Un incidente d'autobus in una piccola città fa arrivare un avvocato per difendere le famiglie, il quale scopre però che non è tutto come sembra.Un incidente d'autobus in una piccola città fa arrivare un avvocato per difendere le famiglie, il quale scopre però che non è tutto come sembra.Un incidente d'autobus in una piccola città fa arrivare un avvocato per difendere le famiglie, il quale scopre però che non è tutto come sembra.
- Candidato a 2 Oscar
- 34 vittorie e 56 candidature totali
Trama
Lo sapevi?
- QuizAs indicated on writer and director Atom Egoyan's commentary track on the DVD, many people ask about the odd mask worn by the notetaker during the deposition scene. This is a stenographer's mask, an item which is used in real life by a stenographer to record his or her own voice during the deposition.
- BlooperWhen Stephens visits the Ottos, and Mr. Otto offers him some tea, we hear a tea kettle whistling but the one we see on the wood stove is not the whistling type, and there is no steam coming from the kettle.
- Citazioni
Mitchell Stephens: I woke to the sound of Zoe's breathing. It was laboured. I looked over and noticed she was sweating and all swollen. I grabbed her, rushed to the kitchen, and splashed water on her face.
Alison: What happened?
Mitchell Stephens: I didn't know. I was in a panic. I guessed she'd been bitten by an insect, but there was no doctor. The nearest hospital was forty miles away, and Zoe was continuing to swell. Klara took her in her arms and tried to breast-feed her, while I dialed the hospital. I finally got a doctor on the line. He sounded young, but cool. He was confident, but there was a nervousness. He had been an intern. This was the first time he ever had to deal with anything like this. He wanted to seem like he knew what he was doing, but he was just as scared as I was.He surmised that there was a nest of baby black widow spiders in the mattress. He told me they had to be babies, or else with Zoe's weight she'd be dead. He told me I had to rush her to the hospital. He was alone. There was no ambulance available. 'Now you listen', he said, 'There's a good chance you can get her to me before her throat closes, but the important thing is to keep her calm.' He asked if there was one of us she was more relaxed with than the other. I said, 'Yes, with me.' Which was true enough, especially at that moment. Klara was wild-eyed with fear, and her fear was contagious. I was a better actor than she was, that's all. Zoe loved us equally then. Just like she hates us both equally now. The doctor told me that I should hold her in my lap, and let Klara drive to the hospital. He asked me to bring a small, sharp knife. It had to be clean. There was no time to sterilize properly. He explained how to perform an emergency tracheotomy. How to cut into my daughter's throat and windpipe without causing her to bleed to death. He told me there'd be a lot of blood. I said I didn't think I could do it. 'If her throat closes up and stops her breathing, you'll have to, Mr. Stephens. You'll have a minute and a half, two minutes maybe, and she'll probably be you can keep her calm and relaxed, if you don't let her little heart beat too fast and spread the poison around, then you might just make it over here first. You get going now', and he hung up. It was an unforgettable drive. I was divided into two people. One part of me was Daddy, singing a lullaby to his little girl. The other part was a surgeon, ready to cut into her throat. I waited for the second that Zoe's breath stopped to make that incision.
Alison: What happened?
Mitchell Stephens: Oh, nothing. We made it to the hospital. I didn't have to go as far as I was prepared to. But I was prepared to go all the way.
- Colonne sonoreOne More Colour
Words and Music by Jane Siberry
Courtesy of Wing in Music/Red Sky Music
Arranged by Mychael Danna
Vocal by Sarah Polley
Performed by The Sam Dent Band
The story makes no secret of the fact what terrible tragedy will happen, right from the outset. A lesser filmmaker than Atom Egoyan would've jumped at the chance to shock the audience with the freak accident that robs the town of Sam Dent of nearly all their children, by telling the story in a linear fashion. Not Egoyan. The story is fragmented, thus enhancing the true point: This is not about the overwhelming power of loss, it is about the overwhelming power of survivor's guilt (nicely represented in Browning's poem The Pied Piper Of Hamelin, which is referred to in the movie). It's all about people who grieve not only for the ones they've lost, but also for themselves, how empty their lives have become because of their tragedies. In focussing on that point, the film refrains from manipulative sentiment (which so many others don't), and presents true and unintrusive emotion, that, in the end, despite all the terror, shines a light of hope, for the sweet hereafter is not only the peaceful afterlife, it's also the peaceful future, the continuation of life...
The performances speak for themselves. Ian Holm and Sarah Polley shine in particular, through nicely subdued and subtle acting. Polley also excels as a fantastic singer-songwriter. The songs in the movie were written and performed all by herself.
Egoyan's direction is simply masterful in its beauty, elegance and evocation.
One of the best films of the 1990s.
10 out of 10.
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Dettagli
Botteghino
- Budget
- 5.000.000 CA$ (previsto)
- Lordo Stati Uniti e Canada
- 3.263.585 USD
- Fine settimana di apertura Stati Uniti e Canada
- 31.149 USD
- 12 ott 1997
- Lordo in tutto il mondo
- 3.263.585 USD
- Tempo di esecuzione1 ora 52 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1