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Once Upon a Time... When We Were Colored

  • 1995
  • PG
  • 1h 55min
VALUTAZIONE IMDb
7,4/10
586
LA TUA VALUTAZIONE
Once Upon a Time... When We Were Colored (1995)
DrammaRomanticismo

Aggiungi una trama nella tua linguaA narrator tells the story of his childhood years in a tightly knit Afro-American community in the deep south under racial segregation.A narrator tells the story of his childhood years in a tightly knit Afro-American community in the deep south under racial segregation.A narrator tells the story of his childhood years in a tightly knit Afro-American community in the deep south under racial segregation.

  • Regia
    • Tim Reid
  • Sceneggiatura
    • Clifton L. Taulbert
    • Paul W. Cooper
  • Star
    • Al Freeman Jr.
    • Phylicia Rashad
    • Leon
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,4/10
    586
    LA TUA VALUTAZIONE
    • Regia
      • Tim Reid
    • Sceneggiatura
      • Clifton L. Taulbert
      • Paul W. Cooper
    • Star
      • Al Freeman Jr.
      • Phylicia Rashad
      • Leon
    • 9Recensioni degli utenti
    • 8Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 3 vittorie e 2 candidature totali

    Foto14

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    Interpreti principali56

    Modifica
    Al Freeman Jr.
    Al Freeman Jr.
    • Poppa
    Phylicia Rashad
    Phylicia Rashad
    • Ma Ponk
    Leon
    Leon
    • Uncle Melvin
    Paula Kelly
    Paula Kelly
    • Ma Pearl
    Salli Richardson-Whitfield
    Salli Richardson-Whitfield
    • Miss Alice
    • (as Salli Richardson)
    Anna Maria Horsford
    Anna Maria Horsford
    • Miss Annie
    Bernie Casey
    Bernie Casey
    • Mr. Walter
    Isaac Hayes
    Isaac Hayes
    • Preacher Hurn
    Ray J
    Ray J
    • Cliff (12 Yrs.)
    • (as Willis Norwood Jr.)
    Karen Malina White
    Karen Malina White
    • Mary
    Damon Hines
    • Cliff at 16
    Iona Morris
    Iona Morris
    • Nila Fontaine
    Phill Lewis
    Phill Lewis
    • Sammy (19 Yrs.)…
    Taj Mahal
    Taj Mahal
    • Mr. Will
    Polly Bergen
    Polly Bergen
    • Miss Maybry
    Richard Roundtree
    Richard Roundtree
    • Cleve
    Braxton Brown III
    • Sammy (7 Yrs.)
    Frank Hoyt Taylor
    • Straw Boss
    • (as Frank Taylor)
    • Regia
      • Tim Reid
    • Sceneggiatura
      • Clifton L. Taulbert
      • Paul W. Cooper
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti9

    7,4586
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    Recensioni in evidenza

    futures-1

    Neither the KKK or Hallmark Card Company

    "Once Upon a Time When We Were Colored" (1996): Set in the deep American South, over the years 1946-1962, and told as biography, this is the story of one boy's memories of being raised in the Cotton & Bible Belt. He's poor, his family is in pieces, he's Black, he's surrounded by the KKK…and yet, this is a soft, even soft-focus look back at the people who DID provide community family, did not dwell on their poverty nor make their race the focal point of a normal day. We are so accustomed to angry, relentlessly violent films about the racial divides, this film could easily be taken as a Hallmark Card presentation…but SOMETHING about it tells me otherwise. Yes, problems are depicted, and yes, the times they were a-changin', but not as fast or dramatically as we've come to accept from the quick flip of a few pages in history class. I LIKE the pace of this film. It's slow, warm, often funny, occasionally sugary, sometimes sad or maddening, but for the most part it's a nostalgic look back at the GOOD parts of black author's childhood.
    7calm

    Too Nice!

    This was a very nice, scaled down version of how it really was in the Deep South. The movie did not even begin to depict the real horror Blacks faced each day. There was just a hint of the KKK, Jim Crow and the plantation mentality Blacks had to endure. I kept waiting for those historical, explosive events, we all knew to be the law of the land, to explode onto the screen, but it never happened.

    Life was unbearable; Blacks were looked upon as animals and treated as such. I walked away from this movie feeling like life was almost a bowl of cherries.

