VALUTAZIONE IMDb
5,8/10
1921
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaFormer special services agent plays an intricate game of chess involving several federal agencies. Queen takes pawn.Former special services agent plays an intricate game of chess involving several federal agencies. Queen takes pawn.Former special services agent plays an intricate game of chess involving several federal agencies. Queen takes pawn.
Trama
Lo sapevi?
- QuizThe surnames of the two lead characters are Bishop and Castle, which are both chess pieces. These are obviously in reference to the theme of the film, which is that the people involved are manipulated like chess pieces.
- BlooperToward the end of the movie when Castle and Bishop drive up and soon meet Tollander, you can see the driver-side window going down. However, a few seconds later when they stop where Tollander is standing the window is up.
- Colonne sonoreChe Faro
from the opera "Orfeo e Euridice"
Composed by Christoph Willibald Gluck (as Gluck)
Performance and Arrangement by Carl Strygg
Recensione in evidenza
I seem to have a knack for stumbling upon obscure little movies, which is how I ended up watching this entry in the Canon of Dacascos. Some endorsement, I know, but this surprised me for a low-budget actioner in a decade rampant with them.
The plot, with its blatant chess metaphors and convoluted twists, is a lot of nonsense, as is par for the course. However, now and again the script shows flashes of genuine intelligence and attention to detail that offset the boilerplate dialogue. Even at just under 100 minutes it drags a few times - a couple of action scenes back-to-back followed by stretches of exposition - but never becomes outright boring. Those action scenes are fairly routine affairs, with a bit too liberal use of John Woo level slow-mo. However, there are a couple good uses of pre-Matrix bullet cam, even if the effects haven't dated very well.
Mark Dacascos has always had an interesting screen presence without being much of an actual actor. Fortunately, the movie recognizes this and surrounds him with a strong supporting cast, including a delightfully hammy Tony Todd and vets Graham Greene and the late John Neville. Unfortunately, it also doesn't play to his strengths - there are only a couple of fight scenes, which are not only painfully brief and sloppily edited, there's a sense they aren't even necessary. The role doesn't embarrass Dacascos in any way, but it's not particularly suited to him either. A pre-Matrix Carrie-Anne Moss does decent work as a co-lead, even if the script isn't particularly interested in her as a character either. Todd gives the best performance in a walk, by virtue of not caring how far over the top he's going or how often his exaggerated accent just kinda wanders off.
This is an efficient enough time-waster that functions best as a stepping stone for its two leads to bigger and better things. It's kind of the same for viewers: there are definitely better and worse action films out there, and this does a decent job bridging the gap.
The plot, with its blatant chess metaphors and convoluted twists, is a lot of nonsense, as is par for the course. However, now and again the script shows flashes of genuine intelligence and attention to detail that offset the boilerplate dialogue. Even at just under 100 minutes it drags a few times - a couple of action scenes back-to-back followed by stretches of exposition - but never becomes outright boring. Those action scenes are fairly routine affairs, with a bit too liberal use of John Woo level slow-mo. However, there are a couple good uses of pre-Matrix bullet cam, even if the effects haven't dated very well.
Mark Dacascos has always had an interesting screen presence without being much of an actual actor. Fortunately, the movie recognizes this and surrounds him with a strong supporting cast, including a delightfully hammy Tony Todd and vets Graham Greene and the late John Neville. Unfortunately, it also doesn't play to his strengths - there are only a couple of fight scenes, which are not only painfully brief and sloppily edited, there's a sense they aren't even necessary. The role doesn't embarrass Dacascos in any way, but it's not particularly suited to him either. A pre-Matrix Carrie-Anne Moss does decent work as a co-lead, even if the script isn't particularly interested in her as a character either. Todd gives the best performance in a walk, by virtue of not caring how far over the top he's going or how often his exaggerated accent just kinda wanders off.
This is an efficient enough time-waster that functions best as a stepping stone for its two leads to bigger and better things. It's kind of the same for viewers: there are definitely better and worse action films out there, and this does a decent job bridging the gap.
- jfictitional
- 12 apr 2022
- Permalink
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Dettagli
Botteghino
- Budget
- 5.000.000 USD (previsto)
- Tempo di esecuzione1 ora 39 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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