Assassination Tango

I have seen this movie and thought it was great. The casting is well done because the characters are actually down to earth people. The acting is closer to the way people are in the real world, which makes parts of the plot more tangible. The photography also makes this movie worth seeing, as it shows the world as it is, not changed in any way whatsoever. For the acting and the plot, as well as the photography, this movie is worth seeing. The movie transports the viewer to the areas the main character goes to, which makes the movie extremely enjoyable. The music is great, and is the basis of the movie, and helps it move along while keeping the viewer interested in it.

I took a shot at buying this DVD sight-unseen, something I rarely do and usually regret, but not in this case. I found it even more fascinating than I hoped, thanks to a totally-unknown actress. Two viewings within a year has not changed my opinion.

This movie is just different, a unique portrait of strange older hit-man and the people in his life. I am not surprised a number of viewers did not like this film, even fans of Robert Duvall. It's probably just too quirky for most tastes and too slow for most viewers. Despite being low- key, there are some moments of intense temper and violence on the part of Duvall which helps keep ones attention.

I didn't need that, however, to keep my attention. Just trying to figure out Duvall kept me intrigued. My attention, however, accelerated when newcomer Luciana Pedraza entered the picture.

Pedraza is one of the most interesting "new faces" I've seen on film: a woman who has intelligence written over her face as few modern actresses ever have. This woman has a lot to offer: looks, intelligence, a good figure, a great dancer, wonderful voice and despite being Argentine, speaks better English than many Americans. A pity that as of this review in October of 2005, this is still her only screen appearance.

Between her and Duvall - who are both complex characters to say the least - along with some wonderfully-colorful cinematography, great dance scenes and intrigue about how an assassination plot will turn out, I found this film very pleasing.

This is unknown film that isn't fully appreciated not only with the public but with the reviewers here.

I love this film so much I bought it in DVD, and in the last three years have shown it to 1) my Argentine wife; 2) her adult children and their friends; 3)several of my Argentine friends, and 4) the cats (who have to watch it while I'm watching it). All except the last have -- to a person -- found it both completely believable and unremarkable in the sense of "yeah, so what's new?" in its verisimilitude. The film is just about as crazy as real life is in Argentina, and the police-overruling-police scene is just one example. The conversations in the tango joint about the tango and people and Argentina and life are all about as real as I've witnessed here myself.

The longer I'm here the more I realize how difficult it is to portray what Argentina is "really like," mainly because it isn't any one thing but a whole mishmash of cultural, historical, economic, and political things that career around in people's lives and their minds and their emotions continuously.

The only thing I can say for sure is that if you meet anyone -- even an Argentine -- who tells you Argentina and its life and culture are easy to explain, don't believe it.

Someone said living here is like living a Kafka novel, and sometimes it certainly can feel that way. Conspiracy theory as a way of life has been endemic here, as far as I can tell, since the country first got going. The rural-urban split is real -- the whole City of Buenos Aires votes completely differently from the rest of the country and it doesn't mean a whit of difference except that the federal government becomes even more reluctant to help the capital because its politics are so frequently played out on another planet. And I'm not sure I agree with other comments that Argentines have a big inferiority complex; I think it's more like a "confusion" complex, i.e., "Why don't these other people understand life the way I do?"

The film also reminds me a bit of Apochalypse Now in that you just sort of have to watch it -- many times, perhaps -- and realize at the end you're just about as confused as you were when you first saw it, so if you're like me, you accept that, live with it, and are happy to hear any new interpretations that might come along.

Finally, I believe that Argentina is not a comfortable place to live if you're not extremely familiarity with and experienced in living in paradox, confusion, and Isaiah Berlin's theory of "negative freedoms." Thank God, I love it. But I know many don't!

I love Duvall as an actor but he should stick to acting. Assassin Tango gets lost in its' subplot, long and mundane sequences about the assassins relationship with an Argentinian tango dancer. It doesn't go anywhere and is seriously in need of editing. The main story, about a hit on an ex-general responsible for too many desaparacidos is better but pretty chopped up so the tension is lost. Duvall seemed to suffer from the Woody Allen syndrome, trying to reclaim his youth.

The tango scenes were absorbing. But they seemed to be just kluged on to a movie about an aging, warm-hearted gangster. I kept waiting for something to tie these seemingly disparate plot lines together. Nothing ever did. See it to admire a great actor. See it to admire some wonderful dancing and scenery. Just don't try to make sense of it.