VALUTAZIONE IMDb
6,4/10
1236
LA TUA VALUTAZIONE
Due donne vicine di casa sono affette di disturbo ossessivo compulsivo. Una è chef e l'altra scrittrice anoressica. La che è chef (301) cerca di invogliare la sua vicina a mangiare; la scrit... Leggi tuttoDue donne vicine di casa sono affette di disturbo ossessivo compulsivo. Una è chef e l'altra scrittrice anoressica. La che è chef (301) cerca di invogliare la sua vicina a mangiare; la scrittrice (302) rifiuta.Due donne vicine di casa sono affette di disturbo ossessivo compulsivo. Una è chef e l'altra scrittrice anoressica. La che è chef (301) cerca di invogliare la sua vicina a mangiare; la scrittrice (302) rifiuta.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 4 candidature totali
Park Cheol-ho
- Kang Joon-Shik
- (as Park Cheol-Ho)
Recensioni in evidenza
This South Korean offbeat thriller won the 1995 Grand Bell award in its native country.Song-Hee lives in room 301 and Yun-hee in room 302 of the New Hope Apartments.After meeting,they realize they have opposing but eerily complementary neuroses:Song-Hee likes to cook,and Yun-hee hates food.And so begins a strange friendship that attracts scrutiny when one of them disappears."301,302" is not as disturbing as it's reputed to be.Even slightly horrifying climax is predictable and not surprising at all.The pace is extremely slow and the film becomes quickly boring.Some viewers may be disgusted by a huge numbers of close-ups of food,but I wasn't offended in the least.Still the director Cheol-su Park draws some interesting parallels between sex and food.Overall,if you are a fan of Asian horror give this one a look.6 out of 10.
301 and 302 are two young women living next each other in the same building in a city somewhere in South Korea. 301 is cooking all the time. To become good neighbours, she presents 302 one of her meals. Little does she know that 302 is unable to eat anything because of her dark past. So she throws away all the meals 301 is cooking for her. Eventually, 301 becomes aware of this, and then the madness starts...
Another disturbing movie from Asia, this time coming from South Korea and it shows. Weird, dark, and sometimes really disgusting, but still more than worth it's money. Oh, before I forget: Please think twice before you are going to watch this movie while eating...
Another disturbing movie from Asia, this time coming from South Korea and it shows. Weird, dark, and sometimes really disgusting, but still more than worth it's money. Oh, before I forget: Please think twice before you are going to watch this movie while eating...
A thin but attractive writer has suddenly gone missing and the only suspect appears to be her comely neighbor in Cheol-su Park's "301/302." The central fascination of "301/302" deals with two decidedly different women one an extrovert, one an introvert whose lives have been corrupted by food: the chef (Apt. 301) based most of her husband's affections and later her own inadequacies of providing exceptional meals while the anorexic writer (Apt. 302) can't shed the memories of her sexually abusive father who worked as a butcher and refuses to eat as a consequence. Now divorced, 301 meets 302 and transfers her love to her new neighbor, trying against all odds to get the thin, pale woman to eat her meals.
The film has several plot inconsistencies that are never cleared up. 302 appears to have virtually no contact with anyone except for the occasional telephone call from a mysterious editor/writer/friend, but yet the very morning after her disappearance the police have gone looking for her. An unnamed building resident last witnessed 302 going into 301's apartment, but the hallways are always empty and void of other people. Then, in the film's final moments, it becomes clear that 301 has adopted some of 302's physical appearance, cutting her hair to match that of the thin writer; given her desire to eat and eat and eat, why would she suddenly choose to adopt the looks of one who abhorred eating? However, in the broader recipe, these points aren't significant. What matters most is the relationship these two women have with one another and their past lives. Their respective histories are told in effective if not alarming flashbacks, and, despite their differences, it becomes thematically clear why they would be inevitably drawn to one another in the unique environment created by the filmmaker. The viewer can see the conclusion coming, but, like preparing a good meal, it's really more about eating than it is the cooking.
It's an odd relationship, but if not predictably these two women are destined to be together. Only 301 can fix 302's problems with a solution that isn't exactly a five-star dessert.
The film has several plot inconsistencies that are never cleared up. 302 appears to have virtually no contact with anyone except for the occasional telephone call from a mysterious editor/writer/friend, but yet the very morning after her disappearance the police have gone looking for her. An unnamed building resident last witnessed 302 going into 301's apartment, but the hallways are always empty and void of other people. Then, in the film's final moments, it becomes clear that 301 has adopted some of 302's physical appearance, cutting her hair to match that of the thin writer; given her desire to eat and eat and eat, why would she suddenly choose to adopt the looks of one who abhorred eating? However, in the broader recipe, these points aren't significant. What matters most is the relationship these two women have with one another and their past lives. Their respective histories are told in effective if not alarming flashbacks, and, despite their differences, it becomes thematically clear why they would be inevitably drawn to one another in the unique environment created by the filmmaker. The viewer can see the conclusion coming, but, like preparing a good meal, it's really more about eating than it is the cooking.
It's an odd relationship, but if not predictably these two women are destined to be together. Only 301 can fix 302's problems with a solution that isn't exactly a five-star dessert.
This film is such a delight. This was the first Korean film I watched. The second one to follow was "Gojitmal" (Lies). If you've seen these two films then you would understand what I mean when I say "Korean cinema is Weird!". But ofcourse that changed after I continued watching other Korean films. But back to 301, 302: A very well written and directed film. Pay attention to the lighting and set decor as it really adds to the story. I enjoyed this film very much and it really helped me because I was trying to lose some weight around that time and after seeing this film I did not have to worry about my appetite anymore. I highly recommend seeing it. The director did another great film called "Push Push" which I also highly recommend.
Eun-jin Pang is a gourmet chef who lives in apartment 301 and Sin-Hye Hwang is an bulimic writer who lives in apartment 302. Hwang disappears and Pang is interviewed by a detective. Pang was the last person who saw Hwang alive, but she says she has no idea where her neighbor is. Flashbacks reveal a different story. This is an entertaining, lurid thriller with a couple of very good performances and some awesome looking food (and some not so awesome looking food). Cheol-su Park's direction is quite good, especially the excellent composition. He recently was struck by a car while crossing the street and passed away. 301/302 was one of the first South Korean films to be distributed in the United States.
Lo sapevi?
- QuizOfficial submission of South Korea for the 'Best Foreign Language Film' category of the 68th Academy Awards in 1996.
- ConnessioniRemade as Compulsion (2013)
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