Lost in Translation - L'amore tradotto

For anyone who wants a synopsis of this movie, the critics Ebert and Berardinelli have excellent, complete reviews of 'Lost in Translation', and they both give it their highest ratings.

My wife and I saw it tonight on DVD, with DTS 5.1 sound and both think it is a remarkable movie. I like Bill Murray in just about everything, and this will go down as one of his strongest performances, as Bob, the actor in Japan for a week doing whisky commercials. Scarlett Johansson plays Charlotte, the young wife virtually abandoned in the city to do her own thing as her photographer husband (Ribisi) goes to various locations for shoots.

What I liked most was the realistic feel. Being in a strange city, with unusual customs and a language you have no hope of understanding. Meeting someone who because of circumstances (age, marital status) will only ever be a friend. Being able to talk freely. Reflecting on where we've been and where we might be going. Many of the negative comments about this movie relate to an impression that it is 'boring.' I'll put on my 'maturity hat' and state that anyone who thinks 'Lost In Translation' is boring simply was not able, at least while they watched it, appreciate the inner beauty of this movie.

The scene that made the whole story come together for me was when they were in one of their hotel rooms (doesn't matter which), overhead shot, they were in bed talking, fully clothed, he is on his back staring at the ceiling, she is on her side, eyes probably closed, the tips of her feet barely touching the side of his leg, and he moves his hand and puts it on her feet. Then the scene fades to black. It is the kind of tender, non-sexual touch that tells us how close they have become, and that theirs is a relationship of mutual trust and admiration, not one of lust.

People like Bob and Charlotte really exist, and they really do meet up in very similar situations. After a week, they must go their separate ways, he to his family and activities of his kids, she to wait for her husband and figure out how to get out of the rut. We sense that he does not love her the way she needs, and we wonder what will happen.

Before IMDb eliminated its discussion feature there was a lot of dialog about what he whispered to her in the street at the end of the movie. To have made it obscure is suitable, it allows each viewer to imagine what they thought he would have said. In real life he is 34 years older, he does have a family, she is still just trying to figure her life out, to me it would have been a comment of genuine affection and encouragement that things will work out well for her, either with her husband or with someone else.

I went through an array of emotions and expressions watching this film; most of them centred around how bizarre I thought it was, yet it was like a good book I simply couldn't put down even if the film itself lived up to its title at times.

This is by far the best work Bill Murray has done, and it will be a pleasant surprise for many to see him find a new (to me, anyway) side to his ability as an actor. He captures the role with such precision that you don't realise this is the same guy who, dare I even mention it in the same breath, provided the voice of Garfield last year. You see a few traces of his characteristic smugness every once in a while, but by and large the Bill Murray you see is a lot more serious... and seriously damned good.

It's such a simple story... unhappy married man meets unhappy married woman in a place neither of them are familiar with, and suddenly realise that they're all the other has got at least for the time being. In an age where Hollywood is trying (mostly unsuccessfully) to scare and shock us with something new at every turn, Sofia Coppola takes what should be the premise for a typical chick flick and turns it into something that anyone who has ever experienced an emotion of any description can watch and appreciate.

A brilliant film in any language.

It's been a long time since a movie has made me hurt the way this one did. Perhaps "hurt" isn't the right word. "Ache" is more like it. I could so completely identify with both characters.

Bob is a middle-aged actor caught in a life which has lost its zest and purpose, doing what he "ought" to be doing (making money doing whiskey commercials) instead of doing what he WANTS to do (plays). And then a young, beautiful, intelligent woman enters his orbit. On that level alone, with its mute longing and sexual tension, I can identify with him.

And then there is Charlotte, a student of philosophy seeking herself, her soul lost and adrift. She doesn't know who she is, doesn't know what she wants. Her life is a quest for authenticity of self. And I identify with her because so much of my life I have been seeking the same thing.

This movie isn't for everyone. They will call it boring, lifeless, limp. There are people, I realize, who have never experienced that kind of longing, who had never sought meaning in their lives, and searched for their own lost souls. They live for the here and now, without giving a thought to the spiritual aspects of life.

