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6,0/10
5155
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn expert in "kenpo" karate avenges his Koreatown friend, slain by a mobster in Los Angeles.An expert in "kenpo" karate avenges his Koreatown friend, slain by a mobster in Los Angeles.An expert in "kenpo" karate avenges his Koreatown friend, slain by a mobster in Los Angeles.
- Regia
- Sceneggiatura
- Star
John Koyama
- Porsche
- (as a different name)
Recensioni in evidenza
Where can I learn to fight like that? This movie is fantastic. The fight scenes are choreographed perfectly and make Speakman out to be a good fighter, but not invincible(he does get hit a few times, quite nastily I might add). This is much better than a Steven Seagal film where he never suffers one blow from the bad guys. The way Speakman moves is breathtaking. Its almost hard to believe that what he's doing is actually a martial art. But it is. And he does it so well.
The plot in this movie is simple: its just another revenge flick. This makes the movie easier to watch because you don't have to really watch the plot, just the action. Its rather disappointing that after this and Street Knight, speakman was reduced to doing low-budget films. He deserves another big budget movie like this. Fantastic action, fantastic martial arts choreography make this a 10/10 movie. If you haven't seen it yet you must WATCH IT NOW.
The plot in this movie is simple: its just another revenge flick. This makes the movie easier to watch because you don't have to really watch the plot, just the action. Its rather disappointing that after this and Street Knight, speakman was reduced to doing low-budget films. He deserves another big budget movie like this. Fantastic action, fantastic martial arts choreography make this a 10/10 movie. If you haven't seen it yet you must WATCH IT NOW.
Jeff Speakman really shines in this early 90's beat em' up. He has a lot of charisma, good screen presence and great fighting skills. Directed by Mark DiSalle who made JCVD classics Bloodsport and Kickboxer previous to this. When his family friend Kim is harassed then murdered by the Korean crime syndicate, Jeff Speakman beats up many bad guys on his mission for justice. The pace is quick with much well choreographed martial arts action. The support cast is great with Mako, James Hong, Professor Toru Tanaka, James Lew as well as many Asian Hollywood regulars that worked during this period.If you like the Van Damme and Segal movies of the late 80's/early 90's you will most likely dig The Perfect Weapon. It is too bad Jeff Speakman did'nt make many films with a decent budget. If he had the chance to do more projects of the same caliber and quality as TPW, he would be a household name in the action genre.
THIS IS AN ABSOLUTE MASTERPIECE! This is one of the best martial arts movie I've ever seen. Way to go Jeff Speakman!!! You make Jean Claude Van Damme look like a fly on the wall. You should of been in Expendables 2! I DEFINITELY CAN NOT SAY THE SAME FOR JEAN CLAUDE! I wish you were in more movies because I only remember a good handful that are decent. This completely teaches the viewer the meaning of what it is to be self-discovering. This is just a golden gem that needs to be discovered by martial arts collectors all over the world. If you like fighting movies I would highly recommend you go on a hunting spree for this movie because it is such a rare treat that needs to be cherished by everybody in the world. R.I.P. John Dye, Mako, and Professor Toru Tanaka you guys will always be remembered for your roles in this perfectly Supreme movie, from my childhood. Jeff if you are reading this I just want you to know, you should come back to making these kinds of movies, your presence is missed dearly.
This is one of my all time favorite martial arts flicks. Is the acting going to win any awards? No. But what makes it great is that Speakman takes hits when he is fighting, a lot of hits and sometimes he goes down and other times he uses incorporates the hit into his attack but he isn't Superman and he does take a beating. This gives the fight scenes a realism missing from so many movies of this kind. Unfortunately in his small catalog of movies Speakman never had another of this level. As much as I want to like LWM (and part of me still loves the movie) I hate Chuck Norris too much to separate his nonsense from his characters. I know this statement will win me no love for this review but Jeff Speakman should have had that long, successful run over crazy old Chuck Norris.
Jeff Speakman's performance in "The Perfect Weapon" is awesome. This plot is able to magnificently interweave furious action sequences with the literary theme of the return home. While the plot differs markedly from that of "The Odyssey" by the epic bard Homer, there is still one vital thread that can be explored: both heroes return home after a long exile to kick ass and reclaim their positions in society. The ensuing list of possible contrasts and comparisons is exhausting if not infinite. However, if one is to understand one point, it is that in both works, martial arts are employed to signify the process of social transition; the re-integration of the hero into society.
