VALUTAZIONE IMDb
5,6/10
7867
LA TUA VALUTAZIONE
Un pubblicitario va in una piccola città per un'eredità, ma prima deve formare un coro gospel e portarlo al successo.Un pubblicitario va in una piccola città per un'eredità, ma prima deve formare un coro gospel e portarlo al successo.Un pubblicitario va in una piccola città per un'eredità, ma prima deve formare un coro gospel e portarlo al successo.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 11 candidature totali
DemeTress Long
- Church Usher
- (as Demetress Long)
Larry John Meyers
- Homer T.
- (as L. John Myers)
Shirley Caesar
- Reverend Shirley Caesar
- (as Reverend Shirley Caesar)
LaTanya Richardson Jackson
- Paulina Pritchett
- (as LaTanya Richardson)
Recensioni in evidenza
This is one of Cuba Gooding's best performances in years. Mr. Gooding has been on a dry run since his Oscar win in the supporting category for Tom Cruise's famous line-Show me the money!
This is basically a fun film. Cuba Gooding, recently fired from his job, returns to Georgia for the funeral of his beloved Aunt Sally. That funeral scene in the church is just memorably realized.
Gooding captures the part of the not so competent worker, with a kind and understanding heart.
He can keep the inheritance providing that he does something is an old Hollywood line. This time, it's the taking up of the choir.
LaTanya Richardson gives a stoic performance as the holier than thou choir leader who looks to trip the Gooding character up so that she can maintain her position. She is just great as one who preaches reverence but has strayed herself.
Beyonce Knowles belts it out. Of course, her rendition of fever can't be compared to that of the great Peggy Lee.
This is basically a fun film. Cuba Gooding, recently fired from his job, returns to Georgia for the funeral of his beloved Aunt Sally. That funeral scene in the church is just memorably realized.
Gooding captures the part of the not so competent worker, with a kind and understanding heart.
He can keep the inheritance providing that he does something is an old Hollywood line. This time, it's the taking up of the choir.
LaTanya Richardson gives a stoic performance as the holier than thou choir leader who looks to trip the Gooding character up so that she can maintain her position. She is just great as one who preaches reverence but has strayed herself.
Beyonce Knowles belts it out. Of course, her rendition of fever can't be compared to that of the great Peggy Lee.
Cuba Gooding, Jr. is among one of the most likable actors I can think of, who always seems subjected to bottom-barrel dreck. His performance as Tre Styles, living on the wrong side of the town with a smart brother and a thug for a friend in John Singleton's Boyz N The Hood is one I recall as one of the strongest of the eighties and one of infinitely powerful emotional impact. On a lighter not, he too gave a quick-witted, inspired performance as a luckless schmuck in pursuit of $2,000,000 in Rat Race. In Jonathan Lynn's Fighting Temptations, his character is Darrin Hill, an advertising executive in New York, who roots stem from Monte Carlo, Georgia. He learns of his aunt Sally's death just as he was leaving his firm with all his things after being informed he was fired for having a resume consisting mainly of false pretenses. He flies down to Georgia to attend the church he did as a child, and is reacquainted with the heat, the atmosphere, and the backsides of the girls by Mike Epps' Luscious. Darrin, then, learns that his aunt left him $150,000 in her will if he can rebuild the church's choir from the ground-up in six weeks. Learning that those who willingly want to join are less than qualified, he holds auditions, wanders around town, and in the meantime, constantly tries to form a relationship with Beyoncé Knowles' Lilly, his crush at a young age who had her heart set on Michael Jackson.
The story here is told with an alertness to its formula, yet a bounce in its step, fully capitalizing on the potential of Gooding, Jr. as an actor and Beyoncé Knowles as a screen presence. As someone who had no desire to watch any film Beyoncé went near and a distaste for her music, she is wonderful here, playing a character not as helpless or as self-consumed as I thought. She also isn't placed in the foreground either, nor does the film feel like it's simply capitalizing off her bankability as a singer. Her and Gooding, Jr. make a perfect pair.
Yet what's really to praise and write home about with The Fighting Temptations is the soundtrack. The choir sequences are energized precisely to give them the added effect and extra boost they need to work. The little rap tune, "To Da River," that comes relatively late in the game, is about as catchy as any song can be, and so often do the songs break free from the depressing shackles of being trite or undercooked.
If there's one point of "triteness" the film incorporates, it's the melodrama and Darrin's slightly smarmy attitude to the idea of running this choir and his romance, which is played out and redundant. It's not as painstakingly cheesy or as tiresome as it could've been (worse, more confused writing that is present in a melodramatic picture like Tyler Perry's Diary of a Mad Black Woman would've steered this film off the nearest cliff). Not to mention, if the film would've had, say, lesser performers, ones with not nearly as much drive, passion, or soul as the cast presented here, this would've spiraled further into lame, contrived mediocrity.
