Aggiungi una trama nella tua linguaA mysterious killer known as The Fiend uses an unusual bullet as his trademark for his murders.A mysterious killer known as The Fiend uses an unusual bullet as his trademark for his murders.A mysterious killer known as The Fiend uses an unusual bullet as his trademark for his murders.
John Cowell
- Wilson
- (as Jack Cowell)
George Ball
- Ted Wallington - Adagio Dancer
- (non citato nei titoli originali)
Ed Cassidy
- Detective
- (non citato nei titoli originali)
Lane Chandler
- Policeman
- (non citato nei titoli originali)
Eddie Dunn
- Policeman Kelly
- (non citato nei titoli originali)
Olin Francis
- Insurance Investigator
- (non citato nei titoli originali)
Robert F. Hill
- Reporter
- (non citato nei titoli originali)
Recensioni in evidenza
A Face in the Fog (1936)
** (out of 4)
A masked killer known as The Fiend uses a special bullet that is guaranteed to kill his victim as well as leave his mark. Frank (Lloyd Hughes) and Jean (June Collyer) take an interest in the mystery and decide to track The Fiend down but soon they become a target.
A FACE IN THE FOG is an early producer credit for Sam Katzman who would become one of the most prolific producers in Hollywood. This Poverty Row film is certainly far from bad but at the same time there's really nothing here that sets it apart from the dozens of other "old dark house" type thrillers that were released throughout the decade. While there are a few interesting things here in the end it's pretty forgettable.
Both Collyer and Hughes are decent in their roles and they at least keep the film entertaining. Al St. John, former co-star of Roscoe 'Fatty' Arbuckle, is the comic relief friend but takes away more than he adds. At just a hour the film moves fairly quickly and as I said it's interesting enough to hold your attention. I will say that I liked the look of the killer and the opening sequence is also quite good. Still, A FACE IN THE FOG really doesn't stand out in a crowded field so it's only for die-hards of the genre.
** (out of 4)
A masked killer known as The Fiend uses a special bullet that is guaranteed to kill his victim as well as leave his mark. Frank (Lloyd Hughes) and Jean (June Collyer) take an interest in the mystery and decide to track The Fiend down but soon they become a target.
A FACE IN THE FOG is an early producer credit for Sam Katzman who would become one of the most prolific producers in Hollywood. This Poverty Row film is certainly far from bad but at the same time there's really nothing here that sets it apart from the dozens of other "old dark house" type thrillers that were released throughout the decade. While there are a few interesting things here in the end it's pretty forgettable.
Both Collyer and Hughes are decent in their roles and they at least keep the film entertaining. Al St. John, former co-star of Roscoe 'Fatty' Arbuckle, is the comic relief friend but takes away more than he adds. At just a hour the film moves fairly quickly and as I said it's interesting enough to hold your attention. I will say that I liked the look of the killer and the opening sequence is also quite good. Still, A FACE IN THE FOG really doesn't stand out in a crowded field so it's only for die-hards of the genre.
I've always been a fan of films where the killer is disguised in some way.....usually hunchbacked, a long cloak, a hat pulled down over his face, and a decided limp. That's why i LOVE this film! :)
(Other films with "disfigured murderers" are The Bat Whispers, Miss Pinkerton & the Cat & the Canary).
This film also uses a stock music track that was most noticeably used in "The Clutching Hand" serial...........viewing this film, it's difficult to believe that this film is a LATE 30's entry!!!
A weird-looking killer, known as "The Fiend" is out to murder the members of a Broadway show, with a most unusual weapon (no spoiler here!).
The lites go out, and the person is dead....they've been poisoned, but without a mark on them!
Two newpaper employees try to track 'em down (to get the scoop and the reward money for their honeymoon----they do, of course!).
Despite what the "trivia" says, this film IS NOT "LOST" !!!!!!!!!!!!! I have a copy of it, and i imagine that there are others out there somewhere.
This is a MUST SEE........IF you're lucky enuff to find it!
Norm
(Other films with "disfigured murderers" are The Bat Whispers, Miss Pinkerton & the Cat & the Canary).
This film also uses a stock music track that was most noticeably used in "The Clutching Hand" serial...........viewing this film, it's difficult to believe that this film is a LATE 30's entry!!!