    I find it so odd that people are tired of hearing about the Black experience but never get tired of all the holocaust movies. 6 million Jews were slaughtered over a 6 year period (approx) -- hundreds of thousand Blacks were hung, beaten, raped, shot, humiliated and abused to death over a period of 150+ years, not to mention the suicides that took place on the slave ships in route to America. Admittedly, the holocaust was an atrocity, hopefully never to be repeated, while discrimination of Blacks is still a reality. Too bad there are no great movies that tell the Black Plight the way it should be told.
    3cjjaytha

    This movie was pretty bad

    It just touchdown little things that happened in the era didn't really stick to any things. And when it came to the very ending they could have delved into that a little more but they didn't. One thing that irritates me the most is that the lead character has a pretty terrible mother and it wasn't acknowledged in any way if this is a true story I wonder how he feels about the end result which sadly he probably like because it was an All-Star cast
    Doctor_Bombay

    A special film, heartfelt, soft spoken.

    Tim Reid has not been ‘that guy from WKRP' for some time now. And no, he wasn't Isaac on The Love Boat either. He still finds himself in too many schlocky TV movies, and weak situation comedies. One must pay the rent, and no one can argue with that.

    More and more a champion of black film, he has been careful, deliberate in his choice of projects. Once Upon a Time When We Were Colored, elevates him, appropriately, as a serious filmmaker, black, white, or otherwise.

    This is not a ‘new' film, but it is a different approach. An insightful look into Afro-American existence during turbulent times, the focus is on the community, rather than the oppression, the individuals rather than the cause. The result is every bit as effective in getting the message across. ‘You get more flies with honey…'

    Al Freeman Jr. gets a well-deserved opportunity to show that he's not just some kind of TV Morgan Freeman. His portrayal of Poppa, the family patriarch is wonderful and slighted unfortunately by the Academy. Even the Image awards overlooked him, preferring to bestow honor on the over-cooked and under-talented Phylicia Rashad, one of the only weak links in this strong cast. Bernie Casey and Richard Roundtree both play well against their macho-type.

    Don't expect to be hit over the head with the ideas of this film. Just let it ease you on down the road, and, take a look around, every so often as you do.
    glaber

    The Value of Balance

    I am very fond of this film, and I have had the opportunity to hear Clifton Taulbert speak in person. I think the point of the film is that while black people who had to endure much during the 100 years that followed the civil war they still managed to create many supportive communities. In addition there were good role models for young people like Clifton Taulbert. As a response to the undeniable oppression, the black community of Glen Allen, Mississippi, bonded and supported one another. It did, in fact, mean that their lives were made less miserable. They experienced joy and fellowship as well as oppression. They refused to take on victim-hood as an identity. At the same time, there was a vigorous challenge to the status quo. I don't think the movie is too sentimental, or inaccurate.

    I have shown this movie to students many times and it has never failed to move them to a real concern for the condition of minorities. It reaches these students on an emotional level, and it gets them interested in learning more about the issue of human rights. That is no small feat.

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    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      When Melvin tells the group of elders all the benefits of living up North, he says that Colored men even drive buses. Preacher Hurn replies "Shut yo' mouth!" Isaac Hayes wrote the theme to Shaft il detective (1971), and Richard Roundtree played the titular character.
    • Citazioni

      narrator: Everyone clung to the idea that if you worked hard, you get a piece of the American dream.

    • Connessioni
      Featured in Siskel & Ebert & the Movies: Screamers/Richard III/Bed of Roses/Once Upon a Time When We Were Colored/Angels and Insects (1996)
    • Colonne sonore
      Maybe Tomorrow
      Written and Performed by Lionel Cole

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    Dettagli

    Modifica
    • Data di uscita
      • 26 gennaio 1996 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Luoghi delle riprese
      • Wilmington, Carolina del Nord, Stati Uniti
    • Aziende produttrici
      • BET Pictures
      • United Image Entertainment
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 2.291.255 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 75.675 USD
      • 28 gen 1996
    • Lordo in tutto il mondo
      • 2.291.255 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 55min(115 min)
    • Colore
      • Color
    • Mix di suoni
      • Stereo
    • Proporzioni
      • 1.85 : 1

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