La scoperta del vasto spazio con mondi alieni e altre meraviglie galattiche.La scoperta del vasto spazio con mondi alieni e altre meraviglie galattiche.La scoperta del vasto spazio con mondi alieni e altre meraviglie galattiche.
- Candidato a 1 Oscar
- 1 vittoria e 14 candidature totali
Martin Short
- B.E.N.
- (voce)
Corey Burton
- Onus
- (voce)
Dane A. Davis
- Morph
- (voce)
Austin Majors
- Young Jim
- (voce)
Michael McShane
- Hands
- (voce)
- (as Micheal McShane)
Brian Murray
- John Silver
- (voce)
Michael Wincott
- Scroop
- (voce)
Jack Angel
- Grewnge
- (voce)
- …
Bob Bergen
- Robot on ladder
- (voce)
- …
Rodger Bumpass
- Turnbuckle
- (voce)
- …
Jane Carr
- Mrs. Dunwitty
- (voce)
Trama
Lo sapevi?
- QuizThis movie took ten years to make, having had the longest production cycle of any movie in Disney's Experimental Era, after it went through production hell, though the production mainly started after the release of Hercules (1997).
- BlooperJim sits on top of the inn, eavesdropping on Dr. Doppler and his mother. He slides off the roof to meet the turtle-like alien who crashed out on a ledge. When Jim carries the alien back to the inn from its ship, they are on a dirt road much further away.
- Citazioni
John Silver: Now you listen to me, James Hawkins. You got the makings of greatness in you, but you got to take the helm and chart your own course. Stick to it, no matter the squalls! And when the time comes you get the chance to really test the cut of your sails, and show what you're made of... well, I hope I'm there, catching some of the light coming off you that day.
- ConnessioniEdited into Zenimation: Cityscapes (2020)
- Colonne sonoreI'm Still Here (Jim's Theme)
Written and Performed by Johnny Rzeznik (as John Rzeznik)
Produced by Rob Cavallo
Recorded by Allen Sides
Mixed by Tom Lord Alge (as Tom Lord-Alge)
John Rzeznik appears courtesy of Warner Bros. Records
Recensione in evidenza
Until the release of "Frozen", "Treasure Planet" may have been the most over marketed Disney film of all time upon release. Back in 2002, it was EVERYWHERE. TV Spots for it were played almost religiously, "Treasure Planet" action figures and games were constantly being advertised between commercials on pretty much every kids entertainment channel and various fast food restaurants and cereal brands included "Treasure Planet" toys with their products. So obviously under-marketing was not the movie's problem...Which baffles me as the film was a massive financial flop earning only $109.6 million on a $140 million budget. So taking that into consideration, along with the fact that Disney would follow up "Treasure Planet" with the dismal "The Jungle Book 2" and the atrocious "Home On The Range", that MUST mean the movie was awful right? WRONG. Not only is "Treasure Planet" a childhood favorite, but is hands down one of the best, most emotional, most exciting and most investing Disney movies of all time. It's the most underrated without question.
The visuals shown in the movie are unforgettable. Director Ron Clements and his production team have created a gorgeous, expansive and diverse universe; the planets, the aliens, the technology, the architecture, the weaponry. The world of "Treasure Planet" is one I was disappointed to leave by the end of its 95 minute run-time. The imagination behind the world building is "Star Wars" like in its scale.
The film is also extremely well paced. From beginning to end, there was not a single moment where I was bored, expertly balancing character scenes, action sequences and comedic moments. It's almost to the point where I'm genuinely frustrated when the film ends as I was just having so much fun. On top of that, "Treasure Planet" is a film that's not afraid to put its character's through down-right traumatizing danger. Make no mistake about it, whether characters getting torn apart in black holes or melted in volcanic, planetary destructions, "Treasure Planet" can be extremely dark in its tone.
Fortunately, "Treasure Planet" has the deep, investing characters to back up its gorgeous visuals. Jim Hawkins is extremely relatable and likable, a born rebel who just wants to make his loved ones proud of him. On the surface, his desire to find Flint's trove seems to be motivated by casual greed, but this is little more than a mask for his true motivation; to prove to his mother, his paternal figure John Silver and most importantly to himself that he can be somebody. Underneath his angsty exterior is a very emotionally vulnerable and broken person finally given a spark of hope by fate, and the movie has us consistently rooting for him to succeed. John Silver is very much a kindred spirit to Jim; he represents both the best (His compassion, determination, drive and loving nature) and worst (His anger, greed, stubbornness and impulsivity) personality traits of Hawkins, and thus works extremely well as a mentor figure. If Jim represents the youthful pursuit of one's validation and dreams, Silver represents how that passion can burn bright even into one's veteran years, strengthened by lessons learned along the way. In many ways, it is Silver's development and arc into a selfless, noble person that sparks Jim's transition into adulthood.
