Amityville Dollhouse

Eddie Murphy gave the best indictment of the Amityville series' believability when, imitating the new owner of the house, he said, "Oh baby, this place is beautiful. There are trees here and dogs and its a beautiful neighborhood and..."

"Demon: Get out!"

"Too bad we can't stay baby."

Again, in this movie, all of the family's problems would be solved if they did one simple thing. Leave!!! Just leave the house. That's always been my policy when my dead relatives come through the closet and giant mice run under my bed. It's time to go! Why does it take these people so long to figure that out?

Even if they don't want to leave the house, why don't they just destroy the doll house? One sledge hammer blow and all their problems are over.

This is a movie that is so bad that you will call friends to tell them it's on just so they can be in on the badness. The real horror is that they keep making dreck like this, keep employing no-talent actors and writers, and waste valuable plastic that could go into useful items like dildos and replacement parts for George W. Bush's head.

A family moves into a new home and finds an antique dollhouse in the shed out back. It's restored and presenting to their daughter for a birthday gift and that's when all the weird stuff starts happening.

Amityville: Dollhouse does have some imagination every now and then even if it can't sustain tension for very long. There's some fun, icky vibes between the mother and her teenage stepson that could have gone further if they really wanted to disturb the viewer.

Bill Martin (Robin Thomas) and his new wife Claire (Starr Andreeff) move into the new house he built in the California mountains. In a shed outback he finds a cute little dollhouse designed just like the famous Amityville, NY abode. How this got here or who built it is never explained. This is no Barbie Dream House though as this dollhouse crushes Bill's gift bike for his daughter's birthday and the parents resort to the "this should make a great gift" routine. The eighth and final Amityville flick before they did the remake. After part 3, the producers felt they could circumvent the whole Amityville house thing by having various possessed items from the house be the gateway to terror. So we had a lamp (AMITYVILLE: THE EVIL ESCAPES), a confessional (THE AMITYVILLE CURSE), a clock (AMITYVILLE: IT'S ABOUT TIME) and a mirror (AMITYVILLE: A NEW GENERATION). So I guess a dollhouse isn't that ridiculous. This is actually a two-for-one deal as we get a possessed recycled fireplace too (there is general confusion as the house was built on foundation of an old house that blew up to suggest it was the Amityville house, but this is clearly set in California). I'm just glad they stopped with this one or we would have ended up with the likes of possessed toaster in AMITYVILLE: YOU'RE TOAST. Or an evil stove in AMITYVILLE: YOUR BLOOD BOILS. One thing this sequel does that is surprising is bring back the taboo sex angle from part 2, along they play it a bit safer with the stepmom lusting for the stepson. Other than that, it is pretty routine stuff with the occasional cool effect here and there (like the progressively rotting dad who haunts his young son a la John Landis' werewolf classic).

A perfect late-night sci-fi channel movie, and far more entertaining (for me) than the original Amityville.

The way the dollhouse creates different demons for each character, and the cheap but effective sfx, reminded me very much of the Creepshow or Graveyard Shift movies. Also, the 'fright' scenes skip along at a respectable pace and frequency, as opposed to other films which often plod through the middle.

Sure, the script contains some appalling lines and characterisation, and there are a few moments where more highly strung viewers would be screaming at the stupidity of the characters. I just smile.

With 15-20 years of further advances in sfx, and the cultural tendency of under 30's to confuse sarcasm with valid criticism, I can see why this film has such a low score on the IMDB. Individually, the elements don't stand up to a whole lot of scrutiny, but taken as a whole on its own merits (compared to similar films of the same period), I really enjoyed it. A few better lines, and better known actors, and there's no reason why people wouldn't look on this with the same sort of affection reserved for Poltergeist.

Don't miss if it's on TV.

My interest was starting to fade with the Amityville franchise, especially after "Curse'… but I wanted to see all the films and "Dollhouse" is probably the best sequel since "The Evil Escapes". Somewhat minor in that regards, but still better. Again it's another cheaply produced TV movie, but this time the cursed object happens to be a replica dollhouse of the Amityville house. Odd choice, but it did create certain creepiness. It affects the household in the usual manner, especially possessing the family and turning them against each other while feeding on the fear and anger it creates. Nothing really surprises here, as again it's a mixture of the previous films with its own slant. However it moves by fast enough, entertains with its twisted shocks, an eerie score effortlessly fits in and the characters for most part are fairly agreeable. Some of the make-up FX (that of our demonic guests) and special effects are well done, especially when the dollhouse becomes the gateway to hell. It gets crazy, but fairly entertaining. The cast give dependable turns with the likes of Robin Thomas, Rachel Duncan and Starr Andreeff. Neat, cosy horror that amuses despite its lack of new tricks.