Le avventure di Rocketeer

I've always surprised when people don't like this movie. It was one of my favorites at the time, and it has aged very well. It's a real "retro 30's" picture, like "The Shadow", instead of being a modern reinterpretation of such movies like the Indiana Jones films (which I also like very much).

The reviews cover the plot enough, and there are no real surprises here, but it's great family fun. My kids really love this movie, and I end up watching it every year or two, and I have never tired of it. When it came out there were apparently sequels planned, but it got killed at the box office by T2, which ran over everything that summer, so Disney never did anything with the show. They have recycled the atmosphere and the music in the "Soaring over California" ride at DCA, and I have to say it always makes me wistful that the movie never got a sequel.

By the way, the movie doesn't follow the comics that closely, which I don't mind, but if you are a purist and a fan of the "graphic novels", you might keep that in mind.

THE ROCKETEER

Aspect ratio: 2.39:1 (Panavision)

Sound format: 6-track Dolby Stereo SR

(35mm and 70mm release prints)

Based on Dave Stevens' graphic novel, this very un-Disney-like Disney movie is a joy from start to finish, a two-fisted tribute to the serials of yesteryear which combines nostalgia for the innocence of ages past with the Art deco gloss of a world on the brink of war. Bill Campbell (from TV's "Tales of the City") plays a 1930's air ace who stumbles on a jet-propelled device that allows its wearer to fly at high speeds, a device coveted by law enforcement agencies, gangland criminals, Howard Hughes (!), and a Nazi villain (Timothy Dalton) masquerading as a Hollywood heartthrob.

Handsome and talented, Campbell plays the title role with just the right amount of wide-eyed candor and boyish charm, and he's supported by a veritable who's-who of Hollywood's finest character actors, including Alan Arkin, Paul Sorvino, Terry O'Quinn, Ed Lauter, Jon Polito and Eddie Jones, alongside Tiny Ron as a hulking henchman clearly modelled after Rondo Hatton (courtesy of Rick Baker's rubbery makeup), whose speciality is - you guessed it - *snapping spines*! Sadly, Jennifer Connelly is unable to make much of an impression as Campbell's eye-candy girlfriend, an old-fashioned heroine who lacks autonomy and is almost entirely dependent on her co-star's strength and bravery. That small blip aside, director Joe Johnston (HIDALGO) plays the whole thing straight, without even a hint of camp (when Campbell asks how he looks in his spiffy 'Rocketeer' outfit, Arkin deadpans: "Like a hood ornament!"), and while the characters are mere stock figures, they're played with real integrity by an enthusiastic cast, and the film's many set-pieces culminate in a showstopping finale on board an exploding zeppelin high above the Hollywood hills! Yep, this is one movie where you *definitely* get your money's worth!!

Produced today, the script (by Danny Bilson and Paul De Meo) might have been co-opted by some overpriced 'star' whose off-screen notoriety could sap the magic out of every frame. It's the fact that Campbell WASN'T a household name during filming, and that the production dares to celebrate the movies of a bygone era without simultaneously mocking its references, which makes THE ROCKETEER so special. It carries none of the baggage that a major celebrity would have brought to it, and is simply a thrill-ride, no more or less, packaged and presented as a widescreen spectacle for audiences young and old (and DO try to see the film in its original Panavision dimensions). Incredibly, the movie underperformed at the American box-office, despite playing in 70mm (blown up from the original 35mm) at selected venues, though it has since found an appreciative audience on TV and home video. Originally released in the UK as ROCKETEER, an unnecessary abbreviation.

This movie had a lot of hype around it before it was released. So much, I think, that many people were disappointed when it finally arrived in theaters. There were posters galore and rumors that Jennifer Connelly and Bill Campbell were dating, etc., etc.

It's too bad, as it's a nifty little film with LOTS of special little touches. What I really appreciated were wonderful little homages to the 1930s and 1940s--such as showing Campbell flying a Gee Bee Racer (how they did this scene I don't know), extensive Art Deco styling in the movie, the zeppelin and the villain on the zeppelin that was made to look exactly like Rondo Hatton--a very seldom talked about actor who starred in just a handful of horror-suspense movies of that era. After all, how many would remember Hatton and the Gee Bee Racer? I like these little touches.

Aside from all this, it's a good film. Great, maybe not, but very different and a nice tribute to the Commander Cody films (which featured a jet packed hero in movie serials).

I was chomping at the bit, waiting for this movie to come out, back in 1991. I had loved the Dave Stevens comics since I first encountered them (ironically, at the same time I had read about Bettie Page in an article about Bunny Yeager, in a photography magazine). The comic captured the spirit of 1930's aviation pulps, as well as the Doc Savage crowd. It also brought along that Republic Studios flavor. I couldn't wait to see this as a movie.

The movie captured the spirit of the comics beautifully. Sure it was disappointing that Doc Savage couldn't be included, but Howard Hughes made a sensible substitution. I was a bit annoyed that Disney felt they had to change Betty into Jenny, but with Jennifer Connelly in the role, I was in a forgiving mood. The film was full of action and humor, cliffhangers and character; just like Stevens' creation. If there was anything to criticize, it was the toning down of Betty/Jenny. Yeah, I know, this is Disney, and she was far tamer in the comics than the real Betty/Bettie Page; but, hey, a guy can hope.

Bill Campbell was perfect for Cliff Secord. He had that All-American look, with an impish twinkle in his eye. Watching the movie, you could see the excitement when he was flying, and that he was head over heels in love with Jenny.

Alan Arkin made a great Peevy, although he was far less cantankerous than his print counterpart (incidentally, Peevy was based on Doug Wildey, creator of Jonny Quest). He was more of a Connecticut Yankee than grouchy mechanic.

Timothy Dalton made a great pseudo-Errol Flynn. I wasn't too happy that they trotted out that Flynn-as-Nazi Spy nonsense; but, it works beautifully for the story. Paul Sorvino made a great 30's mobster, too. Add Tiny Ron as Lothar, modeled after Rondo Hatton, and you have some pretty fun villains.

Then, there's Jennifer Connelly, one of the most beautiful and talented actresses in Hollywood. As I said, I had hoped for a little sexier character; but, the compromise was still pretty good. Connelly brought both a wholesomeness and sex appeal to the role. She looked great in the period clothing, too.

Everything about this film worked. The period detail was first rate, from the costumes, to he set design, to the slang. The only thing that would have improved this would have been to make more films. This is a great film for the whole family and captures the spirit of Republic and the pulps as well as Indiana Jones did.

This film's a bit of a hard sell to general audiences. There have been more than a few knowing homages to serials (the Indiana Jones series being the most obvious), but this isn't really one of those. Rather than making a modern film that references old films, this is pretty much a serial with a $40 million budget and (at the time) modern effects. It's deliberately old fashioned and will work for you to the extent that you enjoy action stuff from simpler times. I do ... so I enjoy this.