There isn't too much in The Fighting Temptations, and it does go a tad too long, with a story that reaches the two hour mark. It's not great cinema by any stretch; it's the kind I call "Sunday morning-fare," the kind of film you tune into fifteen minutes after it started, watch till the credits, and resume your day unaffected in any way, positive or negative. As awkward of a statement this may be, there's worse "Sunday morning-fare" out there. Certainly it'd be harder to find one as nice, free-spirited, genial, and effervescent as this.
Starring: Cuba Gooding, Jr. Beyoncé Knowles, Mike Epps, and Steve Harvey. Directed by: Jonathan Lynn.
The story here is told with an alertness to its formula, yet a bounce in its step, fully capitalizing on the potential of Gooding, Jr. as an actor and Beyoncé Knowles as a screen presence. As someone who had no desire to watch any film Beyoncé went near and a distaste for her music, she is wonderful here, playing a character not as helpless or as self-consumed as I thought. She also isn't placed in the foreground either, nor does the film feel like it's simply capitalizing off her bankability as a singer. Her and Gooding, Jr. make a perfect pair.
Yet what's really to praise and write home about with The Fighting Temptations is the soundtrack. The choir sequences are energized precisely to give them the added effect and extra boost they need to work. The little rap tune, "To Da River," that comes relatively late in the game, is about as catchy as any song can be, and so often do the songs break free from the depressing shackles of being trite or undercooked.
If there's one point of "triteness" the film incorporates, it's the melodrama and Darrin's slightly smarmy attitude to the idea of running this choir and his romance, which is played out and redundant. It's not as painstakingly cheesy or as tiresome as it could've been (worse, more confused writing that is present in a melodramatic picture like Tyler Perry's Diary of a Mad Black Woman would've steered this film off the nearest cliff). Not to mention, if the film would've had, say, lesser performers, ones with not nearly as much drive, passion, or soul as the cast presented here, this would've spiraled further into lame, contrived mediocrity.
There isn't too much in The Fighting Temptations, and it does go a tad too long, with a story that reaches the two hour mark. It's not great cinema by any stretch; it's the kind I call "Sunday morning-fare," the kind of film you tune into fifteen minutes after it started, watch till the credits, and resume your day unaffected in any way, positive or negative. As awkward of a statement this may be, there's worse "Sunday morning-fare" out there. Certainly it'd be harder to find one as nice, free-spirited, genial, and effervescent as this.
Starring: Cuba Gooding, Jr. Beyoncé Knowles, Mike Epps, and Steve Harvey. Directed by: Jonathan Lynn.
Excellent gospel music and some other musical gems highlight this otherwise poor excuse for a film. The music is as good as it gets. So good I just might buy my first gospel cd ever. But the goods stop there, with the possible exception of Beyonce who manages a decent acting performance to go with some superb vocals. Actually, the supporting cast is likable for the most part and do an okay job. However, Cuba Gooding Jr. was completely abysmal, almost as bad as the screenplay. The story itself is implausible, the jokes are stale and the dialogue is boring. Yet, the music was so much fun, I am glad that I saw it and would recommend it to others. Just fast forward through all parts where they are not singing. Believe me you won't miss anything worth seeing.
I found this film uplifting, funny and full of emotion. Beyonce looked and sounded amazing. Cuba did a good job and the whole film never lost my attention for a second. They sometimes say that they don;t make films like this anymore, but clearly this film proves that wrong. ( OK ignore that sentence it sounds stupid ) The music in this film is particularly good and all the characters fit into the story nicely. Good happy ending too. I just love this film and I don;t care if its not one that critics would rave on about. In my experience the films they rave on a bout are usually awful anyway. I am surprised that Beyonce hasn't made more films, she can really act in my humble opinion.
I can not believe I almost forgot to write about this film. It was a rare one that I really enjoyed. It had some funny moments and some great music. Now I'm not saying this movie was perfect b/c it was far from it but it was very entertaining and sometimes that is what a movie is supposed to be. The acting was okay and Beyonce is not bad at acting and is great at singing. The plot was nothing monumental but it dealt with something my wife was actually going through at the time. I will definitely own this movie.
Lo sapevi?
- QuizChloe Bailey played the character of Little Lilly while Beyonce played the character at an older age. Beyonce would later sign Chloe and her sister Halle as a group, Chloe X Halle, to her record label Parkwood. Beyonce signed the duo before she remembered their theatrical connection.
- BlooperWhen the two main characters are talking as children, the boy mouths the girl's line when she says she wants to marry Michael Jackson.
- Citazioni
Reverend Lewis: Love your enemies, it will drive them crazy.
- ConnessioniFeatured in Beyoncé Feat. Walter Williams Sr.: He Still Loves Me (2003)
- Colonne sonoreI'm Getting Ready
By Shirley Caesar
Performed by Ann Nesby
Produced by Bubba Smith
Ann Nesby performs courtesy of It's Time Child Records/Universal Records
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Dettagli
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 30.250.745 USD
- Fine settimana di apertura Stati Uniti e Canada
- 11.758.372 USD
- 21 set 2003
- Lordo in tutto il mondo
- 33.972.062 USD
- Tempo di esecuzione
- 2h 3min(123 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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