The Office

"The Office" is quite simply worth watching. I am tired of hearing people criticising it. It's not that it's not worthy of criticism, but the fact that those who label it as "overrated" and "falling short of expectations" have only ever seen one episode, or the Christmas Special, or 'The Dance'. It defies logic to make a judgment on a 14 episode programme on 2 feature-length episodes that merely act as a means of updating and rounding-off the series. I have yet to hear anyone make a solid argument as to why The Office fails in any way.

If you have not yet seen it, get Series 1 and 2 and settle down on a rainy afternoon ready to emerse and commit yourself. Forget the hype, put the dance scene that you've seen a million times out of your mind, and just watch each episode in order. Then make your own judgment. If you liked it, you will want to see the Christmas Specials; if you didn't, you won't.

Using a cast of unknown, yet perfectly chosen actors, The Office is a sharp, funny, painful, emotional and fabulous take on office life.

A TV crew move in to the Slough offices of paper wholesalers Vernom-Hogg to focus on how the ordinary British work place responds to change and business upheaval.

What a surprise this series was when it first came on the TV. Given that it was on BBC2 and not given much promotion you didn't expect much, but boy is this series good. Not only is there moments of absolute comic genius, but it is also very profound. Stand assured I have met all the characters on this show in real life - I have even worked alongside a few of them!

It is impossible to know what foreigners make of lead and star turn Ricky Gervais playing boss David Brent. Americans might not get the full satire of his off-centre and cliché bound management speak. Like another great British character Alf Garnett (of Till Death Us Do Part) he is not so much an invention as an acute observation of a particular type of crass over-promoted idiot that lurks among us. Incompetent and ludicrous, but full of the misplaced confidence that comes from never having to face a reality check. The office runs despite of him - not because of him.

If this was not comedy it would be considered the best portrayal of a man living under self-delusion ever put on film. His belief that he is incredibly popular and has the support of the full staff is clearly false and yet nothing can shake his beliefs. He is not blind but yet he cannot see. He is living in a land of fantasy and time-wasting - for example, inventing game shows instead of writing office reports!

Brent is a self-styled "chilled out comedian" that cracks rude or racist jokes to just the type of people that don't want to hear them. Wearing a fake wan smile he has the unerring ability to make difficult situations even worse. He is always aware of the camera and even plays to it - even lurking in the background to join in other people's on-camera moments as if he has nothing better to do.

Brent has a mini-me in the form of Gareth Keenan played by Mackenzie Crook. A wan and skinny man-youth who is chief support to Brent in the mismanagement of the office. A weekend soldier he makes constant references to this and how it applies to office procedure, as well as trying it on with spare office female talent - with no success whatsoever. He also runs the office course on safety - which is one of the funniest pieces of business I have seen in a long time. Instructing female employees on how NOT to put cups of hot coffee on the top of monitors and how to correctly lift boxes.

Only slightly more sane is Tim Canterbury (Martin Freeman) the college drop-out that is always threatening to quit and return to his books. A bored mediocrity that fills his days by winding up Gareth and flirting with receptionist Dawn (Lucy Davis) - who has less of a role, but looks on in disgust at some of the antics that the others get up to.

Special support comes from Chris Finch (played by Ralph Ineson) who is chief rep and office big mouth: Perhaps the most revolting person ever to appear on TV. His recollections of drunken evenings and stupidity being listen to with wide eyed wonder by the males - with only Dawn daring to show what he really is and even then not in words. When he leads the gang down Chasers (the local small town disco) things really hot up.

This show only ran two series (plus Christmas special - that was only so-so), but in the second series the nature of the Brent management style comes under pressure. Reality starts sweeping in to his little world and his bubble is finally popped, but not without some really funny moments - including the "Comic Relief" day episode that is perhaps the best of the whole lot.

I have seen all the shows and most of them more than once. This series warrants repeat viewings because it is just so funny and perfectly realized. This series will put off thousands of people from working in an office and maybe some of them will go off and do something more creative and interesting with their lives. Writing something as good as this, for example.

Even people from Slough have signs on their car windows "Happiness is seeing Slough in your Rear View Mirror". During the war the enemy was invited to bomb Slough; "Come friendly bombs rain on Slough")(no joke).

The Office is one of those programs which when you happen across it, for the first half-hour or so you're completely baffled, its format is so unusual, then before you know it you're hooked.

It's really about the horror of passing so much time with the SAME people (more than with our families). Where any minor incident like the photocopier jamming becomes a slight relief from monotony.

If you like The Office then try "Alan Partridge" like David Brent another nightmarish figure

I had been a fan of the US The Office for a while, having seen most of that before I started the UK one. First and foremost, I could not STAND David Brent and it took me three tries to get through the first episode. But I'm so thankful I kept going. This show is absolutely brilliant. If the US Office is Malcolm Gladwell, an affable and frizzy haired intellectual, the UK Office is Stephen Hawking, absolute genius.

