Aggiungi una trama nella tua linguaConflict arises in the small town of Holly Springs when an old woman's death causes a variety of reactions among family and friends.Conflict arises in the small town of Holly Springs when an old woman's death causes a variety of reactions among family and friends.Conflict arises in the small town of Holly Springs when an old woman's death causes a variety of reactions among family and friends.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 11 candidature
- Mrs. Henderson
- (as Ann Whitfield)
- …
Trama
Lo sapevi?
- QuizRobert Altman felt that Liv Tyler had been too glamorous in previous films, so he asked her to cut her hair short for for this movie.
- BlooperWhen Cora (Julianna Moore) is locked out of the house, she is shown sitting on the front porch with the front door open.
- Citazioni
Cora Duvall: Camille, Aunt Jewel shot herself.
Camille Dixon: We don't know that Aunt Jewel shot herself.
Cora Duvall: What do you mean?
Camille Dixon: All we know was that Aunt Jewel was shot, period.
Cora Duvall: But - but the gun was in her hand. She must have - must have -
Camille Dixon: Don't always go for the obvious, Cora. Just think!
Cora Duvall: What are you eating?
Camille Dixon: Nothin'. Now, you just listen to me, all right? Aunt Jewel did not commit suicide. Nobody in this family commits suicide. Suicide is a disgrace. Only crazy people commit suicide. So if that's what come - some robber, some murderer is trying to make this look like, well, forget that you saw the gun in her hand, you hear me? It was not there. Aunt Jewel did not commit suicide.
Set in a minuscule Southern town defined by colorful people, sweaty heat, and catfish, in that order, "Cookie's Fortune" details the sudden death of Jewel Mae "Cookie" Orcutt (Patricia Neal), an elderly widow tired of living alone and tired of her mundane life. So without much thought, she grabs a gun out of her impressive arms closet, flops onto her bed, places a pillow over her face, and shoots herself in the head.
Her niece, Camille (Glenn Close), won't have it. A wannabe playwright with a fondness for cranking up her every emotion by a few thousand notches, she is disgusted by her aunt's carelessness: it will bring shame upon the family, and, most notably, it may even upstage her upcoming play. Consumed with dramatic audacity, she arrives at the scene and decides it would be best to make the suicide actually look like a murder: why not? She runs around the house pretending she's a giallo fiend, breaking windows, stealing valuables, eventually running out the back and throwing the gun into some bushes like Joan Crawford might have during her 1950s-set film noir years. She persuades her dimwitted sister, Cora (Julianne Moore), to go along with the charade, not realizing that covering up a suicide isn't just some cutesy thing mercurial nieces do for fun. It could lead to, you know, trouble.
Immediately, Cookie's best friend and confidant, Willis (Charles S. Dutton), is locked up at the local sheriff's office under suspicion, Cora's estranged daughter, Emma (Liv Tyler), keeping him company while also utilizing the opportunity to have closet sex with her cop boyfriend (Chris O'Donnell) to pass the time. No one, including the men who arrested Willis in the first place, believe he's the murderer — which casts further suspicion onto Cookie's weirdo nieces.
But "Cookie's Fortune" isn't a conventional crime movie, preferring to use its titular figure's sudden offing as a way of throwing the Mississippi set town off course and seeing how its residents handle the travesty. Anne Rapp's screenplay always retains a certain sort of comic lushness that makes the intersecting situations ceaselessly delightful while also maintaining a sort of broad realism. These people certainly could exist — not all realism based films have to be dirt-on-the-ground miserable — and "Cookie's Fortune" is all the more fun for it. Close is a bundle of laughs, delivering off-color lines like an unintentional comedy pro, Neal ensuring why Cookie was such a vital part of her town's life. Dutton is one of Altman's sweetest scene-stealers, and Tyler, in a terrific performance, is a consistent pleasure as a free-spirit that seasons the oft conservative setting of the film.
Most consider "Cookie's Fortune" to be minor Altman, but I think it's underrated Altman. He regularly goes deep with his films, finding ways to mirror the lives of his flawed characters with our own. But "Cookie's Fortune" is such a delicacy because it's breezy, amusing without any existential kinks. He sets scenes with a sort of nostalgic reverie, figuring that small town America isn't all "Twin Peaks" and can still preserve the same sort of complicated magic of a '70s era sitcom. We watch the characters converse wanting to be a part of their community, either because the friendships seem everlasting or because the disdainfulness is comical rather than harmful. Most would want to get out of the town "Cookie's Fortune" sets itself in right away — not me. I'd like to hole up there for a while, collect my thoughts and have conversation about the good things in life instead of the high drama that shapes the metropolises of America. Lightweight Altman may not be everyone's favorite, but I tend to prefer a grizzled filmmaker when he's enjoying himself. So maybe "Cookie's Fortune" is an accidental masterpiece — it's an underrated moment in his lustrous career.
- blakiepeterson
- 22 lug 2015
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Dettagli
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 10.920.544 USD
- Fine settimana di apertura Stati Uniti e Canada
- 186.828 USD
- 4 apr 1999
- Lordo in tutto il mondo
- 10.920.544 USD
- Tempo di esecuzione1 ora 58 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1