VALUTAZIONE IMDb
6,9/10
9689
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA pharmaceutical scientist creates a pill that makes people remember their happiest memory, and although it's successful, it has unfortunate side effects.A pharmaceutical scientist creates a pill that makes people remember their happiest memory, and although it's successful, it has unfortunate side effects.A pharmaceutical scientist creates a pill that makes people remember their happiest memory, and although it's successful, it has unfortunate side effects.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 candidature totali
Erica Fairfield
- Wally's Daughter
- (as Erica Lancaster)
Jackie Harris Greenberg
- Natalie
- (as Jackie Harris)
Recensioni in evidenza
Certainly one of the few excellent films that I have seen David Foley in. I saw this, quite by chance, on television and I was amazed that I had not even heard of a film this good. It is several years since I saw it, and 8 since it was made, but this is truly worth seeing.
The plot is fairly run-of-the-mill comedic insanity, but the characters are what truly makes this so fun. The writing is very very good and I think complaints of bad language are bizarre in the context of this movie, because if you don't like the language how are you going to enjoy the sentiment...One character's key fantasy is being "sent in" to bugger enemy soldiers on maneouvres.
My favourite scene is the brainstorming session with the Ultra-Cool A**hole Advertising Executive who comes up with their slogan.
The plot is fairly run-of-the-mill comedic insanity, but the characters are what truly makes this so fun. The writing is very very good and I think complaints of bad language are bizarre in the context of this movie, because if you don't like the language how are you going to enjoy the sentiment...One character's key fantasy is being "sent in" to bugger enemy soldiers on maneouvres.
My favourite scene is the brainstorming session with the Ultra-Cool A**hole Advertising Executive who comes up with their slogan.
The audiences and critics seem split on the solitary feature effort from the Canadian comedy troupe "Kids In The Hall". Even Siskel and Ebert had a split love/hate feeling, respectively, about the film. But I was and shall remain a major fan of the television show and welcomed "Brain Candy" with open arms.
When the show aired it's final episode in 1994, I felt a sense of sadness overcome me. But without a doubt in my mind, I knew these five talented guys would continue to entertain the masses in some other forum.
Not too long after the conclusion to the five year run, I was dining in Toronto with my wife and I had the occasion to meet Bruce McCulloch and chat briefly with him, much to my wife's embarrassment. For the record, I feel that I chose an entirely appropriate time to approach him, not interrupting a conversation with his friend or his meal. After receiving an expression of my appreciation of the show, he answered an inquiry about future plans by telling me of a feature film project involving the whole cast. It wasn't until a couple of years later that the film was finally released, and I had been basically anticipating it the whole time. That said, I was not let down whatsoever.
I had heard in interviews with various "Kids" that their intention wasn't to re-use some of the old characters from the show at all, but as the script evolved, their were a number of instances where they just fit perfectly in to the story line. Also in such interviews, it came out that the troupe wasn't exactly always getting along perfectly which was part of the reasons for the group's disbanding. It seemed from such comments that this was a final farewell, but some of the members stated that they were not adverse to the idea of another one in the future.
Aside from the familiar masterful antics from the five comics, there are numerous shots of Toronto locations that show in more ways than one their prominent sense of Canadian pride about the whole production. For more elements of Canadiana, Craig Northey of "Odds", a favourite band of the "Kids", provided the score for the film, and the whole band collaborated on a couple of songs featured in the film as an important part of the story line. The only thing missing from the film, but not from the great soundtrack, is the familiar theme from the show, "Having An Average Weekend" by Shadowy Men On A Shadowy Planet. The opening bars of the theme always signified simultaneously something great and something sad about TV for me: It meant "Kids In The Hall" was either beginning or ending.
Another aspect of integrity that the "Kids In The Hall" maintained was the refusal to cut certain scenes that would be considered by many to be just on the edge of completely tasteless humour, particularly one character named "Cancer Boy". On CBC, they had their restrictions with content and subject matter, but in many ways they enjoyed much more freedom than many other shows ever experienced. But on HBO broadcasts, I presume they had a bit more free reign, especially with the language used.
