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'Life Is Beautiful' is often called a great 'holocaust comedy', but it pales in comparison to this. Life Is Beautiful awkwardly shifts between scenes that are supposed to be funny, and scenes that are supposed to be meaningful or sad or intense, as if Benigni was making a joke, then apologizing for it, then apologizing for being too serious, and making a joke again, and so on. This movie plays it straight pretty much, and everything just works. Particularly the scene with the hands in the bed, and the scene where Josef is taught how to make Nazi-like facial expressions are hilarious. The characterizations are very well done, particularly Horst, the horny scumbag of a Nazi who you get to like in the end. The movie is sometimes surreal. In many scenes the images are very jumpy and distorted, but that shows us what the characters are going through, effectively. The ending is maybe one of the greatest movie endings of all time. It's very surreal, and you can interpret it in many ways. Its abstraction is what helps to make it powerful. When many people create art that has to do with the holocaust, they often go out of their way just to show us that they are making a statement about how horrible the holocaust is, as if theyre afraid that we won't think that otherwise. Even the classic Schindler's List does that, I think. But this movie is a different kind of holocaust movie. It doesn't try hard to show us that the holocaust was bad, but it doesn't neglect how serious the holocaust was, either. The only complains I have about this movie is that it is often slow, and a little confusing at the beginning. It's not a completely perfect movie, but it's definitely a masterpiece of holocaust movies. All the schools that show kids Life Is Beautiful should definitely switch to this.

Without doubt, one of the best films you'll see in your lifetime.

At the start, there is a car being driven in the countryside. The car stops, and three men get out to pee. Two of them play a little prank on the chauffer. In the next scene, the chauffer is in charge, and the family of the boy who played the prank (the bosses who happened to be Jewish) are being evicted of their big house.

And this is just a very minor aspect of the film. There are selfish people, and there are selfless people in this film, and more often than not they are the same people. Of course, those who want things spelled out for them would like to know if Josef makes the decision that is central to the plot to save his skin, to save David's, or to make his wife (who wants to have children) happy.

This is not a Hollywood film. I like American movies, most of the time. They are great for entertainment, but if I want something for my mind and my soul, something that can make me laugh, cry, and think, then this is the kind of movie I want.

What an amazing film. I picked this up from work in a throw away box, lets just say, all the artsy movies were in the throw away box, go figure !, took it home, where it sat on the shelf for months, had no idea of the significance of the film, the Oscar nomination etc. So when I finally put it in the machine, I was totally unprepared. What a fine film, beautifully made, gripping, funny, sad, thought provoking. I did not even catch the religious significance of any of it, still it moved me to tears. This is how life is, nobody is perfect, people do horrible/crazy things to survive. Even the hiding of David is done out of self preservation, not something noble. People doing what they can to survive. I loved this film, and would recommend it to anyone with half a brain. A beautiful, intelligent masterpiece.

Just saw this on BBC4 - extraordinary - it's the kind of achievement American (and British) screenwriters should practice for years to emulate. Robert McKee, see this film!

The writing, directing and acting are all superb, and in the service of a supremely human story beautifully constructed around timeless epic themes of man's inhumanity to man, war, and all the other big stuff. To separate these from the movie itself, though, would be to do it a great disservice.

The mix of laugh-out-loud humour, gripping thriller, and finally a well-earned and unsentimental tear-jerker of a last 15 minutes is the zenith of a movie-watching experience. "Divided We Fall" is very funny from the outset, but it doesn't take long for the filmmakers to skilfully tighten the knot with sudden character twists and brilliant writing early on. Once we're immersed in 1943 Czechoslovakia, we're not only rooting for the lead character Cizek, played immaculately by Bolek Polivka - a winning combination of contemporary earthy Brit character actor Philip Jackson and 20th century comedy genius Alistair Sim - we're feeling like we're there with him.

He and the ensemble cast play every beat of the story just right (there's even one moment midway through where the audience are maybe allowed to get a bit too far ahead of Polivka's character, but it's remedied by the performances). The visual flourishes, especially the effects of switching between film speeds and using a DV tape look, all enhance the narrative without intruding into it, and thus heighten the tension at unexpected moments. The costume and make-up designs bring the human stories to warm life; and set against war-torn 1940s backdrops, the production design could hardly go wrong.

A great treatment of a much depicted time and narrative that manages to make events feel fresh, real, scary, funny, dramatic, ultimately hugely moving...somehow many more people should get a chance, and be urged, to see this film.

This 2000 masterpiece is a creed apart from the usual holocaust narratives . Amazing to see that World War II is still a fertile ground for brilliant creations like this one . A rare mix of drama , realism , comedy , suspense and what all ? A wonderful message on how as flesh and blood humans good , evil and the undecided all are interdependent on each other , how we need to realise that there isn't anything pure evil or pure good . 1940 Czech town where the patriot , collaborator ( with the occupying Nazis ) , the hunted , the humanist all coexist and live out the everyday drama of survival against all odds .Finely wrapped in heart wrenching comedy this sure belongs to the league of true classics .Wonderful and brilliant use of symbolism , the strung out pork and the entrapped potential meat Jew , the perambulator cross over at the ghost town street with the hand cart carrying the post conflict rubble ... brilliant strokes of mastery !! A must watch for cinephiles and non cinephiles ... do not ever miss this one !!!