LavourArcaica

Well, I've actually seen this one in its entirety only once. First time around I gave up after 2 hours. Then I thought I might as well try again, as there could be some other great scenes in the last 40 minutes that I'd like to see on the big screen. It was worth it. It starts very well, and I like the ending, and there's lots of great stuff in between. But I have to say that 2 hours and 40 minutes was too long for this one. And a bunch of great scenes do not make a great movie just because they're put together, at least not in this case, I don't think so. Anyway, if you're in the mood for slow cinema, try this one.

This film is certainly a masterpiece and ought to be remembered for all times. It was based on a novel written by Lebanese descendant Raduan Nassar, who was born in Brazil. The story is about a beautiful family of Lebanese heritage that lives in the countryside of Brazil. However, needless to say that peace does not remain in the father's house.

Translated properly, the real film's title is something like "Archaic Farming", because that's what it really is. The film takes place in the mid 30's or 40's and through flashbacks, we get to know about André (Selton Mello) and the reasons that led him to a desperate and at the same time wise decision to leave his home for good. André is a harassed, taciturn, introverted man... a sort of a bad root in the Family tree. His mother, so sweet and tender, loves him above all her children. Such a maternal love suffocates André who finds himself mad because of the ardent love he feels for his sister Ana. André's happiness depends on Ana's actions and movements towards him. In a few words, she's everything in his life. The father is a very strict and severe man who desires above all things, order and tradition in his house. André just can't stand it. After his disastrous sister's rejection, André leaves his home. Nonetheless, his older brother Pedro, goes after him and after finding André, convinces him to get back home.

The ending is surprising for those who haven't read the book but for those who did, it's unforgettable. Lavoura Arcaica is indeed a very beautiful and unusual film. Not everyone is able to watch it until the end and understand it in its all ways and meanings.

The photography is just extraordinary; all the colors on screen are amazing. The soundtrack is excellent. All the actors' performances are great. Selton Mello, who was already a famous actor in Brazil, manages to play a different character this time. I dare to say that the film is just as good as the book. Both are worth watching and reading.

There are so many things that I could say about this film... but really, I'll leave it for you to watch it.

This movie gained a cult-status because it won more than 30 international awards, received more praise from the Brazilian critics than any other feature of that year, but was never released on DVD or VHS until last week. But the waiting wasn't worthless: the movie is a masterpiece. Few films are so honest and love their characters so much as this one, and has so much faith in it's material. Carvalho's directing is clearly very elaborate, and makes every frame seems poetic... The baroque cinematography and the score reflects perfectly the mood of the characters, the sound mixing is nearly perfect, and the cast is, without exception, magnificent. Certainly one of the most overlooked films ever, but this time, the public cannot be blamed.

'Stunning' is not an exaggerated word to describe this film. The images are haunting, and I saw it on the small screen at home. I can only imagine what it must have looked like in a theatre.

Director Luiz Fernando Carvalho is masterful in meticulously capturing the poetic word rhythms of novelist Raduan Nassar, who wrote this metaphysical, philosophical work. The largely verbatim prose-poetry (direct from Nasar's book), spoken improvisationally by the actors, is psychologically multi-layered. It is all brilliantly complemented by Walter Cavalho's multi-award-winning cinematography. Cavalho's disturbing and often sumptuous images linger long after the screen has turned dark. One is reminded of Sven Nykvist's haunting style of 'still-life-photography' in films, particularly those made with Ingmar Bergman.

Lavoura Carcaica is almost three hours long, and (isn't this always the way with great films?) it requires an almost immediate re-viewing. One just cannot absorb the language and imagery in one sitting.

The ensemble acting is first-rate. Sultan Mello is the tortured son in temporary self-imposed exile from his family, who yearns (shamefully) for the love and sensual heat of his sister Ana's body; Simone Spoladore is the innocent, sweet-faced Ana, who expresses her desire for love by dancing (the images are more erotic than 99% of the soft-core sex you see in mainstream movies these days); Juliana Carneiro da Cunha is the loving, long-suffering mother who is an exemplar of maternity, a woman who sacrifices everything to her children, and particularly her 'pet,' Andre (Mello); and Raul Cortez is simply astonishing to watch as the austere, evangelistic, hypocritical father who rages about the primacy of familial love but doesn't really understand its true meaning when it comes to his own children.

This is a film that well deserved its many nominations and awards. It is deeply challenging and demanding, and it almost certainly would never have been made in Hollywood.

This is, without a doubt, one of the best movies I have ever seen. It is a spectacular example of the new brazillian movie-making!

It is a technically perfect movie, with a brilliant cinematography and a masterful photography. The scenes are very well built and the director truly owns this movie. Of course, it derives from one of the masterpieces of recent literature, Raduan Nassar's impressive novel.

I thoroughly enjoyed the movie and have to disagree with Flavio Velames comment, complaining about it being too erudite. There's only such thing if a movie is pretensious, which is obviously not the case: this movie breathes honesty. There are already enough "common" movies being produced around the world to commit the crime of discarding this one for not being "common". Not all movies are supposed to be for the audience to have "fun". Some of them (the best ones) are supposed to enchant you, as this one does.

Keep up the extraordinary work, Luiz Fernando Carvalho! I had the opportunity of attending the screening of this movie at the Film Festival Rotterdam 2002, where Luiz Fernando spoke. Enlightening. True art and true artist. Thank you.