Red-Blooded American Girl II

Literally. And by smoke I mean cigarettes, in an incredibly sensual manner. If you have a smoking fetish, then this movie and Kari Wuhrer are for you. The tease and attitude are unmistakably intentional. She knew exactly what she was doing and she played it up, to perfection.

I actually had hopes for this movie since I've seen Kari in a few other things and think she has some talent. Alas, this dud is a case study in what not to do in a screenplay. Completely undefined characters without a shred of likeability, and no plot whatsoever. Is it a road/buddy/comedy/thriller/romance/drama? The filmmakers don't have a clue, and neither do we.

If you're a fan of the incredibly stunning and sexy Kari Wuhrer (Kari Salin in this one)...this is a must-see. The acting, apart from Wuhrer is very "Showtime late-night". Which is ok, because that's where I saw it. Kari plays an abused hooker with an attitude (she's a natural). But it's the scenes in which she shows...uh...more that make it worthwhile. Two very revealing sex scenes- one in a barn, and one in a hotel involving handcuffs are unbelievable. Well, actually Kari is unbelievable. This one has a few different names but...whatever you want to call it. See it for ALL of Kari.

This is a guy movie and a pretty good one at that. The chick who plays Miya is drop dead gorgeous and her character is way uninhibited. She's a Terri Hatcher look alike and you can see by her filmography she's been in some good stuff. Everyone else in this flick should either blow their brains out or get real jobs. Especially Burt Young although the former fat guy from Rocky is pretty well cut for an old formally fat guy from Rocky.

The scene in the theater will always date the film as being made at the same time as Alanis Morissette sold 9 billion copies of her first album.

The final scenes of the movie are where it really deteriorates but it's worth the wait to see Trent's dad and try to figure out where you've seen him. (An Officer and A Gentleman)

I caught this on Showtime as "Hit and Run" and if you're reading this so did you

Yet another story of a guy and a girl on the run in a hot car, with a gun. LOVE AND A .45 is perhaps the best of the numerous recent stabs (ouch!) at this genre, though none of the 90s entrants match up to such 70s classics as THE LONERS, JOY RIDE, or BOBBY JO AND THE OUTLAW. College kid, driving from Ohio State to Lancaster, PA (he must be going via Miami; at one point he still has 560 miles to go!), rescues truckstop hooker from assault by trucker. Naturally they become travelling companions. During the trip she attempts to loosen him up with sex and a new wardrobe, but the trucker is in hot pursuit, and there are other complications, and it gets a bit bloody before it gets over.

Kari Wuhrer really chews the scenery as the psycho, man-hating hooker and is quite over her head dramatically. The hero is a bit of a schlumpff, and the story fairly sleazy. Shot in Canada but it recovered long enough to hit pay-cable. Not even a good source of cheap thrills, since the filmmakers carefully keep Kari covered up to about PG-13 level during the 2 or 3 m.o. scenes.

Try THE LONERS (1972) instead, which has career performances by Todd Susman and Alex Dreier, not to mention Dean Stockwell in his hippie biker phase and wonderful Gloria Grahame as a harridan mom.