VALUTAZIONE IMDb
5,4/10
36.721
LA TUA VALUTAZIONE
Una ragazza è tra i pochi sopravvissuti di una Terra distopica.Una ragazza è tra i pochi sopravvissuti di una Terra distopica.Una ragazza è tra i pochi sopravvissuti di una Terra distopica.
Recensioni in evidenza
It's the year 2033 and Kesslee, the leader of Water & Power holds the World in his clutches as he controls all H20 after the meteor hit creating vast desert wastelands, though tank girl and Jet girl team up with some scientific kangaroo creations called Rippers who want to bring down Water and Power.
What you get is a very colourful over-the-top and in-your-face film on a British cult comic strip. I have never read any of these comic books, so I don't know how true the film is- but from what I mostly heard and read, it's not- but who cares it looked like it would be a fun viewing.
After watching this mess I don't know why? As I just couldn't bear to fully bag it out and that's why I gave it 5. I know it was trash- but still I found it visually good and kinda amusing in a stupid way.
The script is awfully bad, the performances were mostly ludicrous and direction was quite tragic, as the scenes just seem to limp along without any panache. Though the film makes up for it with its upbeat soundtrack that was coordinated by Courtney Love and featuring the likes of Bjork, Hole, Iggy Pop, Bush and Veruca Salt, while it's vibrantly rich and bizarre comic backdrop is quite eye-catching, even though the sets do look kind of cheap. The added comic cartoon interludes throughout the film I found to be more satisfying at times than the actual live scenes, making you think it would have probably been better if they stuck to a cartoon version.
The performances I had mix feelings about. Lori Petty as Tank Girl was fair and brings a chirpy attitude- but the humour at times was a bit stale, especially some of her cringe-worthy one-liners and from what I grasp about the character she was playing she totally looked the part but was no where near what she acts like in the comic series. Namoi Watts as Jet Girl I thought was the standout, which isn't saying much- but she was far subtle and innocently sweet and that worked for me. Malcolm McDowell wasn't too bad, as he really hams it up as the villain Kesslee and Ice-T as a Ripper is unrecognisable and fairly irritating- but anyway what's new?
The direction was really muddled, mainly flashier- but no substance in the scenes to make it stand out from the average Sci-fi film and the pace of the film was a bit patchy in spots, such as the flat musical scene and when Tank and Jet girl were hanging out with the rippers at their base. The Ripper designs were reasonably good by Stan Winston, with each with their own personality and distinguishing features- but that didn't make them likable.
While the plot, if there was one was just basically a been there done that feel and lack any sort of detail and urgency. I thought the story started out alright and was quite lively but it kind of lost steam halfway through and especially when the annoying Rippers took centre stage. There are some interesting elements thrown into the mix, like the device that sucks water out of people.
For me it's one of those films that it's so bad, it's good entertainment. So it breaks even for me.
What you get is a very colourful over-the-top and in-your-face film on a British cult comic strip. I have never read any of these comic books, so I don't know how true the film is- but from what I mostly heard and read, it's not- but who cares it looked like it would be a fun viewing.
After watching this mess I don't know why? As I just couldn't bear to fully bag it out and that's why I gave it 5. I know it was trash- but still I found it visually good and kinda amusing in a stupid way.
The script is awfully bad, the performances were mostly ludicrous and direction was quite tragic, as the scenes just seem to limp along without any panache. Though the film makes up for it with its upbeat soundtrack that was coordinated by Courtney Love and featuring the likes of Bjork, Hole, Iggy Pop, Bush and Veruca Salt, while it's vibrantly rich and bizarre comic backdrop is quite eye-catching, even though the sets do look kind of cheap. The added comic cartoon interludes throughout the film I found to be more satisfying at times than the actual live scenes, making you think it would have probably been better if they stuck to a cartoon version.
The performances I had mix feelings about. Lori Petty as Tank Girl was fair and brings a chirpy attitude- but the humour at times was a bit stale, especially some of her cringe-worthy one-liners and from what I grasp about the character she was playing she totally looked the part but was no where near what she acts like in the comic series. Namoi Watts as Jet Girl I thought was the standout, which isn't saying much- but she was far subtle and innocently sweet and that worked for me. Malcolm McDowell wasn't too bad, as he really hams it up as the villain Kesslee and Ice-T as a Ripper is unrecognisable and fairly irritating- but anyway what's new?
The direction was really muddled, mainly flashier- but no substance in the scenes to make it stand out from the average Sci-fi film and the pace of the film was a bit patchy in spots, such as the flat musical scene and when Tank and Jet girl were hanging out with the rippers at their base. The Ripper designs were reasonably good by Stan Winston, with each with their own personality and distinguishing features- but that didn't make them likable.
