La legge di Burke

Burke's Law was a 60s police detective series when it started out. First two seasons were anyway. The third season was a bizarre attempt to turn it into a Man From UNCLE type show. This reboot is a throwback to how the original show began. Burke is a swave and wealthy police captain who excels as a detective. That was the original series. Here, much of the work is not done by Amos Burke who by this time is a police chief.

The newer shows make me think ofn he Columbo reboot episodes more than the newer Perry Mason episodes. The format was always good. The writing is not quite up to the level of the original series but it is still pretty good. Recommend searching this one out. I didn't have the easiest time managing that.

Amazingly,producer Aaron Spelling brought back his most famous show which produced 27 episodes and ran for one season on CBS from 1994-1995. The title again became "Burke's Law",and Gene Barry was back in his most famous role as Chief of Detectives,Amos Burke,who was still head of operations for the Los Angeles Police Department. This time around,Burke is assisted by his son,Peter Burke(Peter Barton). The revival,even more than the original program,was widely regarded as camp,but it was still a good murder mystery with a cast of "whodunits" leading up to Burke and his son to solve the crime and catch the killer. Also,Gene Barry's character was back chasing crooks in his fabulous Rolls-Royce only this time the producers along with some of the writers including Richard Levinson and William Link along with Harlan Ellison,Ivan Goff and Ben Roberts along with Ernest Kinmoy dusted off the original scripts for this new incarnation. Only on occasion did we see the old spark of creatively that made the original show from the early 1960's so great. Some of these episodes did have a touch of a 90's retrospective,such as a victim freezing to death on the hottest day of the year;an ambulance chasing lawyer getting run over by an ambulance. Who would have thought of bringing back guest stars such as Efrem Zimbalist,Jr. as a greedy tycoon accused of murder while practicing his golf swing from the roof of a building and doesn't care who it falls on?

And other stars such as Brian Keith,as an ex-marine turned novelist accused of first degree murder,who puts on a dress just to get into the mood to write? And other stars as suspects such as Hugh O'Brian, Richard Crenna,Stella Stevens,and Carolyn Jones to name a few. This show also featured guest appearances by many of Gene Barry's peers from the 1960's spy-fi genre including Patrick Macnee(The Avengers), Robert Culp(I Spy),David McCallum(The Man From UNCLE),Peter Lupus and Barbara Bain(Mission:Impossible),and Anne Francis(Honey West). It also have some well-known detectives including Mike Connors(Mannix)and Karl Malden(The Streets of San Francisco). After one season on the air,CBS cancelled it and replaced it with the Dick Van Dyke mystery series "Diagnosis Murder",which was the greatest travesty of its kind and to say CBS kept it on the air for seven years killing one of the greatest mystery shows of all time.

Well, maybe my summary will take place of puurakek's, but he (or she?) is totally right! (so read this summary) In one episode (the one w/ Robert Vaughn) there was an identical twin brother who took place of the murdered one, and I only thought, please, don't let this be the one who is believed to be the murdered one and who took his brother's place after he murdered him. Guess what? But somehow I like that show, I don't think it's a total waste of money like "Baby Talk". I don't think, I could stand this show for more than one season, this was enough, but for one season the show was fine. I would have wanted a second or third season of Mr. Merlin, or a new concept.

At a time when Angela Lansbury's wildly successful "Murder She Wrote" was winding down, and Dick Van Dyke was in the throes of his late-career resurgence with the equally popular "Diagnosis: Murder", CBS, smartly recognizing the trend of uncomplicated, viewer-friendly mysteries that skewed toward an older demographic, rolled out a reboot of Gene Barry's famous Aaron Spelling-produced '60's series "Burke's Law"! The fact that Spelling had been able to consistently reinvent his product throughout the years to continue producing hit shows marketed toward a younger audience only helped him in the creation of this new "Burke's" endeavor! The fact that star Gene Barry was still a commanding presence in his later years greatly bolstered the seamless execution of this reboot! The new "Burke's Law" benefited from the apparently unlimited budget Spelling threw into the first year of all of his shows! He could place in guest-star roles just about any of the esteemed older actors of one-time prominence, and mix them with the popular younger actors who'd appeared in one of his many nighttime soaps! The solutions to the various "mysteries" were largely, arbitrarily resolved, but the real fun lay in Gene Barry's infectiously fun lead turn, ably supported by his TV "son"---the reliably stoic Peter Barton! This "Burke's Law" reboot was, to my mind, every bit the satisfying, cotton candy-mystery TV puffery that these other hit CBS mystery series were! It was far from amazing, but it was genuinely enjoyable as a latter-day example of pure formula TV made uniquely entertaining and compellingly watchable by all the ingredients that comprised the singular imprint of an Aaron Spelling production!

