Un uomo cinico ed immaturo impara una lezione di vita quando deve occuparsi di un giovane ragazzo.Un uomo cinico ed immaturo impara una lezione di vita quando deve occuparsi di un giovane ragazzo.Un uomo cinico ed immaturo impara una lezione di vita quando deve occuparsi di un giovane ragazzo.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 11 vittorie e 30 candidature totali
Natalia Tena
- Ellie
- (as Nat Gastiain Tena)
Chris Webster
- Ellie's Friend
- (as Christopher Webster)
Recensioni in evidenza
just finished watching this fine fine movie and am still trying to digest it. well...i must say this coming of age ( Hugh's character too )movie made me feel so content after i finished viewing it. i've forgotten how good Hugh grant is in melodramatic comedies and all in all i think the British are the best at these types of comedies. the movie has a decent rating of 7.1 and i would personally give it a 7.5. this is possibly one of Hugh's best efforts and he seemed to have a lot of fun doing it.
as an American i can't understand how our shallow idiotic unintelligent comedies fare so much better then a gem like this. i guess most audiences were like the ones in the school audience during the music talent show. Marcus did the song " killing me softly " because it was one of his mums favorites and even though the audience was banal and cruel he still had the gumption and heart to get up there an perform for his mom. life isn't about trying to fit in and be with the cool crowd, there's so much more important things in life then that and Marcus was mature enough to understand that, with help from Will of course.
well, i won't give anything else away about this movie, but if you're looking for a intelligent, heartwarming, tender, sad and funny movie, this is it. i would recommend this movie to just about anybody over the age of 10. this is one of those hidden little gems that has also a very strong positive message about what is right and what is wrong. there was not one dull moment in this movie and i think i must've chuckle or guffawed about 50 times during the duration of this movie and it's not a long movie.
if you like intelligent tender heartwarming comedic movies where all the actors and actresses were in top form...then you have to watch this movie. one of my favorite comedies all-time.
as an American i can't understand how our shallow idiotic unintelligent comedies fare so much better then a gem like this. i guess most audiences were like the ones in the school audience during the music talent show. Marcus did the song " killing me softly " because it was one of his mums favorites and even though the audience was banal and cruel he still had the gumption and heart to get up there an perform for his mom. life isn't about trying to fit in and be with the cool crowd, there's so much more important things in life then that and Marcus was mature enough to understand that, with help from Will of course.
well, i won't give anything else away about this movie, but if you're looking for a intelligent, heartwarming, tender, sad and funny movie, this is it. i would recommend this movie to just about anybody over the age of 10. this is one of those hidden little gems that has also a very strong positive message about what is right and what is wrong. there was not one dull moment in this movie and i think i must've chuckle or guffawed about 50 times during the duration of this movie and it's not a long movie.
if you like intelligent tender heartwarming comedic movies where all the actors and actresses were in top form...then you have to watch this movie. one of my favorite comedies all-time.
This movie really came as a surprise to me. I had read the book shortly before I saw it and when I heard Hugh Grant was going to star and the Weitz brothers were chosen to direct I didn't exactly have high hopes. I thought "American Pie" was funny and all but this kind of story demanded someone more mature, someone clever. This movie, however, turned out to be all that: mature, clever, witty, sensible, honest and, most of all, really funny in such a natural way. Hugh Grant has never been better in any role before or since and the soundtrack by Badly Drawn Boy is just perfect for the movie. The only thing they overdid a little was Toni Collette's character. I've never seen a person like that in real life. What I did like was the way they changed the ending for the movie. Usually that's not a good idea but it totally worked here. After all, I still liked "High Fidelity" a tiny bit better (the movie, not the book), but "About A Boy" comes very close. If you are just as much a fan of this book/movie as I am, get the DVD. There are wonderful deleted scenes on it, which are as funny as the rest of the movie.
`About a Boy' was being touted as a great make over for Hugh Grant
and it is. Gone is his infamous bumbling English fop role, his fluffy hair lost to a sharp, more stylish cut. Here he plays a rich selfish layabout, Will, who cruises through life on the royalties from a song his deceased father penned years ago. He finds a great way to meet women who don't want to get involved through a single mother's group which is where he meets the strange twelve year old boy Marcus (Nicholas Hoult), who lives with his depressed, suicidal mother Fiona (Toni Collette). A tragic event sees Marcus seeking comfort with the indifferent Will who begins to realise that there's more to life than sitting around at home all day.