And so all the "Kids" have all left home to do their own thing in various arenas of North America. As far as I'm concerned they're a national treasure as much as "Monty Python" is to Britain. We'll always have syndication.
When the show aired it's final episode in 1994, I felt a sense of sadness overcome me. But without a doubt in my mind, I knew these five talented guys would continue to entertain the masses in some other forum.
Not too long after the conclusion to the five year run, I was dining in Toronto with my wife and I had the occasion to meet Bruce McCulloch and chat briefly with him, much to my wife's embarrassment. For the record, I feel that I chose an entirely appropriate time to approach him, not interrupting a conversation with his friend or his meal. After receiving an expression of my appreciation of the show, he answered an inquiry about future plans by telling me of a feature film project involving the whole cast. It wasn't until a couple of years later that the film was finally released, and I had been basically anticipating it the whole time. That said, I was not let down whatsoever.
I had heard in interviews with various "Kids" that their intention wasn't to re-use some of the old characters from the show at all, but as the script evolved, their were a number of instances where they just fit perfectly in to the story line. Also in such interviews, it came out that the troupe wasn't exactly always getting along perfectly which was part of the reasons for the group's disbanding. It seemed from such comments that this was a final farewell, but some of the members stated that they were not adverse to the idea of another one in the future.
Aside from the familiar masterful antics from the five comics, there are numerous shots of Toronto locations that show in more ways than one their prominent sense of Canadian pride about the whole production. For more elements of Canadiana, Craig Northey of "Odds", a favourite band of the "Kids", provided the score for the film, and the whole band collaborated on a couple of songs featured in the film as an important part of the story line. The only thing missing from the film, but not from the great soundtrack, is the familiar theme from the show, "Having An Average Weekend" by Shadowy Men On A Shadowy Planet. The opening bars of the theme always signified simultaneously something great and something sad about TV for me: It meant "Kids In The Hall" was either beginning or ending.
Another aspect of integrity that the "Kids In The Hall" maintained was the refusal to cut certain scenes that would be considered by many to be just on the edge of completely tasteless humour, particularly one character named "Cancer Boy". On CBC, they had their restrictions with content and subject matter, but in many ways they enjoyed much more freedom than many other shows ever experienced. But on HBO broadcasts, I presume they had a bit more free reign, especially with the language used.
And so all the "Kids" have all left home to do their own thing in various arenas of North America. As far as I'm concerned they're a national treasure as much as "Monty Python" is to Britain. We'll always have syndication.
When I was growing up in the 80's, there were basically three camps of movies that were so incredibly funny that they were legendary among my peers and my generation. Those movies were the Monty Python films (Holy Grail, Life of Brian, Meaning of Life), the Mel Brooks classics (Blazing Saddles, Young Frankenstein), and the Airplane! movies. Kids in the Hall: Brain Candy is an awesome example of how funny a movie can be, and I hope that some day more people will see it that way and that it will achieve a cult status as a legend of great comedy. It did terribly at the box office, but that was just some unfortunate oversight. Brain Candy features uncanny wit, rollicking absurdity, hilarious zaniness, immaculately understated social commentary, and some of the best comic performances ever filmed (my personal favorite performances are Mark as Don Roritor and Scott Thompson as the clueless closeted gay guy). I believe that the particular kind of comedy in Brain Candy is not easy to enjoy during the first viewing, which is why you should watch it a few times. When the Kids' masterpiece starts sinking in to your head, you'll start getting a whole lot of laugh-returns on your investment.
Okay. Where to begin?
It's phenomenal. If you've ever watched a single Kids in the Hall episode and caught yourself stifling a guffaw for you feared laughing at an orgasming, androgynous chicken-lady(?) might classify you as a lunatic, go see Brain Candy.
If you haven't experienced that, go see it anyways.
I personally think it's the some of the best modern comedic writing there is out there. The troupe collated their ability to create off-the-wall scenes with a Monty-Python-esque flair of weaving the same actors into decidedly varying roles, and thus spawned a seriously non-serious satire of man's eternal search for happiness.
I saw this movie first in the theater, and the odd things is, I didn't laugh once during the entire showing. The true hilarity of the flic hit me several hours later as a friend and I mused its elusive intricacies in a coffee shop. We were nearly falling out of our chairs with just the simple mentioning of many of the scenes.