The UK Office is borderline dystopian-from its grungy neighborhoods during the opening titles to the nearly SS Officer in Gareth-and showcases the absolute worst that work culture has to offer, much more so than the US counterpart. And in doing so, achieves a seeming truth that few shows could ever aspire to reach. Yes, the US version is a bit sillier, goofier, happier because it aims for laughs, even if subdued, the UK Office just lets the characters be themselves without a safety net: they're allowed to fail much more miserably than the US characters ever did, and in that, we find sharper humor and more vicious bite.

The closest the two shows ever came was arguably seasons 2 and 3 of the American version, where those characters were operating at their peak and the humor was witty and clever, but even still, the UK version, while missing some of the heart, pushes the envelope of allowing characters to be the worst versions of themselves much more than the US show. And it's in that where the best humor lies.

Brits. You gotta love them. They got the best bands AND the best comedians. "The Office" is probably the best thing in comedy since Monty Python. This show is almost perfect. It's got an original concept, the writing is brilliant, and so is the acting. A group of people completely unknown outside of the U.K. has definitely made a mark in the history of television with this so-called "mockumentary".

A program like this was really what we needed, but hadn't dared to hope for anymore. In a time when it seemed like T.V. would forever be ruled by sitcoms with canned laughter played over the same old jokes (let's face it, even "Coupling" was little more than an edgier version of "Friends"), Ricky Gervais and Stephen Merchant came along with their accurate observation of everyday life in an office as we all know it. What they did was take "This Is Spinal Tap!" and put it in the context of an everyday working place. In lesser hands, this idea could easily have turned boring all too quickly, because what we are being shown is basically just reality. It could also have gone the other way with stupid and forced jokes thrown in to keep the viewer interested. Gervais and Merchant, however, managed to pull it off just the way it needed to be done. "The Office" is tragic, funny, sad and moving all at the same time. This show is so popular, because people all around the world can identify with it. You feel for these characters. Tim, Dawn, Gareth and Brent (especially Gareth and Brent!) are far from being perfect people, but it's because of their little flaws and personality problems that we care for them. We know colleagues like them, we know those grey days at work. And like this crew a lot of us have big dreams that are moving further and further away as we're stuck in dead end jobs getting older. "The Office" doesn't comfort us, it doesn't tell us that there'll be a happy ending, but it tells us that we're not alone with our situations. The fact, that we know most of those truly horrible scenes from our own lives makes us laugh. Sometimes the laughs are bitter, but they're always cathartic.

SEASON 1 is flawless. Hands down the best first series in a comedy show ever. We get to know Gareth, the annoying colleague who has no life whatsoever and makes up for that by taking himself way too seriously. We meet Dawn and Tim who are fighting their desperation and dissatisfaction by playing pranks on Gareth. The two are secretly attracted to each other with Dawn's boyfriend Lee standing the way. Most importantly, we are introduced to David Brent, the boss who somehow manages to always say the wrong things and embarrass himself and everyone around him all the time. The humour comes mainly from facial expressions, nonsense philosophies (Brent & Gareth), sarcastic comments (Tim) and incredibly awkward situations. Lots of times you'll cringe and the situation gets so uncomfortable you'll cover your eyes with your hands so you don't have to see anymore of it. It's a delightful torture.

SEASON 2 is still very good, but Gervais and Merchant fall into the joke-trap too often. In season 1 they successfully avoided any jokes with punchlines or gags that seemed scripted. It was more or less a chain of uncomfortable events and funny interviews. In season 2 we already know the characters and the concept a bit too well. People expect a certain behaviour from the respective characters and Gervais and Merchant are feeding those expectations a little too often. Side character Keith gets a bigger part in these 6 episodes and sadly his wackiness is a bit overdone, too, so that sometimes you get the feeling that whole thing is getting a bit worn out by now. What I really thought was unrealistic was that everybody hated David so much. After all, he is a funny guy and if you don't laugh with him you'd be laughing about him trying so hard to be funny. People just giving him bewildered looks became a bit annoying at some point. However, the writing was still fine, especially considering how little time the makers had and under what kind of pressure they had to come up with new stuff.

The final Christmas SPECIALS are a tearjerker. After the genuinely tragic ending of season 2, you hope so much that all will turn out well in the end. Let me just tell you this much: when the credits roll you'll be moved to tears. This just shows how well Gervais and Merchant have built their characters.

The way this show found a balance between comedy and drama, the ideas and observations that were put into it and the glorious performances are simply adorable and unmatched to this day. Thankfully, Gervais and Merchant knew when to stop and said that the Christmas SPECIALS were going to be the definite end of "The Office". As with any good show that's sad for the viewer, but it was the right thing to do as there was really nowhere else to go with the story and the concept. Remakes have already been made ("The Office" 2005 - USA, "Stromberg" Germany), but those will always just be a poor man's rehash of the original.

"The Office" made me believe that even in days when Will Ferrell saying "San Diego means a whale's vagina" is considered the ultimate revelation in comedy, there are still people who will come up with clever and original ideas.