Ye shou xing jing

This movie is a pretentious excuse to exploit the two lead actors and their fans. The script makes little sense, which is a bad filmmakers device to make you watch till the end so that you figure out eventually what's going on while this is definitely not the kind of a film that needs it. Acting is really uninspired from everybody, mainly because most of the time there's little to play with. Action is non-existent, people spend more time loitering, clubbing, eating out and in bed, than racing, shooting, fighting and chopping each other. When the action comes it is shot in a "can't see a thing it shakes so much"-vision and presented very badly to you, often employing speed-ups and various stylish editing techniques...badly! The trailer probably looked worthy of all the awards this movie got. Does it mean that there were no better films that year?

Interestingly, half of the comments listed here state this film is a complete disaster and the other half call it an action masterpiece. The film is neither of these extremes and its quality really is a compromise of both stances.

The begin with, the story it tells is rather straight forward with a typical flow of narrative we have seen in several other Asian thrillers. The story, however, is not a complete carbon copy of these other films and does have its own unique flavor, but the similarities can not be ignored.

What does set it apart from these other Asian thriller is the way it is told. The film is disclosed in a terrific and unique visual flair. The film features some savvy cinematography and flashy lighting to really add a wonderful ambiance and atmosphere to the proceedings which does help elevate its otherwise mundane plot.

The narrative also is infused with a good amount of comedy, causing the film to operate more as an action comedy rather than a straight action thriller. However, this is both to its advantage and disadvantage. The comedy does add a refreshing spin on the genre, making the film feel fresher than others of its ilk; but the comedy and serious violence is presented too unevenly making the film have a crisis in identity. At one moment the audience is expected to laugh and the next we are to cringe at the intensity and brutality of the action. This leads us to assume the film wasn't quite sure which direction to embrace.

However, the acting really is a key point that aids in its overall success. Anthony Wong is on hand to give another terrific performance. Many critics cite this as one of his best roles, if not the best one he ever had. The reasons are quite clear as Wong can both exemplify a tender heart in softer scenes and a determined, vengeful soul in harder scenes. On account of his performance, some of the uneven issues in tones are brought to an equilibrium, but are unfortunately not entirely resolved.

The acting form the supporting cast are adequate but nothing noteworthy. Some of the performances are rather over the top but that seems to be often the case in Asian thrillers, The rest are fortunately competent.

Overall, if the script had greater focus and didn't conform to several conventional elements, then this film would have been one of the better thrillers to come out of Hong Kong. As it is, the film is a rather typical action thriller told in an invigorating manor. Recommended for anyone interested in thriller genre, but if you are a causal film viewer or if the genre isn't your forte, then there are better examples out there.

Winner of loads of Hong Kong film awards in 98 (Best Actor, Film Director etc), this built up quite an expectation for me. The story pretty much doesn't make sense (cops and robbers are all best friends), and there is more talk of safe sex and "crabs" than gunplay. Add to that Micheal Wong's totally abysmal acting and you've got a very average film. Anthony Wong was OK and Sam Lee was fairly amusing at times but overall there is not much worth watching in this film at all (Gordan Chan was never that good a director anyway)Disappointing Stuff! If you want to watch a great post 97 HK film try Ringo Lam's "Victim"

It's been sometime since I last watched Gordan Chan and Dante Lam's highly-regarded action-drama, and probably not since Hong Kong Legends released it on DVD way back in the early 2000's. With the bizarre casting of the fantastic Anthony Wong and (the just passable and unrelated) Michael Wong in the leads, I can remember thinking I wasn't going to enjoy this film at all...

Thankfully though, I was wrong. Beautifully shot, with stylish action scenes and brilliantly choreographed stunt-work, Beast Cops isn't as threatening as its title would suggest offering plenty of Hong Kong humour among its drama and violent action scenes. Anthony Wong is just brilliant as the out-of-shape and out-of-luck streetwise cop, and even Michael Wong is enjoyable as his uptight boss who has just been assigned to his unit.

The brilliant Roy Cheung and Sam Lee help fill out the main cast along with Patrick Tam, Kathy Chow and a host of familiar faces, all who give pretty damn good performances (including Michael Wong for a change). One such face is Arthur Wong, director of In The Line Of Duty 3 and cinematographer of many classics including My Lucky Stars, Eastern Heroes, and The Warlords. For this film though, Tony Cheung Tung Leung handles the films gorgeous cinematography. His work includes Jackie Chan's Dragon Blade, Black Mask, and 14 Blades to name but a few!

The gritty and often violent action is handled by the wonderful Yuen Tak, offering some painful looking stunt-work alongside brutal fights with blades, and gritty hand-to-hand brawls that quickly turn bloody. Although it doesn't come every 5 minutes, there's still plenty to enjoy, including a brutally violent finale when Anthony Wong channels his inner psycho...

Although it carries plenty of humour, Beast Cops is a pretty dark movie on the flip side. Far from your typical cops-n-robbers story, the directors try to bring an intense realism to the film showing their heroes to be 'emotional and flawed' as a fine-line is drawn between the world of law-and-order, and the that of its triad gangsters. Winner of 4 awards at the Hong Kong Film Awards, including Best Film, Beast Cops does have its flaws, but is well worth the watch!

Overall: Wonderfully written, directed and acted, Beast Cops is a violent action-drama with plenty of laughs that highly entertains!

The cover of the BEAST COPS DVD makes it look like a cracking Hong Kong thriller with a dark edge; the involvement of Dante Lam led me to hope that it shared more than a few qualities with his excellent kidnapping story, BEAST STALKER.

Sadly, BEAST COPS turns out to be nothing like that movie; instead, it's a plot less film that flounders its way through an overlong running time while boring the viewer in the process. Don't get me wrong: the production values are faultless, the look and feel of the movie is right, and the characters are well drawn…it's just that everything exists apart from a storyline.

Anthony Wong and Michael Wong, playing a pair of tough cops, aimlessly wander from one scene to the next while the film struggles to find verve or momentum. There are a couple of decent sequences, with a chase about halfway through and a really killer ending, but these aren't enough to sit through the rest of the film for.

There's no faulting the performances – Anthony Wong has always delivered strong turns, and unlike many people, I don't have a problem with Michael Wong either; Sam Lee's comic supporting role is effective, too. But this film is just downright boring; it isn't about anything, and as an arty character study it lacks impetus and incident.