Hugh Grant is on peak form here he sheds his old roles for that of a fresher, younger man. He is able to convey charm and selfishness not just through words, but also through his mannerisms. He even conveys genuine affable warmth later on in the movie, without making my teeth grate Equally impressive is Toni Collette as Marcus' sad mother. Her character has a tragic feeling to it, a real sense of world-weariness conveyed in a great combination of makeup and acting. The real star of the movie for me- is Nicholas Hoult as the young boy who helps Will come to realizations about his life. He doesn't get by on cute good looks, like far too many kid actors, because he can actually act from the innocence of a child (when he tries to get his mother and Will together), to the simplistic musings of children who can't understand why some people hurt (such as his mother). Like Osment (whom he amusing compares himself to), Hoult shows that child actors are just as, if not more so, capable as their elders.
The script of the movie is witty, without being outright hilarious. It's what you come to expect of the British comedy market (the weak `Ali G indahouse' aside). It being a British comedy you can predict where it's going to go and there are relatively few surprises along the way. Having said that the characters are sketched strongly enough, and the humour at a high enough level, that you'll be more than entertained along the way.
It's surprising to see that this movie was directed by the `American Pie' Weitz brothers, because they bring a thoughtful, contemplative air to the movie, while never getting bogged down in pointless camera techniques the most we're left with is some simple screen wipes. They've also chosen well by having Badly Drawn Boy compose the whole soundtrack as it works very well with the film's tone.
There's nothing outstanding in `About a Boy' but what's here is done surprisingly well. It's a nice movie that's quite enjoyable for relaxing to some evening. A 7/10 seems just.
Hugh Grant is on peak form here he sheds his old roles for that of a fresher, younger man. He is able to convey charm and selfishness not just through words, but also through his mannerisms. He even conveys genuine affable warmth later on in the movie, without making my teeth grate Equally impressive is Toni Collette as Marcus' sad mother. Her character has a tragic feeling to it, a real sense of world-weariness conveyed in a great combination of makeup and acting. The real star of the movie for me- is Nicholas Hoult as the young boy who helps Will come to realizations about his life. He doesn't get by on cute good looks, like far too many kid actors, because he can actually act from the innocence of a child (when he tries to get his mother and Will together), to the simplistic musings of children who can't understand why some people hurt (such as his mother). Like Osment (whom he amusing compares himself to), Hoult shows that child actors are just as, if not more so, capable as their elders.
The script of the movie is witty, without being outright hilarious. It's what you come to expect of the British comedy market (the weak `Ali G indahouse' aside). It being a British comedy you can predict where it's going to go and there are relatively few surprises along the way. Having said that the characters are sketched strongly enough, and the humour at a high enough level, that you'll be more than entertained along the way.
It's surprising to see that this movie was directed by the `American Pie' Weitz brothers, because they bring a thoughtful, contemplative air to the movie, while never getting bogged down in pointless camera techniques the most we're left with is some simple screen wipes. They've also chosen well by having Badly Drawn Boy compose the whole soundtrack as it works very well with the film's tone.
There's nothing outstanding in `About a Boy' but what's here is done surprisingly well. It's a nice movie that's quite enjoyable for relaxing to some evening. A 7/10 seems just.
Described by some as a man's version of Bridget Jones Diary the remarkable thing is that it lives up to the description. Hugh Grant, with an excellent script that could have been written especially for him, plays a young confirmed single yuppie socialite, dividing his day into units in which to pack his meaningless but carefree, philandering lifestyle and disposable income. After initially discovering unmarried mothers as a new supply of grateful sexual objects, he becomes drawn into a meaningful life after making friends with a young boy. Avoiding a cheesy ending is one of the film's many triumphs.
In the wonderfully entertaining "About A Boy," Hugh Grant shucks everything that made him famous nearly a decade earlier in "Four Weddings and a Funeral" (the floppy hair, the stuttering, etc.) and ends up giving his best performance to date. He plays Will, a wealthy, happily unemployed, commitment-phobic cad (slightly less insidious than Daniel Cleaver of "Bridget Jones's Diary") whose newest ploy is to date single mothers because they are easier to dump. However, he meets Marcus (Nicholas Hoult), the son of a somewhat suicidal mother (Toni Colette), and realizes that he cannot continue living his life so shallowly.
This film was based on Nick Hornby's wonderful book of the same name and retains much of the wit and touching humor. The early scenes depicting Will's "full," but spiritually empty, life are particularly amusing, with Will dividing the day up into units of time and spending these units on "web-based research" (finding pics of supermodels with see-through tops), "exercise" (shooting pool), grooming, and the like. Grant makes his character irresponsible, but remains enormously likable throughout the film. This is important because we start to identify with him, and understand his fears of commitment and helplessness behind his outward superficiality. His mannerismsGrant's specialty, I thinkare v. entertaining to watch; the selfishness, hurt, anger, recognition and more pass across his face effortlessly. The other cast members Nicholas Hoult, Toni Colette, and Rachel Weisz are also v. good in their supporting roles and play off each other well.
