Soul Assassin

Accomplishing what I had thought impossible, this film moves from intriguing/thriller-worthy premise to absolute schlock within 5 minutes of the opening credits. No story. No characters. No acting. Dubious cinematography (I guess it's just a Blue, Blue World). All this matched by an ending which establishes a new standard for 'lousy'. Given that it was a free rental....I want my money back.

If there is a new type of film genre, maybe it should be film bleu, as is the case with this movie. First time director Laurence Malkin must be credited with the idea. He has given the film a blue tint in its entirety. The film tries to do too many things and the plot is a puzzle if one doesn't pay close attention. Also, at times, it feels like a rock video without music.

The film shot entirely in Holland moves at a fast pace. Like other thrillers, this one delivers for those people seeking instant gratification in watching it. Sometimes one wonders how can these people in the action scenes survive being shot at with high powered rifles. On the other hand, the scene at the hotel where Kevin's girlfriend dies, is very real: this is what happens to people when they are killed.

The hero, Skeet Ulrich, is put through a lot in the film. Of course, he survives with only a few scratches after what is done to him, otherwise there wouldn't be a film at all, would it? The bad guys are more interesting. The Dutch actors are very good and the backdrop is Rotterdam, with a few detours to Amsterdam and Uttrecht, posing as the first city.

Derek de Lint plays with gusto. Would have loved to have seen more of Rena Owens, the great New Zealand actress, but alas, it wasn't meant to be. And finally, Nicholas Irons, can't deny he is Jeremy's son. What an uncanny resemblance!

In Rotterdam, when Kevin Burke (Skeet Ulrich) is promoted to chief of security of a multinational investment bank, he goes to a hotel with his girlfriend, the executive of the bank Rosalind Bremmond (Katherine Lang), to celebrate and propose her to marry him. However, Rosalind is murdered in the room, and blind of rage, Kevin looks for revenge following the guidance of his chief and mentor Karl Jorgensen (Derek de Lint).

"Soul Assassin" is a horrible movie, indeed a festival of clichés. The story is totally unbelievable and amazingly ridiculous; the characters are not well-developed and the viewer does not know who they are and their motives; the camera seems to be shooting a MTV video-clip; the choreography of the fights is awful, with many closes and cuts. I have seen few Dutch movies, but this one is certainly the worst. My vote is three.

Title (Brazil): "Alma Assassina" ("Assassin Soul")

One of the worst filmed movies i've ever seen. The camerawork was lousy, the screen was tilted to the left _All_the_time_. the colours were awful, there are only one or two scenes that aren't filmed with a blue filter. Even if you can get used to the blue screens, the stroboscopic effects that turn up every action scene (my guess is; lack of budget) _will_ turn your stomach.

Obviously there was _no_ budget for any special effects other than the effects you get if you buy the $100 el-cheapo-fastforward/slomo-mixer.

The fight scenes lack any sense of choreography, i.e. you only see full-scene shots when the 2 "fighters" are walking around each other slowly, the only "contact" shots are extreme close-ups. The same applies for nearly all the stunts/shooting scenes.

At least the story made some sense, in the way that most b-rated action/thriller flics have a story-line. Too bad though that the actors didn't really get a chance to show what they can do (see above.)

In conclusion: If I were you i'd leave this "direct to video production" right down there on the videostore's shelves and rent Jackie Chan's "Who Am I" instead.

Beyond an absolutely brilliant performance by Skeet Ulrich as a man trained to be a hit-man for a criminal corporation, there's not much to recommend this film. It's not as terrible as some reviewers remarked - beneath the flashy visuals lies a rather old-fashioned suspense thriller. Unfortunately, the producers were clearly shopping for another "Bourne Identity", and the director, probably a meth-addict, had watched too many John Woo films. I mention this because while I watched the bicycle chase stunts - all too clearly created by the editor rather than the stunt crew - I thought of Jackie Chan's marvelous bike chase in "Project A" and thought to myself, 'gee, that's what this movie needs - Jackie Chan, not John Woo'. But John Woo is the influence here, and since Woo is an arch-stylist, to imitate him you have to have a real schmaltzy but original plot going on beneath the style; and while this film has the schmaltz, it has no originality to speak of. There are glaring references to Hitchcock and Stanley Donen, Samuel Fuller's "Dead Pigeon on Beethoven Street" and an obscure thriller based on an Alistair MacLean novel, "Puppet on a Chain" - glaring because the originals were so much better and certainly don't need this sort of 'tribute'.

I won't say this is a bad thriller; some will find it entertaining enough. But it pretends to be so much more - what a disappointment.