The Net - Intrappolata nella rete

I saw this film just last night, and I liked it. I know a lot about the Internet and so I DID notice the factual errors, but I was able to ignore them and enjoy the suspense. Sandra Bullock was good, and Jeremy Northam was creepy as the bad guy, mostly because he was so goodlooking and smooth that he was hard to hate.

I'd give it an 8 out of 10 for good suspense and an interesting look at the Internet when it was just beginning.

This awesome, action-packed little gem, is one of my all-time favorite movies!! Sandra Bullock, once again, outdoes herself in this wicked film all about the Internet and the taking-over of people's lives.

In 'The Net', Bullock stars as Angela Bennett, a computer-whizz, who while on holiday, encounters a dangerous man, who steals her wallet... and her life.

Soon, the real Angela Bennett disappears, and an ex-con, takes on her identity, swapping her life for Angelas!

Of course, Sandy isn't the type to take this kinda thing lying down - and all on her own, she fights hard to get back the life they took away from her.

A wicked film - that'll leave you breathless for start to finish!! 9/10

This is one of those movies I loved as a kid. I gave it another watch now that it's on Netflix but sadly didn't live up to my memory. The movie has an interesting premise, especially for 1995: everything we do or own is just data on a computer. What if someone decides to change all that? It's a cool idea but it's not executed well with very little excitement.

Still, some things I learned:

• You could order a pizza on the net in '95
• You could already book a plane
• You only had a fancy BMW if it had a carphone
• She's using an Apple, I should have bought apple shares in '95
• Sandra Bullock was really hot in '95. Probably the main reason I loved it as an adolescent

This was made in 1994-1995 at the beginning of the internet craze and the dot-com bubble, and this movie was wholly appropriate for the time era considering many people were just starting to get on the internet at this time. There are a lot of flaws in this film I agree, which is why I have rated it a 6, but my main complaint here is some of the reviewers on this site. Granted this movie was made at the beginning of the internet era, but some people on here make it sound like 1995 was back in the "horse and buggy" days. Either they were born after 1990 and don't remember a time without the internet or they are old as heck and were finally dragged down to the computer store just recently by their kids to get their very first computer.

Odd the way technology works. Less than a decade ago, there was this completely different technological world, a world of pagers, floppy disks, dial-up modems (which are as obsolete as typewriters), and gigantic brick-like cell phones. I remember being amazed at that little tiny flap at the bottom of the phone, as thin as a credit card and yet able to pick up your voice and transmit it through the air. Now it's a feature so obsolete that it may as well never have been there. Sandra Bullock plays Angela Bennett, a lonely computer analyst who is so connected to her computer that she sits on the beach in Mexico, on her first vacation in six years, with her laptop on her lap. It's not only like a source of nourishment but her connection to the world and the establishment and maintenance of her identity.

This is where her problems begin. Like The Manchurian Candidate back in the 1960s (and again in less than a week from this writing), The Net plays on the popular fears of the society in which it is released. The Manchurian Candidate originally played off the fears instilled in people by the recently ended Cold War, while The Net, a much less potent thriller, suggests the scary possibilities of a world in which we are so inextricably connected to computers. Probably the most interesting thing in the movie now is the computers, such as the massive laptops with the tiny screens, the indispensable floppy disks which are now almost nonexistent, the graphics, etc.

Angela Bennett has had her digital identity stolen and replaced with that of Ruth Marx, who has a lengthy police record and who thus takes over Angela's identity. It's pretty clever, I suppose, the way the movie presents Angela as though she hasn't left her apartment in six years and with a mother suffering from Alzheimer's (and thus not able to help identify the real Angela later), but it's pretty hard to believe that not a single person in the office where she worked noticed that Angela started being a completely different person. She had no significant other, was not dating, and no parents who could identify her, but was she such a recluse that even the people in the office she worked in didn't even know what she looked like?

At any rate, the plot of the movie is pretty smartly created, although it is created as though it were an excuse for a lot of chase scenes, one of which takes place on a merry-go-round in a great homage to Hitchcock's Strangers On A Train, one of the many classic films to which the movie alludes, several of them other Hitchcock films. Bennett has been given a disk which contains a website, I suppose, which turns out to contain a weakness in a security system about to be set up to protect everything from banks to Wall Street to the CIA. By holding down Control and Shift and clicking on the little Pi icon in the corner of the screen, you are transported from a ludicrous page about Mozart's Ghost, apparently a god-awful metal band, and into highly classified government documents. The disk provides the bad guys with a reason to want to capture Bennett, and thus you have a movie.

Angela goes from a comfortable but bored computer analyst, doing a lot of her work from home and ordering pizza on the Internet at the end of the day (presumably one of the future possibilities of the internet which never came to exist), to a wanted fugitive, ultimately caught and put into a jail cell for someone else's crimes. She has lost her home, her job, her identity, her life. Bullock actually puts in a pretty good performance in the movie. I'm not a huge fan, but I appreciated the realness that her character had, since she is not an over the top actor, her characters are generally very real because she is as well.

Where the movie trips up is that it tries to suggest that such identity theft could happen to anyone in our technological age, but given the effort put into presenting Angela as someone with no personal contacts with just about anyone, really it could only happen to someone like Angela, and are there really that many people that no one can identify by looks? Even the guy at the local video store might recognize her as the lady who rents under her account. Oh well. There's also a glitch in the end of the movie that Mick LaSalle points out and that only people familiar with San Francisco, where the climax of the film takes place, will notice. As Angela rushes through a Macintosh exhibition at the real Moscone Center, she desperately tries to copy all the computer files before the bad guys get her. Pretty tense, but if she had been smart, she could have gone to The San Francisco Chronicle office, which is a block down the street from the Moscone Center.

But hey, maybe the Chronicle doesn't have high enough walkways out back.