VALUTAZIONE IMDb
6,8/10
10.691
LA TUA VALUTAZIONE
Camelot e Avalon, uno sguardo dal punto di vista delle donne del mondo di Uther e Artù Pendragon.Camelot e Avalon, uno sguardo dal punto di vista delle donne del mondo di Uther e Artù Pendragon.Camelot e Avalon, uno sguardo dal punto di vista delle donne del mondo di Uther e Artù Pendragon.
- Vincitore di 1 Primetime Emmy
- 5 vittorie e 23 candidature totali
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Recensioni in evidenza
Worthy adaptation of a priceless book
The book is simply amazing and this film adaptation adequately embodies its epic stature. I am amazed how much of the book is actually reflected in a 2-hour television digest version. I really don't like spoilers and I always try to avoid giving away a story myself, so I will just say this movie can be enjoyed by either fans of Marion Zimmer Bradley's book or the uninitiated.
The scenery, cinematography and costumes are beautiful. The acting is generally very smart and understanding. The cast was well chosen. The writing is well-informed.
Some of the negative reviewers seem to be offended by sexual material and what they perceive as "anti-christian" content. Of course I would not try to change any of these people's opinions, but I would remind these reviewers of the story's point of view. The setting is in a largely non-Christian world and told from a feminine perspective. With virtually all other tellings being from a masculine, heroic, 15th century Christian perspective (despite the fact that the setting is actually 4th century pagan) I find this appealing for history's (her-story's) sake alone. Usually the "winners" write history. In this case I think Bradley is trying to tell the other side of the story.
The scenery, cinematography and costumes are beautiful. The acting is generally very smart and understanding. The cast was well chosen. The writing is well-informed.
Some of the negative reviewers seem to be offended by sexual material and what they perceive as "anti-christian" content. Of course I would not try to change any of these people's opinions, but I would remind these reviewers of the story's point of view. The setting is in a largely non-Christian world and told from a feminine perspective. With virtually all other tellings being from a masculine, heroic, 15th century Christian perspective (despite the fact that the setting is actually 4th century pagan) I find this appealing for history's (her-story's) sake alone. Usually the "winners" write history. In this case I think Bradley is trying to tell the other side of the story.
great movie
I have some advantage in NOT reading the book -therefore watched the movie in its own right . As it started off as a TV mini series - I decided to watch maybe half at one sitting , but hey , from the first 5 minutes it was just totally engrossing viewing , and I saw all 3 hours plus in one sitting . And what a story ! -The characters were clear and bold -the acting was just wonderful -almost Shakespearean at times in its intensity -The photography and scenery - just stunning - As a person with an interest in history and legends - I found the story line quite remarkable and perhaps the best retelling of the Arthurian legends I have encountered. The author of the book had so obviously done her homework .The soundtrack alone was worth the cost of the DVD . The depiction of the ancient mother earth religion is most beautiful to behold , and has to be a highlight of the movie for me . A GREAT movie indeed !
Cerebral and Thought-Provoking
The legend of King Arthur has been retold enough times that no single version of it is sacred. This explores the notion that Arthur is king "at a time when the gods were changing" (to paraphrase James Michener) and that the mystical women of Avalon (and not Merlin) are the real force behind the events of Camelot. The attempt to unite pagans and Christians under one king may seem like a very contemporary issue, but it is a human universal and one that has been repeated throughout history.
It's a shame that most viewers will see this interrupted with commercials; it's a beautifully moody film with lots of excellent photography, sets, and costumes (even if the latter look a little too Medieval for accuracy). The performances are generally good, with a few over-the-top lines and gestures.
PARENTAL ADVISORY: This film contains violence and sexual situations unsuitable for children under 15. Additionally, it is sufficiently cerebral that anyone under that age might not be engaged by it and as such might not be appreciated by newcomers to this legend.
It's a shame that most viewers will see this interrupted with commercials; it's a beautifully moody film with lots of excellent photography, sets, and costumes (even if the latter look a little too Medieval for accuracy). The performances are generally good, with a few over-the-top lines and gestures.
PARENTAL ADVISORY: This film contains violence and sexual situations unsuitable for children under 15. Additionally, it is sufficiently cerebral that anyone under that age might not be engaged by it and as such might not be appreciated by newcomers to this legend.
One of the Worst Adaptations Ever
Fans of Marion Zimmer Bradley's book may wish to carry a barf bag for this one. I realize that time constraints will not allow for the detail that made Bradley's novel so striking. This does not, however, excuse changes that contradict the book. Important details are overlooked, though readers might be able to notice key lines and fill in the background. Overall, this was a very poor adaptation of the book with lackluster characterizations.
Sorely disappointed
Well its not the book at all, so if you are expecting that its better to dream. So much so that I think it should have a different name, like Excalibur II or something. But there were parts that kept to the book and so it goes. But oh man if you watch this and never read the book I feel sad for your loss. The book is a thrilling tale about change and fate. It delves into realms of religion and how one religion overcomes another. There are also sub plots of innocence, trust and the betrayal of trust. This show was more about the men and their lives. I had hoped that maybe someone would have the nerve to show a differing viewpoint but I suppose not yet. I am sad and so I lament. Please someone have the nerve to make this book as a movie as it is, not for the forwarding of a differing perception but because it is a beautiful book.
Lo sapevi?
- QuizAnjelica Huston was able to keep several of the dresses used in the film and several women wore them during the Baptism of Anjelica's nephew Rafa, the son of her sister Allegra Huston.
- BlooperWhen bandits ambush Guinevere and Lancelot, Guinevere and her horse are pulled down to the ground by two men. After focusing briefly on Lancelot fighting the bandits off, we return to Guinevere and see only one man pulling her away. After another Lancelot shot, there are two men again.
- Citazioni
Mordred: I do not like to think that this great King, this great man, my father, is my enemy. And then for the sake of Avalon I must bring him down to nothing. I would rather love him, as all men do. I would like to look on my mother, Lady Morgaine, I would like to look on her who bore me, as my mother. Not as the priestess or the Goddess. I am so weary of Gods and Goddesses, I am weary of my fate.
- ConnessioniFeatured in The 59th Annual Golden Globe Awards (2002)
- Colonne sonoreThe Mystic's Dream
Written by Loreena McKennitt (uncredited)
Performed by Loreena McKennitt
from the Quinlan Road recording "The Mask and Mirror"
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