Blue in the Face

Wang's followup to Smoke is a series of improvised scenes put together to represent the diveristy of Brooklyn's culture. Meanwhile Auggie is struggling with Vinnie's decision to sell the cigar store.

The "plot" to this film doesn't really matter. This was shot in the time that was left over when Smoke wrapped earlier than scheduled. In many ways this is a much better film. It's a huge amount of fun to watch and it all ends in a street party - it all makes you want to live in Brooklyn and meet all these weird and wonderful people that live there. It's sketchy nature can mean that it feels a little piecey but most of it is funny or interesting and you may not notice it's lack of structure. The actual story is actually quite good - Vinnie's decision to shut the store is handled as a threat to the friendships that exist around the story and also the importance of such places in holding the community together. It makes a good point and, mixed with the humour, isn't hard to swallow at all.

The cast are good - many of Smoke's faces are still there and are complimented by famous faces. Stars such as Fon, Roseanne, Madonna, Lou Reed, Jim Jarmusch, Lily Tomlin, Ru Paul etc all make cameos - Madonna isn't great but MJ Fox is really funny. The remainder of the cast are made up of real quality actors such as Victor Argo, Harvey Keitel and Giancarlo Esposito to name a few.

Overall this is a light reward for watching the slighly heavier Smoke. Both films are good in their own way but this is the most fun to watch.

And then to wonder that this movie was never meant to be made!!Thank god for Wayne Wang that after shooting Smoke(which does not even come close to this little gem)he had some more footage to show to us.The leading performance by Harvey Keitel is outstanding,this man can really act! I already was convinced though after seeing Mean Streets,Taxi Driver,Reservoir Dogs,Pulp Fiction,Bad Lieutenant etc. The other performances aren't bad either.And then the (guest)actors.Names like Madonna,Roseanne,Michael J. Fox,Mira Sorvino and Lou Reed have small parts in this movie.Especially Madonna and Michael J. Fox are very funny.Another great part of the movie are the statistics of Brooklyn(Belgian Waffles?!).

Although this movie is always seen as an add-on for Smoke I think that Blue in the Face is far superior to it's older brother and that movie should be more in the spotlights. 10/10

Blue in the face might be boring to many because it doesn't follow a standard hollywood paradigm of rising action, climax, resolve. It is more documentary style, although fictitious, and quickly jumps from story to story and character to character. The editing is an interesting component because it successfully brings together disparate themes and characters (who are improvising their lines and stories to some degree). This and some fantastical elements provide a very romanticized view of Brooklyn. Altogether a cohesive piece with some nice performances and some insight into what it is to growup and live in a special loved place.

"Blue in the Face" was a fastly produced follow-up of director Wayne Wang's and writer Paul Auster's 1994 art house hit "Smoke". While "Smoke" was produced in the usual way with script, casts, etc., this movie was a quickly shot within less than a month, just containing vague ideas, interviews and improvisations with the same production unit and main actor Harvey Keitel, but without a script and with lots of popular supporting actors who were improvising their performance straight in front of the camera. And it works.

Focused on Keitel's smoke shop in Brooklyn, his customers and visitors are telling stories about their lives, views, ideas, dream, relationships and carreers, all focused around the topic of smoking. Lou Reed can't remember his first cigarette, but presents his self-constructed glasses, Jim Jarmusch celebrates his last cigarette, Harvey Keitel reminds which war movie made him a cigarette smoker, and there are several more famous guests in the shop. Michael J. Fox plays a weird insurance guy, Madonna appears as a singing telegram girl, and John Lurie, Mia Sorvino, Paul Keith and the whole NYC artist's scene appear on the screen.

Although the pointless composition of independent scenes and interviews might become a bit out of tune or boring sometimes, the movie works really well. There are lots of interesting (real life?) stories told by the actors, a great rare groove soundtrack that could fit into every Tarantino production, and some really good jokes too. "Blue in the Face" become a minor art house classic in Europe in the nineties, and one could wonder if this movie would have been the same ten years later in the times of anti-smoking laws and campaigns. Nice independent movie.

I wish I could make a movie this funny and so easily. Five days, improvisations, not a definite storyline and a great and funny movie is born. I loved it, it still makes me laugh and will keep on making me laugh. All the actors are great, but if I had to give an award to one of them it would be Jim Jarmusch, with his "last cigarette" speech. Fantastic also is Lou Reed, and his conclusions about life. The movie really benefits from its addition of well-known stars, including a much-in-the-gutter character Michael J. Fox, which is really funny. The film also includes some curiosities about Brooklyn, and works not only as a set of vignettes but also as an account of what's typical and traditional in that neighbourhood. It has some cool moments and some touching moments, but overall it's a movie to see and not to analyse.