Hellraiser 5: Inferno

This was a very good movie. I'm a big fan of the Hellraiser series and I was very disappointed when I first saw Bloodlines. But this was a good one. The disturbing thing is the role of pinhead. In all other movies he is a messenger of ultimate pain an desperation, an active tormentor of souls, so in his role he is very disposable this time. This story doesn't need "Hellraiser" written on it's label to become a success. On the other hand it has more similarities with the book than Hellraiser 2, 3 and 4. Good actors, some good SFX, a dark, violent atmosphere and an entertaining story sum up to one of the best sequels for a long time.

I must admit to expressing a certain level of cynasism when I selected Inferno from my local video store. While I had found the frist two installments of the Hellraiser Series to be both disturbing and visually breath taking I was in no way impressed with three and four and am usually very sceptical about any direct to video horror movies. In this case I had little need to be.

The production values throughout this film are far above it's direct to video peers. The lighting and set designs are of the same caliber as many theatrically released horror movies. I will admit that the production design doesn't compare to sureal atmosphere of Hellraiser 1 & 2, but the this film seems to be grounded in a more gritty realistic environment. Craig Sheffer gives an excellent performance as the film's flawed protagonist a corrupt cop. He gives a minimally emotional performance giving his vice riden character a hollow and feel reflecting his soul's depravity. Character actor Nicholas Turturro gives an excellent performances as Sheffer's partner. The special effects and gore are far above those of a B-Movie. I was especially impressed with the transformation of pinhead.

What really sets this sequel apart from it's preadecesors is the script. In an inspired move writer/director Scott Derrickson choose to vary his story drastically from 3 & 4 an focus on the seductive nature of evil and takes the form of a modern morality tale. It is essentially the story Sheffer's struggle to purify himself of his own corruption, and return to innocense. This is in many ways the movie The Bad Luetenant as interpreted through the horror genre. Yes, Pinhead and his demon companions on make short cameo appearances and this is bound to anger some fans. I must argue however that the dread of their presences is always felt in the films atmosphere, and their use in the "surprise" ending is very effective.

I do have some minors critasisms which prevent me from giving this film a ten rating. First of all the film as times does degrade to cliches from both horror films and police dramas. I also felt the use of the demons in cowboy hats performing martial arts border on being unbelievable. In order for a film to be entertaining the audience must be able to suspend disbelief moments like this are difficult to accept. Finally, there are several false ending to this film. While years ago this may have been seen as an inventive horror tactic in the eighties it has become static and predictable. In many ways it takes away from the viseral power of the films conclusion. I rate this film as an eight out of ten due to it's inventive interpretation of the Hellraiser Series, and I would recommend it to both fans and non-fans of the series.

A shady police detective (Craig Sheffer) becomes embroiled in a strange world of murder, sadism and madness after being assigned a murder investigation against a madman known only as "The Engineer".

So, the story is that parts five through eight of Hellraiser were actually other films that had the script tweaked in order to make them part of the franchise, under the idea that more people would rent or buy the movie if it had Pinhead in it. Well, that last part is certainly true: many Hellraiser fans rented or bought this film and were gravely disappointed.

The problem is that this is actually a decent movie... except the Hellraiser parts. A corrupt cop tracking a serial killer, while going mad and being taunted by the killer? That always works. But why would Pinhead involve himself in this? It makes no sense with the character or the story as we know it. Remove the chains and Pinhead, and you have a good story that actually makes some level of sense.

So, now what about the franchise? Is it screwed? Do we ignore this and other films or do we just say it got worse as it went? Horror franchises going downhill is pretty standard, but by accepting this one into the mix, we are muddling the mythology. Why did they do this?

Hellraiser Inferno was a great movie. The acting could have been better, but it took a completely different turn than I expected it to.

Pinhead is what he was in the first two Hellraisers, A judge of Hell. If you notice Hellraiser 3 and Bloodline make him the bad guy, while in the first two movies it was the humans who were the evil ones.

This movie requires you to THINK. If you don't like having to think about a movie don't watch it, but if you liked the Blair Witch Project, You will like this movie.

This sequel brings back the style of the first two, but with enough difference to shock you in new ways. I believe this movie gets the point across that I think Clive Barker was trying to get across when he started this series, You create your own Hell, and you confront your own demons.

This movie is not like the rest of the series. It is more of a psychological terror than a slasher film. Give this movie a chance, and think about it.

Hellraiser: Inferno marks the first juncture in the franchise where ideas deviated beyond the formula set in place by the first borderline surreal, masochist piece.

Gone is the dreamy, sordid aesthetic used back then, the Cenobites who were front and centre are reduced to limited appearances and the story is less otherworldly and something decidedly more noirish and down to earth. Whether that's accepted by franchise die-hards and horror hounds alike is subjective, but I didn't mind it's slow burn approach or sidewinding tone. Craig Sheffer, the closest thing you'll get to Josh Brolin without breaking the bank, plays a crooked Detective who finds himself dragged down a rabbit hole of creepy, murderous goings-on when he's assigned to hunt a serial killer known as 'The Engineer'. Of course the murders always seem one step ahead of his grasp, and naturally dark secrets from his sketchy past are brought to light as he gradually begins to lose his mind. Doug Bradley does eventually return as the iconic Pinhead, with a few members of the Cenobite posse, but their presence is kept mostly on the back burner for quite a while. Taking antagonist duties for a while instead is Sheffer's eerie psychiatrist, played with sinister charm and knowing charisma by James Remar, a dubious fellow with a few tricks up his own sleeve. This is the one entry that sticks out from the franchise in it's diversion from the usual path of distinct, abstract psychosexual horror and mutes the whole icy nightmare down to rebuild a story in it's own image. You'll either appreciate the initiative, or you'll miss the good ol' freakshow of the original film. Up to you.