Long before "500 Days Of Summer" made him a star, Joseph Gordon Levitt did a phenomenal job as Jim Hawkins. The passion and sincerity that Levitt gets out of the character has to have come from a personal place, as Hawkins inner torment and plight felt as real to me as an animated character's suffering could be. The diversity of Levitt's emotional range here is staggering, from beginning to end he is giving nothing less than 500% of his effort.
As impressive as Levitt's performance is here, Brian Murray as John Silver is even better. How Murray is not consistently getting A-List work after this movie is completely beyond me. Murray can be charming, hilarious, intimidating and emotional as Silver, making the absolute most of a very complex character. The range of emotions Murray has to portray as John Silver is seemingly endless, and there isn't a single one that he doesn't nail on the head. His final scene with Jim Hawkins gets serious tears out of me to this very day.
Emma Thompson is electrifying in her portrayal of Captain Amelia, and much like Levitt and Murray, delivers serious emotional range. Effective in both the film's comedic and serious scenes, Thompson displays great comedic timing and infectious charisma as the no- nonsense Captain of the RLS Legacy, and she is clearly having an absolute blast here.
The lack of attention "Treasure Planet" gets as a Disney classic is extremely frustrating. It's not JUST an underrated film, it's not JUST a diamond in the rough, it's hands down one of the best and most mature works Disney has ever or will ever pump out. The movie has achieved somewhat of a cult status among Disney fans, but Lord knows that it deserved so much more. Definitive proof that you don't have to break box office records to make a masterpiece.
The visuals shown in the movie are unforgettable. Director Ron Clements and his production team have created a gorgeous, expansive and diverse universe; the planets, the aliens, the technology, the architecture, the weaponry. The world of "Treasure Planet" is one I was disappointed to leave by the end of its 95 minute run-time. The imagination behind the world building is "Star Wars" like in its scale.
The film is also extremely well paced. From beginning to end, there was not a single moment where I was bored, expertly balancing character scenes, action sequences and comedic moments. It's almost to the point where I'm genuinely frustrated when the film ends as I was just having so much fun. On top of that, "Treasure Planet" is a film that's not afraid to put its character's through down-right traumatizing danger. Make no mistake about it, whether characters getting torn apart in black holes or melted in volcanic, planetary destructions, "Treasure Planet" can be extremely dark in its tone.
Fortunately, "Treasure Planet" has the deep, investing characters to back up its gorgeous visuals. Jim Hawkins is extremely relatable and likable, a born rebel who just wants to make his loved ones proud of him. On the surface, his desire to find Flint's trove seems to be motivated by casual greed, but this is little more than a mask for his true motivation; to prove to his mother, his paternal figure John Silver and most importantly to himself that he can be somebody. Underneath his angsty exterior is a very emotionally vulnerable and broken person finally given a spark of hope by fate, and the movie has us consistently rooting for him to succeed. John Silver is very much a kindred spirit to Jim; he represents both the best (His compassion, determination, drive and loving nature) and worst (His anger, greed, stubbornness and impulsivity) personality traits of Hawkins, and thus works extremely well as a mentor figure. If Jim represents the youthful pursuit of one's validation and dreams, Silver represents how that passion can burn bright even into one's veteran years, strengthened by lessons learned along the way. In many ways, it is Silver's development and arc into a selfless, noble person that sparks Jim's transition into adulthood.
Long before "500 Days Of Summer" made him a star, Joseph Gordon Levitt did a phenomenal job as Jim Hawkins. The passion and sincerity that Levitt gets out of the character has to have come from a personal place, as Hawkins inner torment and plight felt as real to me as an animated character's suffering could be. The diversity of Levitt's emotional range here is staggering, from beginning to end he is giving nothing less than 500% of his effort.
As impressive as Levitt's performance is here, Brian Murray as John Silver is even better. How Murray is not consistently getting A-List work after this movie is completely beyond me. Murray can be charming, hilarious, intimidating and emotional as Silver, making the absolute most of a very complex character. The range of emotions Murray has to portray as John Silver is seemingly endless, and there isn't a single one that he doesn't nail on the head. His final scene with Jim Hawkins gets serious tears out of me to this very day.
Emma Thompson is electrifying in her portrayal of Captain Amelia, and much like Levitt and Murray, delivers serious emotional range. Effective in both the film's comedic and serious scenes, Thompson displays great comedic timing and infectious charisma as the no- nonsense Captain of the RLS Legacy, and she is clearly having an absolute blast here.
The lack of attention "Treasure Planet" gets as a Disney classic is extremely frustrating. It's not JUST an underrated film, it's not JUST a diamond in the rough, it's hands down one of the best and most mature works Disney has ever or will ever pump out. The movie has achieved somewhat of a cult status among Disney fans, but Lord knows that it deserved so much more. Definitive proof that you don't have to break box office records to make a masterpiece.
- TheMovieDoctorful
- 16 ago 2016
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- El planeta del tesoro
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 140.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 38.176.783 USD
- Fine settimana di apertura Stati Uniti e Canada
- 12.083.248 USD
- 1 dic 2002
- Lordo in tutto il mondo
- 110.041.363 USD
- Tempo di esecuzione1 ora 35 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.66 : 1
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