Schegge di paura

this is one of the best murder mystery,psychological suspense films i have ever seen.this thing will keep you riveted and guessing right down to the end.this movie belongs to Edward Norton,who plays an alter boy accused of murdering a priest.this is an early film with Norton,in fact his first feature(big screen)film.his talent is undeniable even back then(1996).there a lot of layers to this movie and a lot going on.there are also a lot of plot twists and some red herrings(false clues)to help lead you to the wrong conclusions.Richard Gere is also in the film and he does good in his role,as does Laura Linney in her role.but like i said,this is an Edward Norton film.the success of the movie hinges on his performance.he delivers in a big way,so the film succeeds.i don't think you can go wrong with this film.i urge you to check it out.for me "Primal Fear" is a 9/10

Martin (Richard Gere) is a very successful attorney in the Chicago area. However, his workaholic and limelight-seeking tendencies ruined one relationship with an underling (Laura Linney). Now comes the case of all cases. The archbishop of Chicago has been brutally murdered and the suspect is an innocent looking vagrant named Aaron (Edward Norton). Martin decrees that he MUST represent Aaron so he offers the young man his services pro bono, knowing the publicity for the trial will place them both squarely in the news for weeks and weeks. Yet, there is much evidence against Aaron. Despite his stuttering and guiltless demeanor, is Aaron truly not the killer? And, what is more important, justice or winning a case? This is a great, great movie, in many diverse ways. First, the performances are outstanding, with Gere giving a fine turn as the hotshot lawyer and Norton truly jawdropping as the murder suspect who looks like a choirboy. Linney does a nice turn as the district attorney and the other cast members are very well chosen, too. The Chicago setting shows the place as it is, a mixture of both wealthy and dismally poor neighborhoods. Costumes, especially Gere's lawyer garb, are very nice. Then, too, the script, based on a novel by William Diehl, is first rate and full of twists and turns, with a stunning maneuver at the finale. There are a few brief scenes of graphic violence, as the murder itself comes quite near the film's beginning, so there may be moments when you need to look away from the screen, if you are a bit squeamish. Also, if you are Catholic, there may be some parts of the story that are a bit offensive. But, all in all, if you love Gere or you long for interesting, intelligent thrillers, you should not miss Primal Fear. Why don't you speed off toward the video store and pluck this winner from the shelves tonight?

Although Richard Gere has one of his juiciest roles in Primal Fear, the best performance by far is that of Edward Norton who got the film's only Oscar nomination for Best Supporting Actor in a stunning debut picture. It's the kind of debut that any player would like to make and the trick is to keep up a high standard you've already set for yourself. Which Norton to his credit certainly has in his career.

But as to Gere he plays Martin Vail, a top criminal defense attorney who will let everyone know it if they haven't figured it out. It's a tricky part because a guy this arrogant has to maintain some kind of surface likability or else you'd never believe he'd ever win a case in front of a jury. As for movie viewers they must have a rooting interest for him as well. But Gere's definitely a guy who they make lawyer jokes about.

A young altar boy has murdered the archbishop of Chicago, a mush mouth kid with a Kentucky twang played by Edward Norton. He's part of a choir of street kids that the Chicago archdiocese shows off on many an occasion. It was a particularly brutal murder, multiple stabbings and the carving of a cryptic message in the chest of the deceased.

Gere makes no bones about it, he's wanting this case because of the headlines it will bring him. But when F. Lee Bailey or Johnnie Cochran offers to defend you for nothing, you don't ask questions.

Which brings us to Norton who has you might have gathered is not all he seems. He's a street kid and he's used to getting over on people himself. It's one of the darkest characters ever done on screen, maybe a bit too dark for Academy tastes. That might have been the reason that Cuba Gooding beat out Norton for Best Supporting Actor with his much lighter role in Jerry Maguire.

One in this film you will notice are Laura Linney as the Assistant District Attorney who Gere was once involved with and is getting a lot of pressure to bring in a guilty verdict for understandable political reasons. I also liked Alfre Woodard as the very patient judge at Norton's trial and Frances McDormand as the psychiatrist who examines Norton.

If you think you've figured out what's behind Primal Fear, rest assured you haven't from this description. Let's just say everyone gets good and played here.

Which brings to mind the dedication for this review. Gere's attorney character is likable, but arrogant. Back in the day I knew an attorney who was arrogant without any real reason for the arrogance. He'd love to have been Richard Gere, I'm sure he saw himself that way. So to you Ron D'Angelo this review is dedicated to.

I had just gotten done seeing the movie Fight Club when a relative of mine said " If you like that movie, you'll like Primal Fear." I didn't believe him, because I had believed that Fight Club was the best movie on the face of the planet. Well, he just so happened to have a copy of Primal Fear with him. I watched it and was amazed. I was speechless.The movie has so many twists! I was convinced that it was one of the best movies I had ever seen. Gere's performance is average. I say this because it seems that in many movies he plays the same cocky character. Linney's monologue in the courtroom is mesmerizing . It was just great. And Norton? Well this may be one of his best performances ever. The fact that this was made during the starting of his acting career was unbelievable. It was a great film and Edward norton does an excellent job

It's not often that viewers get a chance to watch a star being born - that a talented unknown actor's performance that is so spectacular it leads to the A-list in one role is rare: Julia Roberts in Pretty Woman, Brad Pitt in Thelma & Louise to name a recent few. But Edward Norton's turn as the "defendant/victim" in Primal Fear is one of those "Wow" moments that leaves the audience salivating for his next performance. In this feature debut, Norton outdistances his role, as does Richard Gere, in a resurrection no less impressive than Norton's star-making turn. Heretofore, Gere has specialized in assorted intelligent professional cad roles. Here, he gets a chance to inhabit one that not only wears his dubious character on his sleeve, but wears it, drives it, drinks it... revels in it. Yeah, sure somewhere there's a heart of gold, but like his client, the layers on top serve him better, and the heart of gold is tarnished. Gere is at his peak, comfortably, cheerfully inhabiting the role.

Laura Linney deserves extra credit for often being the ice-queen foil which propels the two male characters' development; her own character is rather one- dimensional, but she herself squeezes as much dazzle as she can from it. Even though everyone else obviously falls for whatever Gere's Vail purrs into their ears, it's merely enough time for Linney's Janet to get a drag on her ubiquitous cigarette; another step in what will (hopefully) someday be film's love affair with her. Wasted, sadly, are fine character actors like John Mahoney, Steven Bauer, Maura Tierney & Andre Braugher who could have lit up the screen had they not been handed scripts with generic character stereotypes.

See it to watch the ascension of Norton and Gere.