The original BURKE'S LAW from the 1960s was, in it's day, as much a popular detective series with "style" as THE AVENGERS were. That does not mean it was as well written as the best AVENGERS episodes were. The best BURKE'S LAW episodes concentrated on the mystery plotting rather than the social satire of Steed and Ms Peel. But the central idea, about a millionaire Police Chief in L.A. was picked up and reused within a decade in MACMILLAN AND WIFE with Rock Hudson and Susan Saint James. The use of dozens of Hollywood movie figures as suspects in the plots of the BURKE'S LAW episodes would become a model for such later shows as COLUMBO and MURDER SHE WROTE.

To keep up with changes in the audience (in the wake of the James Bond phenomenon), the network changed the original to a spy series starring Gene Barry again as Amos Burke, but that turned out to be a flop. So it left the screen. Barry would soon return to television with Robert Stack and Tony Franciosa in THE NAME OF THE GAME, so his career continued to flourish.

Than, in 1994, BURKE'S LAW returned for a new season. The only difference was that Amos was now a widower with a grown son named Peter, played by Peter Barton. The basic character of the Chief of Police was kept by Barry, who mingled brains, elegance, and a sly wit (culminating in his "interpretations" or "popularizations" of rules of law) when explaining some situation confronting his solving a case with his son's assistance.

Again there were many familiar faces, but now many were from the first two generations of television (understandably, as the old Hollywood faces who appeared in the 1960s were dead or dying our). In one episode, a Judge who realizes the short-comings of the criminal justice system (with a degree of humor) was played by Sherman Helmsley of THE JEFFERSONS. But what showed the limitations of the revival was only apparent to people who watched the original. They were reusing old screenplays and story lines.

For example: One episode dealt with a famous magician who was performing a Houdini like escape by being sealed in a coffin, and sunk into a pool for twenty four hours. The coffin is brought to the surface, but the hotel doctor notices something odd when the coffin is opened. He goes over to the magician and examines him - and announces the magician has died, but from being shot. As the pool had underwater cameras trained on it, nobody can figure out how the magician got murdered.

Now this happened to be a very fine episode on the original series. The hotel doctor in that episode was Paul Lynde, who naturally played the part for every drop of humor that could be squeezed (he keeps moping about the fact that he has just started working at this luxury hotel, and his bosses will not like that his first claim to public attention was this garish murder case). The actor playing the magician was not a well known one.

But when it was remade in 1994, the magician was played by John Astin, and instead of only appearing at the very start of the episode only, Astin made a surprise second appearance in the later part of the episode as a kind of visual trick. The hotel doctor was played by Tom Bosley, but with more seriousness than Lynde showed in the original. Other actors (including Roddy MacDowell) popped up in the episode as rival magicians who may have killed Astin. The solution, however, remained the same as in the original version.

Another episode was a repeat of the story that was in the original series where Anne Francis popped up as female detective Honey West. Francis's West would go on to have her own series on television for a year or two as a result of the appearance in the first series.

Of course the scripts had to be rewritten to give Peter Burke as much to do as his father Amos. But the fact that the episodes became retreads of originals showed that the series had not been well thought out after all. For old time fans it must have seemed a let-down to see the old tales repeated (especially as you could guess the solutions). For new audiences, there was the problem of attracting new fans with characters they could get involved in. Barry and Barton tried, but the father and son team did not work very well. It was entertaining enough, but not as memorable as the original had been.