gawk at them. These are individuals who did not discover whitehouse.com by accident. (Freud would have eaten these people for breakfast).

I should start by telling you that the movie is a carnival geek show, a vile bag of cartoon garbage that wallows in perversions when it isn't splattering the canvas with guts and brains. It has, needless to say, become legendary for it's infamy. But perhaps I am getting ahead of myself, perhaps you are not familiar with this nasty little item. For you, I will try and explain in the terms that the movie was explained to me:

There are three worlds and three levels of reality - the humans, the man-beasts (or Jyujinkai) and demons (or Makai). A prophecy tells that every three thousand years a creature called Chojin will rise up and unite these three worlds and will recreate all three worlds in his own image.

Two sibs from the Beast World, Amano Jyuku and Negumi, have come in search of Chojin who lives within a young student named Nagumo, whom they believe will bring about the aforementioned unity.

Nagumo has fallen in love with a cheerleader named Akemi, who was raped by a demon posing as her (female) health teacher and understands the circumstances behind Nagumo's destiny. But opposing forces begin showing up to challenge Nagumo. For the Demons, Beasts, and Humans, this looks like either unity or utter destruction. Now, based on the creature that shows up at the end with three sex organs with which he demolishes the city, my guess would be the latter. There is far more plot that this but there is far more plot than the movie needs. I am told that there are two sequels to this but I think I'll pass, thank you very much.

The gentleman who explained it to me went into massive amounts of details about the inwards and outwards of the demon world while I waited patiently so that I could ask how it all merits the pedophilia, the teen sex and the fountains of blood, guts and bodily fluids. `That's just anime' he told me at which I simply rolled my eyes and bolted for the door. And no, he never smiled.

Possibly the most important Japanese gothic sci-fi tentacle sex horror metamorphosis allegory of our time, Urotsukidouji is poignant love tragedy wrapped in a shroud of horrific telescoping genitals and pink, luminescent semen. This movie is a large part of the reason anime has a negative reputation as porn.

Follow Nagumo as he falls in love, gets killed, comes back to life as a super sex demon and lives happily ever after. His cute, innocent love story with the character Akemi is a grand contrast to his propencity for non-consentual sex with just about everybody he meets. He truly is Everyman. I mean, uh...isn't he?

There is also an incomprehenisble plot about demons and half-humans and the repeated destruction of Osaka, Japan. But you'll have a hard time concentrating on the plot's intricacies, what with all the raping and the killing and the kicking and the hurting.

Part II is also good (maybe better than part I), then the series dissolves into post- apocalyptic gobblediguck. But if you have an insatiable appetite for monster porn, you better watch them all.

Urotsukidoji is a textbook example of Epic. This film is HUGE and is very, very complex. Sure the Japanese have a somewhat misogynist view on things but who are we to judge them? It's about culture. Urotsukidoji boiled down to the essentuals is basically about the search for the meaning of life (and destiny), morality, yes! sexuality BUT in context if you look at it the films are about doomed love.

I don't have time to go into the ins and outs but if you look at the series using a feminist perspective one will find that the series actually treats all characters with the same distain. Yes, the destruction of the female principle is there (fascism reference- justified once again by the context of the series as A WHOLE) but it is the female characters that have the most depth. Take Megume for example, the so-called 'slut' archetype. if you look closer to the overall story her storylines are much more philosophical.

Take even Amano, who at the begining takes a certain ambivalence to other people's suffering, towards the end he becomes more humanist. Take his metaphor of nature (how it goes round and round), we live and die then become one with the world. (See also THE WICKER MAN (1973))

I could go on but it is far too complex to get into. I suggest reading up on Japanese tradition and mythology...I think you'll find your basic Shakespeare play will have all if not more of the 'deviant' themes that Urotsukidoji has. The difference? Books are treated with reverence...film's aren't. Why? cos Nazi's burned books but what people forget is they also suppressed film. Why? because they knew it had a power over the population that books didn't. (See 'Triumph of the Will' for an example of their abuse of film's emotive qualities).

Nuff said!

Watch the Japanese version. Avoid the English dubbed version. It has been censored. And the most important clues of the plot happen exactly at those moments that were deemed too graphic for American viewers. As a result, in the English version the story makes much less sense.

Now, about the movie. This is a masterpiece of sick and twisted fantasy, filled with an obscene amount of sex and violence. And usually, the two are combined. It's an epic tale of the fight between good and evil, however, like most anime movies, it's never entirely clear who is good and who is evil. Aside to this, there are several smaller and more personal story lines as well, like the love between two teenagers, a kid and his alcoholic father and a few others.

The quality of animation of anime movies has improved much over the years and this movie is clearly one of the older ones. But it's still unique in its kind. It's one of the great anime classics, together with such movies Akira and Fist of the North Star.

This manga film is a sick movie! Women are getting raped by monsters. At one point sperm is being licked off the face of a woman by a monster. There is a lot of slash and gore. The story is very simple and yet they manage to tell it in a confusing way.

I think I just don't get Japanese animation.