La voce degli angeli

Irishwoman Polly Walker leaves her home and fiance during the aftermath of the Troubles to become a governess to the daughters of wealthy Franco Nero in Spain. She falls in love with Nero's son, Vincent Perez. But it's 1936, and there's this civil war going on there; while Perez goes off to fight for the government, Nero favors the fascists, and the other Irish women in Spain who are her friends thinks she's misbehaving.

There is some very nice acting in this movie from the principals and the likes of Frances McDormand, Penelope Cruz, and rather lush color camera work by Aleksey Rodionov. I got the impression that director Nick Hamm was taking Kate O'Brien's novel, and infusing the cinematic interpretations of Ibanez' Spain, with considerable success.

"Talk of Angels" tells of a betrothed Irish woman (Walker) who leaves her strife-torn homeland to take a job as governess to a wealthy family in Spain where she falls in love with a married man. The film, based on the writings of Kate O'Brien, is an attempt at a lavish and rich romantic tale set against an epic backdrop of Spanish civil war (circa 1930's). However, the screenplay tries to do too much for the allotted run time resulting in a weak, diluted, and ill-focused story of nebulous purpose, meaning, and significance. "Talk of Angels" will likely play best with mature women and incurable romantics. (C+)

Note - Viewers who enjoy this film might be interested in a parallel film, also with Penelope Cruz, of the same period but different genre, "Belle Epoque".

I was impressed by this movie. The acting by Vincent Perez was truly exquisite, he'll surely be taking the world by storm. (not to mention he's something to look at) I thought that the plot was great. Though the end is kinda funky. (I won't give it away)

I only truly felt a tad let down in Polly Walker. Her accent was wobbly and her emotion was only 80% their. But she manages to pull through.

I know barely anything about the Spanish Civil War but was quite taken by how that didn't really matter. They seemed to explain it without it sounding like a History lesson.

Which is why I suggest that everyone should go out and rent this movie right now. It was truly enjoyable.

This is a very moving and informative drama set just before the eruption of the Civil War in Spain, based on a novel by the Irish writer Kate O'Brien, who died in 1974. The story may have a partially autobiographical background. The lead character in the story is a beautiful young Irish girl, played superbly and with great dignity by Polly Walker, who goes to Spain to act as a governess to an aristocratic and wealthy Spanish family in the 1930s. While there, she becomes drawn into the desperate and fatal intrigues of a country on the brink of civil war, where families such as the one with whom she lives were themselves divided in their loyalties, with tragic consequences. When Walker arrives in Spain, she is also welcomed by a small gaggle of older Irish gals who have been 'dumped' in Spain by the Irish convents because they had disgraced themselves in some way and were considered hopeless cases best expelled to a lonely exile. Two of these stand out. One, brilliantly and evocatively played by the talented and under-rated actress Ruth McCabe, is the jovial character 'O'Toole', whose personal drama unfolds in parallel but unconnected with Walker's own. McCabe steals all the scenes she is in. The other is Agatha Conion, played by a solemn and lonely Frances McDormand, whose 'failing' in Ireland had been her lesbianism, and she stoically bears the first great love of her life, Walker, being unattainable, and even helps her with her own romance. This side of the film is all excellently observed and portrayed. But the main drama takes place in the household of the Areavaga family, who are stupendously rich and pampered aristocrats of divided political opinions. Franco Nero is marvellous as the sadly resigned, gentle, and scholarly father, whose liberal ideas are rejected by his intolerant fascist wife. Their son, romantically portrayed by the dashing Vincent Perez, shares his father's political views and is in conflict with his mother. He is married to a beautiful but ice-cold fascist girl played by Rossy de Palma. The other characters in the family are the two daughters, the older of whom is played by 24 year-old Penelope Cruz, who at the beginning of the film has to be teen-aged, and is therefore made up and dressed in such a bizarre fashion that I barely recognised her at all. The intention was presumably to disguise her age at that stage in the story, but the effect is comical. Later she is allowed to look more like herself. And for those who are curious, I can certify that Penelope is more ravishing in person than on the screen, as her personality and her glow cannot be captured on celluloid or any other medium, transmitted as they are directly through the aethre to the heart. Now we must consider for a moment the tragedy of the Spanish Civil War, which nearly ruined the country and led to such a vast amount of deaths and such horrors of destruction. It is little realized that the entire conflict was artificial, and was engineered, planned, and executed by the Nazi Government of Germany. The inside story is told by Hansjuergen Koehler, in his astonishing book of 1940, 'Inside the Gestapo', in the chapter about Spain. He was a senior defector from the SS who reported directly to Heydrich, and he was himself an active planner of the Civil War in Spain. He lays it all bare in his book, which few people have ever heard of. His account of what really happened is so shocking there are many Spaniards even today who might die of shock if they read it. Koehler reveals, amongst so much else, that Franco was only the second choice of the Germans for Spanish dictator, and that the first choice was an Admiral who let them down at the last moment and had to be replaced by Franco. Koehler makes it clear that only with the secret supply of German armaments and carefully orchestrated sabotage was Franco at last able to overthrow the Republican Government and seize power. In return, Spain became an unofficial colony of Germany for the duration of the War, supplying the Germans, by banal irony, with endless supplies of oranges! What some people will do for a supply of fresh fruit! Well, Polly Walker becomes embroiled in all these intrigues, experiences the violence of the streets and the savage murders, and the full horror of what was going on then. She falls in love with Vincent Perez, and he with her, and this merely increases the insoluble problems they all face. It is a romantic saga which sweeps one away, and it is wonderfully directed by Nick Hamm, a British TV director with a classic stage background who surely has the makings of greater things, as he displays here in extraordinary fashion. He has since directed three more feature films, none of a romantic nature, but to my mind, he would be well advised to try another project like this one, as he seems to have a rare talent for making romance less saccharine than usual (which therefore makes it more meaningful), and he should apply that ability to other romantic tales which have real grit to them, if there are any such projects available and he can get the job. There is one other thing I should say about this film, apart from mentioning its extraordinarily high production values, cinematography, and art direction, and that is the wonderful singing boy, Jose Manuel Ortigosa. He appears suddenly in a romantic scene with Walker and Perez and sings an amazing song with his guitar and then vanishes. Where did they get this kid, and what has happened to him? A wonderful touch!

From reading the previous viewer contents one would never be able to truly appreciate what a marvelous film this was. Perhaps one of the reasons I reacted so positively to this film was that I lived through that period of the Spanish Civil War which had great meaning for many millions of Americans. It was, of course, the preview to WWII with the Germans backing General Franco and the Russians supplying the rebels. However even without the drama of pre civil war Spain the film stands up well on its own as a beautiful love story. An especially provocative theme of the movie is reflected in Maria's comment that "We are shown what it is we most desire but we cannot have it". Unfortunately this poignant comment is all too true for countless millions of folks. One important segment of the film not mentioned by previous viewers is the magnificent musical score. Its recurring melodic themes have a hauntingly beautiful effect which serves to enhance the sensuous love scenes between the two principals.