Passione nel deserto

"Passion in the Desert" (1998): Adapted from Balzac's novel, filmed on the AMAZING landscapes of Jordan, scored by Jose Nieto, filmed by Alexei Rodionov, and directed by Lavinia Currier, this is one seriously interesting, highly symbolic film. Napolean's soldiers are trying to cross the Sahara, with typical chauvinism to their imperial viewpoints. When two men become lost, all the old habits and rules are turned to cinders under the hot sun. THEN things get interesting… and not as linear or predictable as you will probably expect. Ben Daniels stars as the soldier whose spirit moves through many changes. DO think symbolically for this story. THAT is where the worthwhile meanings are found.

A film about the relationship between a man and leopard that's very reminiscent of "The English Patient," even down to a scene similar to when Ralph Fiennes' character carries the body of his lover across a desert-rock cliff. In "A Passion in the Desert," the main character carries the body of the leopard across a desert-rock cliff but in the opposite direction (calculated decision or unconscious contrast?). Historically expanded from a very short Balzac story, the film is not perfect but a treat no less. Final shot will haunt me for weeks. (8 of 10)

I remember reading the original Balzac story in college French.

I remember Ken Nordine of WGN-TV in Chicago reading it as one of his late night shows.

Always loved the story but never believe they could or would make a movie of it. To my surprise they did and did it VERY well.

Few of any Balzac stories lend themselves to dramatization, which is unfortunate, and -cat lover that I am, I was always hoping it WOULD be filmed without a lot of Hollywood sexing up. This is as close to perfect conversion as could be done.

The theater of the mind is always better than what the eye can see, but this is as close as I think it can come to letting the imagination of reading meet the reality of seeing.

This movie could have been immensely more successful if it was not for the ending, which made it lousy. I think the producers are stupid for creating a movie with such good scenery and such and waste it all with the ending.

Those who distill "Passion in the Desert" down to "a guy falls in love with a leopard" actually miss the point. The interesting thing about this movie is not its unique and stark setting, or the strange match of its two protagonists, but the way the film manages to paint a metaphorical portrait of love and all the slings and arrows that go with it -- and it does so almost wordlessly. The resulting film is curiously pure, strange, and unforgettable.

Even the first act, which is more or less a conventional portrait of two men lost in the desert in Napoleonic times -- has a richness and poignancy (one man, an artist, drinks his paints in thirsty desperation, and the image of his paint-stained lips is haunting).

But ultimately this is a movie about love, a sensitively told fable, gorgeously photographed, about a man who is first mysteriously protected by -- and then drawn to -- a wild she-leopard, and of the way the leopard begins to draw him into her world. The movie isn't so much about men vs. leopards (or "men with leopards!" tabloid-style -- the movie stops short of portraying the affection between the two in the biblical sense, although there is some ambiguity there) as it is about the nature of love itself. The film paints some fresh, unsettling, and sometimes amusing portraits of the things people do when they're in love -- all the way down to the spitefulness and jealousy that come into play when that love is threatened.

By the end of the film, the story has become almost Shakespearean in its depth and richness as the plot plays out to its haunting end. At this point, the roles have almost reversed -- the man has become wild and catlike, and the she-leopard seems strikingly human and thoughtful in her expressions and her actions. The film is the first I've ever seen which actually raises some uncomfortable and ultimately fascinating questions about the possibility of a human falling in love with an animal -- and it explores these questions gracefully and without sensationalism.

All in all, "Passion in the Desert" was an exquisite film that really moved me -- the performances, both human and animal, are breathtaking and frankly amazed me, and the cinematography and music are glorious. (Too bad there aren't animal Oscars -- the she-leopard in this film really gives an incredible performance.) Bottom Line: If you're looking for something off the beaten path (no pun intended), this film's a keeper.