To be a little less formal, let use the martial arts aspect as a segue into a nifty little observation. Jeff Speakman is a reasonably well known proponent of Ed Parker's Kenpo Karate, developed in U.S. during the 1940s and 1950s. "The Perfect Weapon" is an excellent primer on the power and wisdom of this art. The clearest example of this exposition is at Master Lo's Kenpo school, where Speakman learns both the skills and valuable lesson he will keep with him for the rest of his life; the most important being the difference between the tiger and the dragon. Yet, the movie is set in Koreatown, where Tae Kwon Do is the martial art du jour. The korean flags are prominent in the gym scene, and the references to Korean culture abound. There appears then, to be a subtle not so subtle match up between Kenpo Karate and Tae Kwon Do. The climax of this tension comes as Speakman confronts Leo Lee (Bandana) in the gym, looking for a guy who is 'good in Tae Kwon Do.' Does the ensuing three on one fight symbolize the clash of fighting styles? No one will ever know what Ed Parker or Mark DiSalle wanted to achieve here, but the contrast is too present to be simply a coincidence.
Alas, all reviews must end somewhere, and though I have much more to say, I will end my two cents with a small criticism of the action in the film. Anyone with a decent amount of martial arts experience will note that in the final warehouse scene, the knife attacks are undoubtedly more akin to training exercises than to real street techniques, but then again that may have been purposely done. It is also worth noting that this author has minimal training in Kajukenbo (an art based on Kenpo) and is far from an expert in the field.
The one thing that I can say with reasonable auctoritas is that this movie is electric from start to finish.
To be a little less formal, let use the martial arts aspect as a segue into a nifty little observation. Jeff Speakman is a reasonably well known proponent of Ed Parker's Kenpo Karate, developed in U.S. during the 1940s and 1950s. "The Perfect Weapon" is an excellent primer on the power and wisdom of this art. The clearest example of this exposition is at Master Lo's Kenpo school, where Speakman learns both the skills and valuable lesson he will keep with him for the rest of his life; the most important being the difference between the tiger and the dragon. Yet, the movie is set in Koreatown, where Tae Kwon Do is the martial art du jour. The korean flags are prominent in the gym scene, and the references to Korean culture abound. There appears then, to be a subtle not so subtle match up between Kenpo Karate and Tae Kwon Do. The climax of this tension comes as Speakman confronts Leo Lee (Bandana) in the gym, looking for a guy who is 'good in Tae Kwon Do.' Does the ensuing three on one fight symbolize the clash of fighting styles? No one will ever know what Ed Parker or Mark DiSalle wanted to achieve here, but the contrast is too present to be simply a coincidence.
Alas, all reviews must end somewhere, and though I have much more to say, I will end my two cents with a small criticism of the action in the film. Anyone with a decent amount of martial arts experience will note that in the final warehouse scene, the knife attacks are undoubtedly more akin to training exercises than to real street techniques, but then again that may have been purposely done. It is also worth noting that this author has minimal training in Kajukenbo (an art based on Kenpo) and is far from an expert in the field.
The one thing that I can say with reasonable auctoritas is that this movie is electric from start to finish.
Lo sapevi?
- QuizStar Jeff Speakman signed a multi-picture deal at Paramount. One of the two of the two planned movies was a sequel to this film, and another script Paramount optioned about a cop fighting a terrorist. After the Paramount deal fell through, that script went on to Twentieth Century Fox and became Speed (1994).
- BlooperWhen "Jeff" is fighting the gang of thugs in the antique store at the beginning, he knocks the guy through the window (same one he pulled through at the start of the fight). When the guy is shown landing, there is a glimpse of a blue landing mat just outside the window.
- Curiosità sui creditiBefore the credits there is the following line: 'This film is dedicated to Ed Parker and the spirit of Kenpo.'
- Versioni alternativeTV versions airing on TBS have two additional scenes in which Jennifer (Mariska Hargitay) has lines: one after Kim's funeral, in which she and Jeff catch up; and the other some days later, in which Jennifer and Jeff share a kiss before ninjas attack the two at the garden where she works. Theatrical and video versions have edited out any romance between Jennifer and Jeff in the story.
- ConnessioniReferenced in Hollywood Stuntmakers: Fantastic Fights (1991)
- Colonne sonoreThe Power
Written by Michael Münzing (as Benito Benitez), Luca Anzilotti (as John Garrett III) and Toni C. (as Tony C.)
Performed by Snap!
Courtesy of BMG Ariola Munich/Logic/Arista Records
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Dettagli
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 14.061.361 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.934.572 USD
- 17 mar 1991
- Lordo in tutto il mondo
- 14.061.361 USD
- Tempo di esecuzione1 ora 25 minuti
- Colore
- Proporzioni
- 1.85 : 1
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