What Alice Found

Going into "What Alice Found" started me off with two feelings. I expected absolutely nothing, but I was happy to be at Sundance (I only saw the film's poster until after I saw it). Now, I'm not a big fan of Indie-type music and it actually made my head spin for most of the film, but it perfectly shaped the film into a true indie, as well as a film about trashy trailer/RV life. So, it was redeemed on that level. The second point I immediately noted that became redeemed as well was the film quality. From just leaving box-office type movies, I had forgotten the other world of film. So seeing the first 20 minutes of "What Alice Found" looked like my dad's home videos. But the filming (especially towards the end) had a real sort of style to it that made the film seem more real, and that made you forget about how it was filmed, but just about what the story was about. I will not spoil the story in any way, but Judith Ivey's acting was superb from the second she walked on screen, and Emily Grace entered the film industry in a nice sort of way. There was nothing that hit me in this film as unbelievable, but from all of the recent films I have seen, "What Alice Found" was certainly the best film of trashy people, told in the best possible way. You feel like you are there with the actors, due to its 'real' feel, and seeing the plot unfold made this film really shine. I would like to say that it was a very nice film that blossoms in its small little way, but nothing could please me more than films like this one day reaching massive audiences. Creators of the film, your film really had a purpose, one that should be told, exposing Southern RV life in no way ever shown before, and I commend you for your efforts, so I wish you the best of luck in the future.

Six out of seven people who took the time to comment on this movie have very positive responses. The one negative review happens to reside (or did) on the first page of the movie's location in the IMDb.

I found "What Alice Found" to be one of the best movies almost no one's heard of that I have seen this year. It's 6.4 rating is misleading and may be more a function of the difficult subject matter than the quality of the movie. Who would think that a movie purportedly about truck stop prostitution would be worth seeing? Guess again.

For me, "Alice" was a positively gripping psychological thriller. I was virtually on the edge of my seat the entire time. It's a very credible story with a realistic script and is very well cast. In a fairer world, actress Judith Ivey would win awards for keeping you guessing whether she was good or evil.

Ignore the rating and see this terrific movie. (And by the way, I wish there was a soundtrack album.)

At the first glance of this film the camera angles immediately make you think that this is a low budget film that will bore you to tears or make you press the stop button. Surprisingly, the storyline comes forward and is played through the screen in a way that I feel most would relate to. I scored this movie at 7 but like most would, felt it should be a 10, you will understand as you watch it because its a rare thing for a film to be in touch with a persons feelings and how life should be shown by a TV set. Most films try to leave you in awe of their special effects, twists and turns etc, this film dealt a true hand showed a good film backed by an Alabama style storyline that most would feel was a good waste of a couple of hours. Wish I had put the popcorn maker on after all well done!

Until I did a Web search on "What Alice Found", I didn't realize that the name of the film is embedded in the title of one of Lewis Carroll's books. The book's complete title is "Through the Looking-Glass (And What Alice Found There)".

The Alice of the film comes from a background quite different from that of Lewis Carroll's Alice. Her fresh and assertive character, however, is similar. The movie Alice begins as a young woman in New Hampshire who steals money from her ass-patting boss and takes off for Miami, vaguely planning to study marine biology and play with dolphins. She encounters a middle-aged couple in a motor home (the husband's retired from the military) who rescue her from a strange man at a roadside stop and from her car's breakdown (perhaps caused by their mechanizations).

As it turns out, the couple is heavily involved in truck stop prostitution and see sweet, young Alice as a promising recruit. The wife (played by Judith Ivey in a performance worthy of some big award) buys Alice sexy clothing and shows her how to apply hot makeup. Initially, Alice passively accepts her ministrations and, with the couple's instructions, does several tricks. The encounter shown in the most detail is quite different from most cinematic sex but may be typical of what most often happens in real life. The man is shy and deferential and apologizes for "finishing" too fast.

What's wonderful about Alice (and different from her prototypes from Clarissa to Sister Carrie) is that she learns from her experiences and asserts herself. This is how things really are. Prostitution is everywhere. People are neither all good or all bad. Alice leaves the motor home with her well-earned money and a feeling of mutual respect.

It's a sad state in corporate Hollywood when a movie surprises you by not taking routes you've been seeing in the movie house since day one. I had literally no idea how this film was going to end, because it went left when I expected it to go right, zigged when I expected a zag, etc. This could have easily unraveled into generic suspense thriller, or depressing white trash drama, but it stayed a course all its own till the end. It is a sad story, though. Not because of what happens to Alice, but because of the sad world that surrounds her and leads her down this path.

The plot has a quiet dignity of form that's usually reserved for theater, but the pacing could use some tightening up. Either way, it's a very good film, and for some reason I suspect sour grapes from those who have scored this one low.