Aggiungi una trama nella tua linguaA policeman's son searches for a suitable subject for an essay about an important person.A policeman's son searches for a suitable subject for an essay about an important person.A policeman's son searches for a suitable subject for an essay about an important person.
- Regia
- Sceneggiatura
- Star
John Nesbitt
- Narrator
- (voce)
Morris Ankrum
- Contest Emcee
- (non citato nei titoli originali)
Dell Henderson
- Mr. Ransom
- (non citato nei titoli originali)
Recensioni in evidenza
This entry of John Nesbitt's Passing Parade deals with a young boy (Dean Stockwell with an awesome head of hair) having to write an essay on "a really important person." Who he eventually decides to write about is telegraphed immediately in the opening narration. My favorite scene was an early one with Dean in the library. He's trying his hardest to make an essay on John Paul Jones work but he just can't. Slowly the camera pulls back to reveal a bald old man (Chick York) sitting next to him. The old man says "What's the matter? Don't you like great men of the 18th century?" I have to admit I burst out laughing at this odd scene. It goes on and the old man convinces Dean to look closer to home for important people. This is a charming old short with some moments that are funnier now than they were intended at the time. Stockwell was an excellent child actor. One of the best. It's also nice to see the great Connie Gilchrist as his mother. Oh, and the old man appears again at the essay reading. He smiles and nods happily as he hears the words he told the boy read aloud. Yes, again I laughed. Overall, it's a pleasant ten minutes so check it out if you get the chance.
This simple short feature works rather well, thanks in part to a decent story and in part to Dean Stockwell as the young boy. It is the kind of morality play that can easily become cloying or dreary if not handled carefully, but in this case it comes off all right.
Stockwell plays a boy who wants to enter an essay contest, for which the subject is "A Really Important Person". The character is portrayed as a typical boy, motivated by the desire to have fun and to please his friends. Stockwell plays the part well, and makes his otherwise familiar character worth being interested in. The story is also careful not to press its points too hard. The plot is rather predictable, but that was probably more or less by design.
There is just enough to the story to make it interesting without distracting attention from its intended point. While nothing remarkable, this is a decent example of how a simple, familiar, somewhat moralistic story can communicate its point without frills.
Stockwell plays a boy who wants to enter an essay contest, for which the subject is "A Really Important Person". The character is portrayed as a typical boy, motivated by the desire to have fun and to please his friends. Stockwell plays the part well, and makes his otherwise familiar character worth being interested in. The story is also careful not to press its points too hard. The plot is rather predictable, but that was probably more or less by design.
There is just enough to the story to make it interesting without distracting attention from its intended point. While nothing remarkable, this is a decent example of how a simple, familiar, somewhat moralistic story can communicate its point without frills.
For its predactibility . For its innocence. For the spirit of an old world. For its moral. And, sure, for Dean Stockwell. A boy. A contest. And his hero. And few details who, without be impressive, are seductive. A film about values. Nice, simple, moral. And, in special manner, seductive. That is all. For define it, not ignoring the involuntary humor and the dust, lovely. In memory of a lost age.
Dean Stockwell is trying to write a school essay on an important person. He thinks he's settled on John Paul Jones, but nothing will come. Someone suggests that important people are all around, so he goes out in search of one in this episode of John Nesbitt's THE PASSING PARADE.
It's a typical episode in the series, sentimental and concerned with the ordinary, unnoticed, forgotten things and people in the world. Here, it's Dean's father, the local beat cop.
To some, this has a definite post-war air to it, with its love of normalcy. True enough, but Nesbit had been telling such stories on the radio and in the movies for ten years by the time this came out. I guess people like things to be simple and normal.
It's a typical episode in the series, sentimental and concerned with the ordinary, unnoticed, forgotten things and people in the world. Here, it's Dean's father, the local beat cop.
To some, this has a definite post-war air to it, with its love of normalcy. True enough, but Nesbit had been telling such stories on the radio and in the movies for ten years by the time this came out. I guess people like things to be simple and normal.
Surely, a better story could have evolved around a boy required to write an essay on "A Very Important Person" and choosing to name his father as recipient of the honor.
In this lackluster short, the boy suddenly decides that his hard working father (a traffic cop) is worthy of being the subject of his prize-winning essay. DEAN STOCKWELL, one of the few natural child actors, is impressive in the central role as the boy who gradually comes to realize that he doesn't have to look far for a worthy subject.
Perhaps if the father had a strong role in the proceedings, the ending might be more believable. As it is, it's a weak message delivered in a routine way by MGM. Contract player CONNIE GILCHRIST has a small role as Dean's hard-working mother.
Narrated by John Nesbitt, it's a bit pretentious and easy to skip.
In this lackluster short, the boy suddenly decides that his hard working father (a traffic cop) is worthy of being the subject of his prize-winning essay. DEAN STOCKWELL, one of the few natural child actors, is impressive in the central role as the boy who gradually comes to realize that he doesn't have to look far for a worthy subject.
Perhaps if the father had a strong role in the proceedings, the ending might be more believable. As it is, it's a weak message delivered in a routine way by MGM. Contract player CONNIE GILCHRIST has a small role as Dean's hard-working mother.
Narrated by John Nesbitt, it's a bit pretentious and easy to skip.
Lo sapevi?
- QuizIncluded in Warner Home Video's 7-disc 2005 DVD release "The Complete Thin Man Collection".
- ConnessioniFeatured in Added Attractions: The Hollywood Shorts Story (2002)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Passing Parade No. 59: A Really Important Person
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione11 minuti
- Colore
- Proporzioni
- 1.37 : 1
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