The film doesn't follow the book too closely, however, but does one-up on the book by wisely emphasizing some parts that the book downplays. For example, Rachel (played by Rachel Weisz) only appears for a few pages in the book, but has much more presence in the movie. Through the Rachel character, we see how Will's relationship with her is different from his past shallow ones, and we realize that he is growing up. Also, the movie is filled with great one-liners and sharp, witty dialogue that never feels forced. The movie also employs voice-over function (Will's) very nicely; for example, in one serious scene, Will follows the ambulance to the hospital, looking rather serious, but in his voice-over he says. "It was all terrible, just terrible. But driving fast behind the ambulance was fantastic." The character would never say that out loud, but it provides comic relief and the assurance that he is, indeed, very shallow.
The strength of "About a Boy" is in the simplicity and power of its scenes. Not one scene is wasted; each one tells us a wealth about the characters and leads to Will's self-discovery. That, along with Hugh Grant's delightful performance, and backed by a great score from Badly Drawn Boy, make "About A Boy" one of the most delightful, entertaining, and touching movies I've seen. It's a great feel-good movie. Highly recommended, especially to Hugh Grant fans, or anyone who has ever empathized or sympathized with Will and his situation. One of my favorites. 10/10.
This film was based on Nick Hornby's wonderful book of the same name and retains much of the wit and touching humor. The early scenes depicting Will's "full," but spiritually empty, life are particularly amusing, with Will dividing the day up into units of time and spending these units on "web-based research" (finding pics of supermodels with see-through tops), "exercise" (shooting pool), grooming, and the like. Grant makes his character irresponsible, but remains enormously likable throughout the film. This is important because we start to identify with him, and understand his fears of commitment and helplessness behind his outward superficiality. His mannerismsGrant's specialty, I thinkare v. entertaining to watch; the selfishness, hurt, anger, recognition and more pass across his face effortlessly. The other cast members Nicholas Hoult, Toni Colette, and Rachel Weisz are also v. good in their supporting roles and play off each other well.
The film doesn't follow the book too closely, however, but does one-up on the book by wisely emphasizing some parts that the book downplays. For example, Rachel (played by Rachel Weisz) only appears for a few pages in the book, but has much more presence in the movie. Through the Rachel character, we see how Will's relationship with her is different from his past shallow ones, and we realize that he is growing up. Also, the movie is filled with great one-liners and sharp, witty dialogue that never feels forced. The movie also employs voice-over function (Will's) very nicely; for example, in one serious scene, Will follows the ambulance to the hospital, looking rather serious, but in his voice-over he says. "It was all terrible, just terrible. But driving fast behind the ambulance was fantastic." The character would never say that out loud, but it provides comic relief and the assurance that he is, indeed, very shallow.
The strength of "About a Boy" is in the simplicity and power of its scenes. Not one scene is wasted; each one tells us a wealth about the characters and leads to Will's self-discovery. That, along with Hugh Grant's delightful performance, and backed by a great score from Badly Drawn Boy, make "About A Boy" one of the most delightful, entertaining, and touching movies I've seen. It's a great feel-good movie. Highly recommended, especially to Hugh Grant fans, or anyone who has ever empathized or sympathized with Will and his situation. One of my favorites. 10/10.
Lo sapevi?
- QuizThe shot of Will reflected in the mirror when he is depressed was actually taken when Hugh Grant was taking a break. The directors noticed him doing this and from behind he looked depressed, so they shot it without him knowing.
- BlooperThe box of the Sony Walkman CD player that Will gives to Marcus can be seen on the coffee table before Marcus has unwrapped it.
- Versioni alternativeUK airings on ITV2 cut out all the profanity and swearing to make a clean film language-wise. When the film appeared on Film4 in pre-watershed airings a large chunk of the profanity was retained save for the stronger words and certain phrases.
- ConnessioniFeatured in Siskel & Ebert & the Movies: The Best Films of 2002 (2003)
- Colonne sonoreSomething To Talk About
By Badly Drawn Boy (as Gough)
Performed by Badly Drawn Boy
Courtesy of XL Recordings Ltd.
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Un gran chico
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 41.385.278 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.557.630 USD
- 19 mag 2002
- Lordo in tutto il mondo
- 130.549.455 USD
- Tempo di esecuzione
- 1h 41min(101 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
- 2.35 : 1
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