A friend said introverts will love this movie, extraverts will hate it. I think that is a fair surface assessment. This movie is all about the inner lives of two people whose souls connect for a brief time in an alien city. It is a love affair not of bodies, but of minds and spirits.

Some this movie will make angry. Some this movie will make weep.

I was living in Japan at the time the movie came out and I didn't get it at the time. My mistake was thinking the movie had anything to do with Tokyo and for me, seeing Charlotte (Scarlett Johansson) be bored in Tokyo seemed so stupid to me.

But, I watched it again 15 years later and totally got it. Maybe because I'm lost too I finally got it. It's got nothing to do with Tokyo and everything to do with 2 people feeling completely lost in their lives. Tokyo is just a setting that's different from most westerner's every day lives to try to convey that feeling of "lost" to the viewer.

Neither of them have any idea what to do any more. Their lives seem meaningless to themselves. Charlotte has been married just 2 years but she's already disillusioned in her marriage. She calls her mom very early in the movie crying because she's in Tokyo, seeing new things, knowing it should be exciting but feeling nothing. And further, her husband is seeming like a different person than the person she thought she married. Her mom doesn't listen and doesn't have time for her (same as my mom, haha).

Bob Harris (Murray) is similarly lost. He wants to find some acting project he's passionate about but instead his manager has him making commercials in Japan. His relationship with his wife is clearly not going well (listen to their conversation on the phone about a hour in) and so he's lost too realising his marriage is basically over and they're just two people who happen to be living together.

If, like the younger me, you haven't experienced that feeling of being lost, the movie will probably do nothing for you. But, If you ever get in to a point in your life where you're feeling lost, watch it again and you might enjoy it.

Few movies make you THINK long after they end. That's OK. Movies are supposed to entertain and most do so without requiring even one ounce of thought. It's sad that maybe some of you out there prefer movies- and life- that way. Thankfully this movie is all about thinking and feeling. This is not a chick flick. It's a human experience flick.

This film examines and lays bare the intricacies of love, life and loneliness; the claustrophobia, insomnia and disorientation of traveling to a foreign country. The loneliness that creeps in after life's normality starts to wear thin. The spark of promise that meeting someone new brings. This is what life is about and what this film so flawlessly portrays.

How many of you can relate to and have actually been that guy/girl on business, in the hotel in some foreign city, happily married yet feeling alone and beaten by life's banality? How many of us have been tempted in that very situation, to stray from the confines of moral adherence for the lure of a forbidden, if fleeting, joy? How many have felt that tingle- that spark- when a stranger smiles and you think, "you know, in another life..."? Change the time, place and all of us have been there whether we admit it or not. Maybe single people don't get this movie; maybe it's for those of us who have walked down that aisle and are wiser to the realities of life.

The characters here are true. Their dialog is true. The setting is true. It's all tirelessly fascinating because we can all relate to it and it involves us in a way that most movies do not. We find ourselves drawn to every moment these two experience together and apart. We are intrigued by the glances, nuances and words they share.

Johanssen is brilliant and beautiful as the lonely, young wife questioning her marriage. Her beauty is classic, not necessarily sexual, though she is obviously alluring in this role. Her bee-stung lips, perfect body and haunting eyes may have something to do with that. Still she's more sophisticated beauty than mindless hottie, even at 19. This is a role tailor-made for her. It could never have been Reese Witherspoon or Jessica Alba or - God forbid- Jessica Simpson, or anybody else in that realm.

Murray is simply at his best. He does "exasperated, middle-aged and depressed" better than most, with his receding hairline and frumpy body. You really believe that these two could connect in a physical and emotional way, as remote as that may seem on the surface. What other 50-something could ever be believed to be appealing to a young woman as pretty as Charlotte? That's a tough chemistry to fake and I can't think of a more perfect pair. What drives them to this attraction is what's intriguing to watch.

Go see this. Turn off your "Major Blockbuster-Tom Cruise-Action-Pop Culture Catch Phrase-Big Star" mind and tune in with a more searching self. Watch this with your soul and heart, not your eyes. If you look deeper than the surface you'll find yourself moved by the whole experience. Yes, it's THAT good.