Una star del cinema suilla via del tramonto ed una giovane donna si incontrano per una breve notte a Tokyo.Una star del cinema suilla via del tramonto ed una giovane donna si incontrano per una breve notte a Tokyo.Una star del cinema suilla via del tramonto ed una giovane donna si incontrano per una breve notte a Tokyo.
- Vincitore di 1 Oscar
- 98 vittorie e 133 candidature totali
- Sausalito Piano
- (as Francois du Bois)
- Commercial Director
- (as Yutaka Tadokoro)
Recensioni in evidenza
Didn't get it at first, then 15 years later I totally got it
But, I watched it again 15 years later and totally got it. Maybe because I'm lost too I finally got it. It's got nothing to do with Tokyo and everything to do with 2 people feeling completely lost in their lives. Tokyo is just a setting that's different from most westerner's every day lives to try to convey that feeling of "lost" to the viewer.
Neither of them have any idea what to do any more. Their lives seem meaningless to themselves. Charlotte has been married just 2 years but she's already disillusioned in her marriage. She calls her mom very early in the movie crying because she's in Tokyo, seeing new things, knowing it should be exciting but feeling nothing. And further, her husband is seeming like a different person than the person she thought she married. Her mom doesn't listen and doesn't have time for her (same as my mom, haha).
Bob Harris (Murray) is similarly lost. He wants to find some acting project he's passionate about but instead his manager has him making commercials in Japan. His relationship with his wife is clearly not going well (listen to their conversation on the phone about a hour in) and so he's lost too realising his marriage is basically over and they're just two people who happen to be living together.
If, like the younger me, you haven't experienced that feeling of being lost, the movie will probably do nothing for you. But, If you ever get in to a point in your life where you're feeling lost, watch it again and you might enjoy it.
A great film, but the rating was lost in translation
So what can I say about Lost In Translation that hasn't been said a million times already? It's all true. It's subtle, down-to-earth, and allows the audience to observe and relate to the characters, Bob and Charlotte. Both of them have a life crisis to deal with, and I guess if you're thousands and thousands of miles away from your problems it makes it easier to take an objective look at them, even if they do follow you. Bob and Charlotte confide in each other and develop a relationship. That's what it's all about, and every scene is precious. It's a real and true to life kind of film. We never hear the lines: "Oh, Charlotte, I'm so glad I went to Japan. You've changed my life in such a profound way and you'll always be in my heart." That's because that just isn't the way it goes in real life. The feeling is there, the characters know it, the audience knows it, so it has to be left at that.
So, yeah, I love this movie. It's clearly the highlight of Bill Murray's career and marks the perfect first real stand-out in Scarlett Johanson's. It's so rare to see a movie that only has an interest in its characters (and only two of them, at that!) and makes them so charming, lovable, and familiar. This is a great example of non-Hollywood Hollywood films: the well-known actors and producers going to the roots of independent film-making. In an age where half the movies out there are packed with CGI, this is refreshing to see.
My rating: 10/10
Sometimes the simplest stories make the best films
This is by far the best work Bill Murray has done, and it will be a pleasant surprise for many to see him find a new (to me, anyway) side to his ability as an actor. He captures the role with such precision that you don't realise this is the same guy who, dare I even mention it in the same breath, provided the voice of Garfield last year. You see a few traces of his characteristic smugness every once in a while, but by and large the Bill Murray you see is a lot more serious... and seriously damned good.
It's such a simple story... unhappy married man meets unhappy married woman in a place neither of them are familiar with, and suddenly realise that they're all the other has got at least for the time being. In an age where Hollywood is trying (mostly unsuccessfully) to scare and shock us with something new at every turn, Sofia Coppola takes what should be the premise for a typical chick flick and turns it into something that anyone who has ever experienced an emotion of any description can watch and appreciate.
A brilliant film in any language.
A Quiet, Personal Film
Filmed in Tokyo, with Bill Murray and Scarlett Johansson, one of the better movies I've seen in a while.
My wife and I saw it tonight on DVD, with DTS 5.1 sound and both think it is a remarkable movie. I like Bill Murray in just about everything, and this will go down as one of his strongest performances, as Bob, the actor in Japan for a week doing whisky commercials. Scarlett Johansson plays Charlotte, the young wife virtually abandoned in the city to do her own thing as her photographer husband (Ribisi) goes to various locations for shoots.
What I liked most was the realistic feel. Being in a strange city, with unusual customs and a language you have no hope of understanding. Meeting someone who because of circumstances (age, marital status) will only ever be a friend. Being able to talk freely. Reflecting on where we've been and where we might be going. Many of the negative comments about this movie relate to an impression that it is 'boring.' I'll put on my 'maturity hat' and state that anyone who thinks 'Lost In Translation' is boring simply was not able, at least while they watched it, appreciate the inner beauty of this movie.
The scene that made the whole story come together for me was when they were in one of their hotel rooms (doesn't matter which), overhead shot, they were in bed talking, fully clothed, he is on his back staring at the ceiling, she is on her side, eyes probably closed, the tips of her feet barely touching the side of his leg, and he moves his hand and puts it on her feet. Then the scene fades to black. It is the kind of tender, non-sexual touch that tells us how close they have become, and that theirs is a relationship of mutual trust and admiration, not one of lust.
People like Bob and Charlotte really exist, and they really do meet up in very similar situations. After a week, they must go their separate ways, he to his family and activities of his kids, she to wait for her husband and figure out how to get out of the rut. We sense that he does not love her the way she needs, and we wonder what will happen.
Before IMDb eliminated its discussion feature there was a lot of dialog about what he whispered to her in the street at the end of the movie. To have made it obscure is suitable, it allows each viewer to imagine what they thought he would have said. In real life he is 34 years older, he does have a family, she is still just trying to figure her life out, to me it would have been a comment of genuine affection and encouragement that things will work out well for her, either with her husband or with someone else.
Lo sapevi?
- QuizBill Murray's favorite film of his own.
- BlooperWhen John (Giovanni Ribisi) first runs into Kelly (Anna Faris) in the lobby of the hotel he calls her Anna.
- Citazioni
Bob: It gets a whole lot more complicated when you have kids.
Charlotte: It's scary.
Bob: The most terrifying day of your life is the day the first one is born.
Charlotte: Nobody ever tells you that.
Bob: Your life, as you know it... is gone. Never to return. But they learn how to walk, and they learn how to talk... and you want to be with them. And they turn out to be the most delightful people you will ever meet in your life.
Charlotte: That's nice.
- Curiosità sui creditiAt the end of the closing credits, Hiromix (Hiromi Toshikawa), seen throughout most of the party sequence, waves to the camera.
- ConnessioniFeatured in Kevin Shields: City Girl (2003)
- Colonne sonoreGirls
(2002)
Written by Tim Holmes and Richard Fearless (as Richard McGuire)
Performed by Death In Vegas
Courtesy of BMG UK & Ireland Ltd.
Under license from BMG Special Products, Inc.
I più visti
- How long is Lost in Translation?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Perdidos en Tokio
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 4.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 44.585.453 USD
- Fine settimana di apertura Stati Uniti e Canada
- 925.087 USD
- 14 set 2003
- Lordo in tutto il mondo
- 118.688.972 USD
- Tempo di esecuzione
- 1h 42min(102 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1