While the plot, if there was one was just basically a been there done that feel and lack any sort of detail and urgency. I thought the story started out alright and was quite lively but it kind of lost steam halfway through and especially when the annoying Rippers took centre stage. There are some interesting elements thrown into the mix, like the device that sucks water out of people.
For me it's one of those films that it's so bad, it's good entertainment. So it breaks even for me.
Based on the British cult comic-strip, our tank-riding anti-heroine (Lori Petty) fights a mega-corporation, which controls the world's water supply.
This film is a very unusual adaptation, comparable to "Super Mario Bros" in how bizarre it turned out to be. Perhaps luckily, the "Tank Girl" comic never had the level of followers as the Mario Brothers, so there were fewer people to complain.
The film has an interesting parallel with "Waterworld", coming out around the same time and both concerned with water: one film has too much and the other not enough. This one, however, has the great soundtrack. Not to mention Malcolm McDowell, Iggy Pop and a pre-stardom Naomi Watts. With all due respect to Dennis Hopper, this is the better lineup.
This film is a very unusual adaptation, comparable to "Super Mario Bros" in how bizarre it turned out to be. Perhaps luckily, the "Tank Girl" comic never had the level of followers as the Mario Brothers, so there were fewer people to complain.
The film has an interesting parallel with "Waterworld", coming out around the same time and both concerned with water: one film has too much and the other not enough. This one, however, has the great soundtrack. Not to mention Malcolm McDowell, Iggy Pop and a pre-stardom Naomi Watts. With all due respect to Dennis Hopper, this is the better lineup.
Interesting concept, creative art style, cute characters and a goofy tone throughout but that's about it. It's like the generic romantic comedy of light cyberpunk(ish?) movies, lacks real depth, has one gear and sticks to it and last but not least can't build on the universe. This is unforgivable in any movie which asks that little bit more from the audience to suspend disbelief, like one set in a post apocalyptic Australia ruled by the iron fist of a mega corporation in a fascistic regime. The creators probably thought the silly tone would make the audience overlook this lack of story building but as a result the movie ultimately falls short of the premise and fails to capitalize on the aforementioned positive aspects.
As a final note, this movie is not cyberpunk. It has some influences (just like the comic series) of cyberpunk but that is as far as it goes.
As a final note, this movie is not cyberpunk. It has some influences (just like the comic series) of cyberpunk but that is as far as it goes.
This movie may not be a masterpiece, but it is a testament to an era of movie making in which people still made movies for fun. Not all movies have to be high budget Hollywood movies trying to sell to China. Not all movies have to have serious plots, serious characters, and expensive action scenes. People's hatred of anything different is the reason why so many movies today are so unoriginal and dull. Anytime anyone tries anything outside of the standard formula, people rate it lowly and say it was the worst movie ever.
This one is destined to be a cult classic, if it already isn't. I have not seen the comic book but if you like your movies a little off kilter then, this one is great! Lori Petty was so perfect for the roll of Tank Girl it hurts. Not only does she look the part but she also manages to spout the one-liners in a way that has to make you laugh. I love the way they combine images from the comic strip with the live action. A kick-butt soundtrack, along with a great cast, and an awesome script makes this movie a must-see for any odd comedy fan.
Lo sapevi?
- QuizMalcolm McDowell has spoken favorably of his experience working on the film, saying it had the "same flavour" as Arancia meccanica (1971), and praised Rachel Talalay and Lori Petty.
- BlooperNear the end, when Rebecca and Kesslee are fighting, she kicks him off the platform. When he lands with his cybernetic arm trapped in the gear, his real hand is visible through a large gap in the fake hand.
- Curiosità sui creditiBoom Operator - Freddy Potatohead
- ConnessioniFeatured in Siskel & Ebert & the Movies: The Worst Films of 1995 (1996)
- Colonne sonoreArmy of Me
Written by Björk (as Bjork Gudmundsdottir) and Graham Massey
Performed by Björk (as Bjork Gudmundsdottir), Graham Massey, Nellee Hooper and Marius De Vries
Courtesy of Elektra Entertainment/Mother Records/One Little Indian Records
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- La chica del tanque
- Luoghi delle riprese
- White Sands National Monument, New Mexico, Stati Uniti(desert scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 25.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 4.064.495 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.018.183 USD
- 2 apr 1995
- Lordo in tutto il mondo
- 4.064.495 USD
- Tempo di esecuzione
- 1h 44min(104 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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