One Life Stand

A truly accurate and unglamourous look into modern day life. It could be set in any town in the UK.

I live in a housing estate in Glasgow and can relate to this film very well.

Sadly the situations and characters are all too realistic but not predictable.

The actors are scarily believable, I felt as if I was spying on my neighbours. It was an intimate dip into the lives of fragile and hopeless people. I was very moved by a few scenes.

I loved the way this film was shot.

Overall this film IS a must see.

All budding filmmakers should watch this movie - it is like a masterclass in digital film- making in itself. Some of the scenes look like they have been shot on much higher production values than what they really have been. It is very encouraging that such a well crafted piece of work can be made on a low budget. The acting is very good, and the characters are very interesting, particularly that of the lead boy (John Kielty), who manages to play a teenager experiencing difficulties whilst remaining really likable. His beautiful but fading mother was also very well portrayed, and the relationship between her and her boss was very intriguing. This is a very quirky, interesting piece and I will be looking for anything else made by the same team. The director is certainly one to watch.

I just watched the DVD of this award winning film. One Life Stand is a stark drama that through it's pace, black and white shots and atmospheric music, paints a very compelling and honest picture. It's a story about life's dilemma's around power, sex and control highlighted by a few sad lonely lives. The mother (very well acted by Maureen Carr) is uptight and drawn in on herself. The father only appears on the side-lines, and yet is a powerful and pivotal part of the drama. Money is hidden in boxes and shoes.

The writing was superb, and I liked the sensual close-up shots of details such as nails, red lips, a candle, mirrors etc. The way the camera was used made it very intimate. It's a harrowing tale, with sexual undertones, while the Glasgow drizzle on the dark streets adds to the despair of the sad characters.

There are some highly memorable shots conveyed simply by a walk, or a dropped shoulder - such as Trise walking away under the bridge. And the stunned and hurt look on Trise's face in the call centre, which hopes to helps people through using tarot cards, as she listens to a caller talk of her own abuse.

At the start we see John Paul, wide-eyed and innocent, having photos shot as he wants to try modelling. Trise, his mother, is deluded and making poor choices for him, in a way pushing him away while she tries to keep him. John Paul's modelling turns into escort work and Trise's boss offers her money, and eventually they go on a date. There are also moments of humour and subtle irony. One excellent scene is when they are having a fairly normal meal, and starting to open up a bit, when the father appears with his dark presence and clouds everything over. But this, and other things offer moments of hope.

I felt at times the pacing of the film was a shade too intense, but this is a small detail in another wise challenging and memorable film, and something a bit different. It stands in start contrast to most American films which are either total fantasy, or the real' world' as seen through tainted glasses. This film depicts life with all its rough edges and displays unforgettable images.

This isn't 'light entertainment' but a thought provoking and real life drama.

One Life Stand is a truly involving and emotionally honest film.

This ultra-low budget kitchen-sink yawn is the kind of film that can only be made in the UK in that, anywhere else in the world the fact the a market would need to exist before a green-light would be given. Most probably self funded this is clearly an attempt to redress important issues but ultimately undermines its point of existence in that the question needs to be begged, who would ever put money into distributing this and secondly if a market audience doesn't exist to watch, buy or rent this film, why would anyone bother in the first place? My opinions may sound unfairly harsh on a first time director but, this is the kind of film that only goes to undermine the commercial viability and quality standards which have only just kept a British film industry in existence. Reviewed in Edinburgh. 2 out of 10.

Hard up, No proper jobs going down at the pit, why not rent your kids! DIY pimp story without the gratuitous sex scenes, either hard core or soft core, therefore reads like a public information film from the fifties, give this a wide miss, use a barge pole if you can.