A weird-looking killer, known as "The Fiend" is out to murder the members of a Broadway show, with a most unusual weapon (no spoiler here!).
The lites go out, and the person is dead....they've been poisoned, but without a mark on them!
Two newpaper employees try to track 'em down (to get the scoop and the reward money for their honeymoon----they do, of course!).
Despite what the "trivia" says, this film IS NOT "LOST" !!!!!!!!!!!!! I have a copy of it, and i imagine that there are others out there somewhere.
This is a MUST SEE........IF you're lucky enuff to find it!
Norm
My copy of this film is very difficult to watch (lots of vertical wavy lines), so it was tough to stick with this film, but it was an interesting 1930s murder mystery. It was fun to see lots of old cars with running boards all over the street scenes. The acting was competent, & the plot involved a novel idea (of "frozen" bullets). You have to forget about the fact that the killer carried these "frozen" bullets around for hours in his pocket, but that's a mere insignificant detail in a "Poverty Row" film such as this one. I rate it 5/10.
A reporter claims to have seen the face of "the Fiend", a hunchbacked killer dressed in black that is terrorizing a city and a theater in particular by poisoning people by some unknown means. The Fiend naturally makes her his next target and she has to go on the run. Hooking up with a reporter she attempts to find out the killer and remain alive.
Fast moving and making almost no real sense whats so ever this movie is as artificial a mystery as you can get. Its best described as taking a 1930's mystery and stripping it of anything other than the mystery mechanism (Murderer is on the lose killing people) while throwing in cliché characters, comic relief and making any revelation either a red herring or more likely a twist out of the left field of a ball park two cities over just to keep things going.
In any real sense its a mess, however as a pure machine it works. As totally mindless mystery time killer it can entertain you. Its the type of thing where you can pretty much guess the killer the instant he appears, but you don't care and can't be sure because the film is making so many odd turns that nothing makes sense even though you're hoping it will.
I don't know if you should search it out, but if you run across it an want to see as nonsensical and stripped down mystery as you can get its worth a shot. (I just don't recommend this if you need things to make and real linear sort of sense)
Fast moving and making almost no real sense whats so ever this movie is as artificial a mystery as you can get. Its best described as taking a 1930's mystery and stripping it of anything other than the mystery mechanism (Murderer is on the lose killing people) while throwing in cliché characters, comic relief and making any revelation either a red herring or more likely a twist out of the left field of a ball park two cities over just to keep things going.
In any real sense its a mess, however as a pure machine it works. As totally mindless mystery time killer it can entertain you. Its the type of thing where you can pretty much guess the killer the instant he appears, but you don't care and can't be sure because the film is making so many odd turns that nothing makes sense even though you're hoping it will.
I don't know if you should search it out, but if you run across it an want to see as nonsensical and stripped down mystery as you can get its worth a shot. (I just don't recommend this if you need things to make and real linear sort of sense)
A Face in the Fog is a very derivative 1930's mystery movie. We have many of the staples of the genre – a mysterious black cloaked villain, a bubbly and inquisitive female journalist, a cowardly comedy character, a ridiculous murder method, etc etc. So it isn't exactly breaking the mould to say the least. However, it isn't too bad as these films go either. Unlike many mystery movies of the time, this one actually remembers to include some suspenseful moments. OK, it's hardly a white knuckle ride but it does have a reasonable villain and a good enough final confrontation; while the mystery is reasonably diverting enough. And last, and by no means least, it's very short so it never really outstays its welcome. These old Poverty Row films are for the most part extremely limited and lacking, and while this one doesn't entirely break away from that generalisation, it's one of the more entertaining ones.
Lo sapevi?
- QuizThis film's earliest documented telecasts took place in Chicago Monday 30 January 1950 on WENR (Channel 7) in Los Angeles Saturday 25 March 1950 on KNBH (Channel 4), in New York City Wednesday 2 August 1950 on WABD (Channel 5), and in Philadelphia Sunday 15 October 1950 on WFIL (Channel 6).
- Citazioni
Harrison - Newspaper Editor: The coroner is so confused he almost did a post mortem on himself.
- ConnessioniReferenced in They Came from Beyond - Sam Katzman at Columbia (2023)
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By what name was A Face in the Fog (1936) officially released in Canada in English?
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