Il trionfo di Maciste

The evil Queen Tenefi, who's usurped the throne of Memphis, demands that a steady supply of young women be sacrificed to the God of Fire inside the Mountain of Thunder. Maciste intervenes and saves from this sacrifice a village's women including the beautiful Antea.

Triumph of Maciste features an evil Queen who has a favourite pastime of sacrificing young virgins to a fire deity and there's the usual formula of Maciste played by Kirk Morris saving the day. I don't mind formula - actually I prefer it - as long there's something that makes the plot engaging, energy, twist in the plot, good acting,and action, etc. However this film is slow moving and tedious. It's just a tick box exercise of events without much verve or engagement. Got through it though but it didn't grab me much.

Kirk Morris is Maciste, one of the Sons of Hercules! Again we have an evil character sacrificing young virgins to a fire god this time and the villain is the the wicked Queen Tenefi! Of course Maciste will come to save the day for the women and restore the throne of Memphis its rightful ruler, Prince Iram.

We have the same thing, almost the same story as most of the others of this nature - just different faces and names for the characters. And this version of the same basic story plot is not all that grand.

My Mill Creek copy is severely faded, not that that it really matters because it's a terrible film. Easy to see why this one (along with most of the others) fell into the public domain. No need for a restore here.

1/10

I first saw this movie back in the B&W, TV days and still enjoy watching it now and then. The SofH version has different editing than the TRIUMPH OF MACISTE version that can bee seen on Y/T. I seems that Embassy Pictures wanted to shorten a lot of the boring scenes and leave room to INSERT footage from Kirk Morris' other film THE WITCH'S CURSE. This would lengthen Maciste's adventures in the underground caverns. I have broken this all down on Y/T for those who are interested. His did cut one important scene where Kirk kisses Cathia Caro, which is something i can't understand as it is a fabulous clip. In it you can clearly see why Cathia Caro was chosen to appear in PLAYBOY Magazine. Tis is truly a great adventure movie. I have added 4 new still to the IMDB gallery for you to enjoy.

Maciste Triumphs finds him in ancient Egypt which was more ancient than ancient Greece where these muscle dudes usually operate. It seems as though an evil queen has triumphed over the rightful heir to the throne of Memphis and is keeping her subjects in line with sacrifices to a fire God aka volcano and some black magic tricks of her own.

In fact when her soldiers capture Kirk Morris as Maciste she doesn't want him killed, but simply to serve as her slave in all kinds of capacities. One look at him and who could blame the lady, but even her allies think she's behaving badly.

When Maciste has to confront the volcano to save his true blue girl friend he has to deal with some creatures that look like they escaped from Dr. Moreau's island. That's the highlight of the film because it sure isn't an original peplum plot.

After Tim Burton's "Ed Wood" resurfaced that dubious genius, some peninsular scandalmongers decided to find the local equivalent to Ed and declared Tanio Boccia (who directs here as Amerigo Anton), Italy's worst filmmaker ever. That's not to be taken without a grain of salt. More than anything else, Boccia/Anton was one of those directors who accepted everything, did not argue with producers, took his projects as just another job and never thought of identifying with them. The results are under everybody's eyes, but it has to be admitted that he would have never thought of a future, let alone international, survival of his modest output thanks to TV, videotapes or DVDs. In the case of "Il trionfo di Maciste", the boyish Kirk Morris (alias Adriano Bellini, a Venetian who also starred in Riccardo Freda's "Maciste all'inferno") is to be admired in the muscular chariots scene at the middle of the film, where he offers such a picture of sweat, fatigue and effort as to become a minor cult classic for voyeurs. Although I'm not a gay person, I can easily picture the enjoyment of this share of the audience before such a sequence. For the rest, a minor and quite slow output without the visual glamor of the best productions.