I made a point of seeing it again, and have never regretted adding it to my 'all time favourite' list.
Go see it.
Booyah.
It's phenomenal. If you've ever watched a single Kids in the Hall episode and caught yourself stifling a guffaw for you feared laughing at an orgasming, androgynous chicken-lady(?) might classify you as a lunatic, go see Brain Candy.
If you haven't experienced that, go see it anyways.
I personally think it's the some of the best modern comedic writing there is out there. The troupe collated their ability to create off-the-wall scenes with a Monty-Python-esque flair of weaving the same actors into decidedly varying roles, and thus spawned a seriously non-serious satire of man's eternal search for happiness.
I saw this movie first in the theater, and the odd things is, I didn't laugh once during the entire showing. The true hilarity of the flic hit me several hours later as a friend and I mused its elusive intricacies in a coffee shop. We were nearly falling out of our chairs with just the simple mentioning of many of the scenes.
I made a point of seeing it again, and have never regretted adding it to my 'all time favourite' list.
Go see it.
Booyah.
The TV show was funny as hell, although it was sometimes hit-and-miss ; but what sketch show isn't. This movie contains a well planned plot executed by a diverse but motley crew of characters. It makes you think that the BBC show League of Gentlemen isn't as original as you thought it was! Also, the impersonation of Lorne Michaels is spot-on, and makes you think the Dr Evil character from Austin Powers isn't as original as you thought either (as they are both spoofing Mr Michaels - who produced both SNL for Myers and Kids in the Hall).
Great fun... and try not to laugh out loud at the 'cancer boy' character.
Great fun... and try not to laugh out loud at the 'cancer boy' character.
Lo sapevi?
- QuizThe Cancer Boy character was a rather contentious part of the movie. A Paramount executive, who had a loved one suffering from cancer, was so offended by Cancer Boy when a rough cut was shown they demanded the character be removed from the film, but the Kids adamantly refused. The executive would get revenge by making sure the film had a limited theatrical release with little advertisements. Looking back, the Kids would admit that Cancer Boy ended up killing the film's chances financially, with Dave Foley and Kevin McDonald feeling they should have just relented and cut the scene so the movie would have gotten a wider release while Scott Thompson, Bruce McCulloch and Mark McKinney do not regret it artistically, feeling that Cancer Boy is a biting satire of celebrities who exploit sick children for publicity.
- BlooperWhen the psychiatrist writes a prescription for Gleemonex for the repressed gay character, we see a large microphone hanging from the patient's neck during an over-the-shoulder shot as he's sitting up on the couch.
- Citazioni
Raymond Hurdicure: Sorry we're a few hours late, there, Ma, but you know how the kids... uh... hate old people.
- Curiosità sui creditiAfter the credits, Mother Hurdicure is distressed over her grandson flying away with the balloons she gave him, and is queried by the boy's mother as to his whereabouts.
- Versioni alternativeThe Kids in the Hall originally filmed a different ending to the film where Dr. Chris Cooper (played by 'Kevin McDonald') fell into a coma and dreamed the ending. Apparently this included "an elaborate parade, complete with Coma Queens, candy-coloured floats, and a grinning mob", but unfortunately it scored poorly with test audiences. Paramount and the Kids re-evaluated the ending and agreed it lacked dramatic-weight and was "too scattered". They re-shot the ending in January.
- ConnessioniFeatured in Late Night with Conan O'Brien: Scott Thompson/Lee Roy Parnell (1996)
- Colonne sonoreSome Days It's Dark
by Craig Northey, Steven Drake & Bruce McCulloch
performed by Death Lurks
Death Lurks is Bruce McCulloch & Odds
produced by Nigel the Cat
Bruce McCulloch performs courtesy of Atlantic Recording Corp.
Odds perform courtesy of Warner Music Canada Ltd.
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 2.654.308 USD
- Fine settimana di apertura Stati Uniti e Canada
- 770.280 USD
- 14 apr 1996
- Lordo in tutto il mondo
- 2.654.308 USD
- Tempo di esecuzione
- 1h 29min(89 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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