Lara Croft deve lottare contro il tempo e contro vari criminali per recuperare preziosi artefatti antichi.Lara Croft deve lottare contro il tempo e contro vari criminali per recuperare preziosi artefatti antichi.Lara Croft deve lottare contro il tempo e contro vari criminali per recuperare preziosi artefatti antichi.
- Premi
- 4 vittorie e 21 candidature
Chris Barrie
- Hillary
- (as Christopher Barrie)
David Cheung
- Head Laborer
- (as David Y. Cheung)
Trama
Lo sapevi?
- QuizFilming the scenes where Lara drives her Land Rover through the jungle there had to be endless re-shoots due to snakes and other wildlife falling through the open top roof. Angelina Jolie herself was reported to be terrified.
- BlooperThe Buddhist abbot at the monastery in Cambodia extends the 'wai', a gesture of respect (both palm pressed together and held just below the chin in front of the chest), to Lara, which she returns. A Buddhist monk would never give that gesture to anyone, and certainly not to a female, nor as the initiating party. Also, while monks are greeted that way, they do not return the gesture.
- Citazioni
Lara Croft: To see your world in a grain of sand, and a heaven in a wild flower. Hold infinity in the palm of your hand, an eternity in an hour. William Blake.
- Curiosità sui creditiThere are no opening credits after the title has been shown.
- Versioni alternativeThe UK theatrical, video and DVD versions are shorter than the uncut US and international versions, due to BBFC cuts. Cuts were required to what the BBFC called "glamorizing shots" of a flick knife, including the sight and/or sound of the knife opening. These cuts included a close shot of the knife covered in blood in the final fight scene, as well as sight of the knife being twirled by Powell seconds later. Also, the head butt delivered by Lara Croft in the end brawl was completely removed and substituted with a punch. The final deadly throat chop Lara gives Powell was cut for cinema release, but restored for UK video and DVD releases. Although these cuts would have been waived for a 15 certificate the distributors chose to remove the scenes for a lower 12 rating. The Blu-ray release was finally passed uncut, though upgraded to a 15 certificate, in 2009.
Recensione in evidenza
"Tomb Raider" is a harmless diversion that should please its core audience. I loved the performance of Angelina Jolie, who brings the computer game heroine Lara Croft to life. I watched an interview with Jolie in which she said that she really "became Lara Croft".
With her mock British accent, Jolie is a lot of fun as the adventurer-archaeologist who is equal parts Bruce Wayne and Indiana Jones, but with a much better body.
Taking its cue from the video game, the film's screenplay is more of a puzzle than a plot. The script is a patchwork of ideas that plays like a Greatest Hits collection of other films. It deals with end of the world stuff, but it never feels apocalyptic. It's controlled chaos, utterly lacking in surprise. The script jumps from one expected moment to the next, never apologizing for its lack of originality.
At least Jolie understands the limitations of the script. There's enough conviction in her performance to make you want to believe in Lara Croft, the spunky heiress is who is equally at home in her spacious mansion or within the catacombs of a lost tomb. She's guided by the spirit (both literally and figuratively) of her late adventurer father, Lord Croft (Jon Voight), and assisted by an archaeologist Alex West (Daniel Craig) and cyber-geek creator Bryce (Noah Taylor).
The film opens like "Raiders of the Lost Ark," with Lara Croft deep inside one of those musty, dusty tombs. Instead of outrunning a giant boulder, Croft squares off against a mechanical monster, a robotic menace that seems to come out of nowhere. It doesn't. We learn that it's a creation of Bryce, used to keep Croft on her toes.
Angelina Jolie made the perfect Lara Croft; her facial expressions and sly smirks added a personality to the flick that I can only imagine the video game is missing. She seemed smart, brave, and composed as well as full of emotion. Okay, maybe the parts with her father (real-life papa Jon Voight) were a little over the top, but since the whole movie is just eye-candy anyway they seemed to fit.
The fight scenes among ruins got me. How can you not love Lara Croft jumping onto a swinging obelisk to smash a glass eye that holds the key to time, or sledding thru an ice cave being pulled by dogs? Or the scene where the villains jump through her castle windows as she rappels around the walls, smashing chandeliers and pistol-whipping bad guys? What's a girl to do but hop on her motorbike, take a guy out sideways, and race off at 100 miles an hour? Excellent.
With her mock British accent, Jolie is a lot of fun as the adventurer-archaeologist who is equal parts Bruce Wayne and Indiana Jones, but with a much better body.
Taking its cue from the video game, the film's screenplay is more of a puzzle than a plot. The script is a patchwork of ideas that plays like a Greatest Hits collection of other films. It deals with end of the world stuff, but it never feels apocalyptic. It's controlled chaos, utterly lacking in surprise. The script jumps from one expected moment to the next, never apologizing for its lack of originality.
At least Jolie understands the limitations of the script. There's enough conviction in her performance to make you want to believe in Lara Croft, the spunky heiress is who is equally at home in her spacious mansion or within the catacombs of a lost tomb. She's guided by the spirit (both literally and figuratively) of her late adventurer father, Lord Croft (Jon Voight), and assisted by an archaeologist Alex West (Daniel Craig) and cyber-geek creator Bryce (Noah Taylor).
The film opens like "Raiders of the Lost Ark," with Lara Croft deep inside one of those musty, dusty tombs. Instead of outrunning a giant boulder, Croft squares off against a mechanical monster, a robotic menace that seems to come out of nowhere. It doesn't. We learn that it's a creation of Bryce, used to keep Croft on her toes.
Angelina Jolie made the perfect Lara Croft; her facial expressions and sly smirks added a personality to the flick that I can only imagine the video game is missing. She seemed smart, brave, and composed as well as full of emotion. Okay, maybe the parts with her father (real-life papa Jon Voight) were a little over the top, but since the whole movie is just eye-candy anyway they seemed to fit.
The fight scenes among ruins got me. How can you not love Lara Croft jumping onto a swinging obelisk to smash a glass eye that holds the key to time, or sledding thru an ice cave being pulled by dogs? Or the scene where the villains jump through her castle windows as she rappels around the walls, smashing chandeliers and pistol-whipping bad guys? What's a girl to do but hop on her motorbike, take a guy out sideways, and race off at 100 miles an hour? Excellent.
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Tomb Raider
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 115.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 131.168.070 USD
- Fine settimana di apertura Stati Uniti e Canada
- 47.735.743 USD
- 17 giu 2001
- Lordo in tutto il mondo
- 274.703.340 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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