Relic - L'evoluzione del terrore

On it's own the movie is pretty good... I liked it so much it made me want to read the book - which was exponentially better! The movie changed the location from New York to Chicago and dumped most the the main characters and central storyline and added some that don't have anything to do with the storyline (like D'Agosta's supersticious nature)... they really dumbed it down. There is a fantastic character, Agent Aloysius Pendergast who was completely omitted from the film - what a shame... If you liked the movie then read the series by Douglas Preston & Lincoln Child: Relic, Reliquary, Thunderhead, Cabinet of Curiosities, Still Life with Crows, Brimstone and Dance with Death. -Enjoy!!

One of my favourite B-movies is Peter Hyam's the Relic. Although it isn't a terrific movie, It has several strengths. Firstly, it is atmospheric and quite suspenseful, both of which are generated by Hyam's exceptional photography skills (he is his own DP). Secondly, it is convincing as a monster movie, even with a slightly limited budget, the creature works well both as an animatronic and as a GG model. With many films, it is one or the other. Thirdly, although the story is not that original, it does a fairly good job of hiding the cliché. The Relic paces itself nicely, putting the pieces together one at a time getting more and more interesting until it is ready to unleash its energy.

It begins in the tropics of Brazil. Antropologist Dr. John Whitney works for the Chicago Natural History Museum, which is about to open an expensive new exhibit. They are very busy, so when Whitney's latest shipment of findings arrive, the crates are put aside for the moment. One scientist however Dr. Margo Green becomes intrigued with the packing leaves in the crates. They appear to contain a bizarre animal protein. Meanwhile on the other side of the city, Lt. Vincent D'Agosta of the Chicago PD is investigating a mass homicide. The crew of the cargo ship on which Dr. Whitney's crates were sent are all dead and in pieces. his search for answers takes him to the Museum. After a night guard is discovered dead and decapitated in the basement level, D'Augusta is convinced that the perp is hiding somewhere within the building. Is he right?, and will he be able to convince the museum to close on the night of their big gala opening? In addition, do all these gruesome murders have something to do with the protein that Dr. Green has discovered, a protein that can turn an insect into the size of a football! It is going to be one heck of a night, and it is up to Dr. Green and Leutenat D'Agosta to save the day.

If I were to write a paper on cinematography, I would for sure make the Relic one of my body points. Peter Hyams builds a very dark, frequently claustrophobic environment, and many of his tricks work perfectly. One of which is his decision to shoot the monster mostly in silhouette to avoid the chance of it looking fake.

Of course there are some area where the film is not so strong. I wouldn't say that the film offers intelligent acting or dialogue, but in truth, not many B-movies do, so if you are like me, you will let it slip and enjoy the film for what it is, a deliciously eerie, and slick monster flick.

The monster movie bites back in this suspenseful thriller. All the elements are there fore the build up. Artefacts are brought from South America which unbeknown are carrying ancient religious powers. Its a cliché from other films including th e start of 'Exorcist' but here its done beautifully.

With the archaeological find now in Chicago and no one getting suspicious by the dead bodies that came with it- they can't be too bright otherwise they would dump the find in the harbour and that would be the end of the film.

Politics overrules those that start to worry that they may be dealing with something more that what appears to be on the surface. And then all hell does break loose.

Relic is a good introducing to suspenseful films for those that don't normally see them.

I am not a big fan of these types of movies, but I have to say I was reasonably entertained for the most part(Admittedly, I watched this on TV, which could increase my tolerance level, but then again I saw JADE on TV as well). It sets things up nicely before the chase, it doesn't throw in a romantic angle just for the sake of throwing it in, the two leads, Penelope Ann Miller(remember when she was in big movies?) and Tom Sizemore, are both good, and once the chase starts, it's gripping. Admittedly, there are some flaws; having read the novel first, I knew how the creature came to be, which robbed some suspense(and while I appreciate that they had to take a shortcut to explain things, this was a little TOO short), while the photography needed to be dark, it was too dark at times, and Miller's colleague Greg(I forget the actor's name) veered uncomfortably close to stereotype. Still, this was an entertaining time-waster.

A massive, mutated, hybrid monster with a taste for human brains is on the rampage in Chicago's Museum of Natural History, and with the guests at a fancy gala evening trapped inside the building, there's no shortage of juicy grey matter for the creature to feast upon. Tough cop Lt. Vincent D'Agosta (Tom Sizemore) and beautiful evolutionary biologist Dr. Margo Green (Penelope Ann Miller) risk their thalami and hypothalami to do battle with the beast.

The Relic is a formulaic monster-on-the-loose movie full of stereotypical characters, predictable plot developments, and scientific gobbledygook (the exposition might have made sense in the novel, but it is rather sketchy here), but despite the over familiarity of the material, the film still has enough going for it to make it a blast for avid creature feature fans. Peter Hyams handles the direction in his usual technically proficient manner, making good use of his creepy setting (some reviewers complain that the film is poorly lit, but I had no problem with that), delivering plenty of atmosphere, tension, excitement, and well staged scares along the way. Top notch effects also add immensely to the overall enjoyment factor: designed by Stan Winston, the creature is an impressive creation brought to life with practical models and limited use of CGI (which still holds up pretty well), and, once the film kicks into top gear, the gore is graphic and frequent, not a lot of time going by without someone having their head ripped from their body. It might not be all that sophisticated, but it sure is fun.