Nata per vincere

I went to see Raise Your Voice expecting the worst. What I left with was a lump in my throat and a sincere admiration for this young actress/singer Hilary Duff.

People are so hard on her and she just seems so unworthy of such criticism. Sure it's a squeaky clean Fame...and it's kinda cliché. But...the performances of Hilary as well as her supporting cast were honorable. This movie certainly doesn't deserve the bashing it's getting.

I was especially impressed with the young supporting cast including Kat Dennings, Johnny K. Lewis and Dana Davis. Not to mention John Corbett who by far was one of the greatest things in this film.

I cared...I cried...and when it was all over I honestly felt inspired.

I give this film a 6 out of 10...because it makes u care..it really does.

First of all I have to say that I really love Hillary Duff, I laughed out loud when I watched A Cinderella Story and together with my sister I've seen most of the Lizzie McGuire episodes.

So, I was really curious about this new movie. But if you're making a movie about a girl with an absolutely stunning voice it's really important for the actress that she actually can sing and has an absolutely stunning voice! I've heard some songs from Hillary and they were okay, but this was really horrible that all I could think was: When will she stop? But for the rest? The story is simple and done many times before and even better. At school I learned that it's really important for your characters to change, this change is what makes a simple character a good character (why would the audience want to see a movie about someone who stays the same?) but the only character changing is Hillary and her father...

I can understand why there is no big Studio involved...

I do not understand why anyone would rate this movie anything less than a perfect 10. I thoroughly enjoyed the story, the characters were great (all movies make high-end music students look like snobby prima-donnas). I have seen every Hilary Duff movie to date and this is definitely her best work. Compared to "A Cinderalla Story", this movie has 10 times the quality and entertainment value. I thought Terri's relationship with her brother was very moving - and the scene where she first saw his DVD that was sent to the school was very well done - I could almost feel her grief. The teachers were well done. Thanks to everyone who made this film. I will be purchasing the DVD. Remember that Hilary is 16 years old when this was filmed - I look forward to the next decade as Hilary finishes her teens and goes into her 20's. My only complaint about Hilary - lose the fake hair - just let yours grow - it looks better.

RAISE YOUR VOICE *** The theme of a young woman singer who travels to Los Angeles to try for a post-secondary music scholarship from a prestigious summer music school gets ho-hum treatment from director Sean McNamara and scripter Sam Schreiber. And it's a shame that the cute, miscast Hilary Duff doesn't have the singing talents to play the young outstanding vocalist in the making, who goes to the school against her over-protective father's wishes. As she is the "star" at the school, she gets the four-minute musical finalé while the other competitors only get 15 seconds of silver screen moments when everyone ultimately competes for the reward, go figure! Plot holes and inconsistencies abound, but its heart is in the right place.

Hilary Duff stars as Terri Fletcher, a 16-year-old anxious to explore her musical talent at a performing arts academy in L.A. for the summer. After a little persuasion, she makes it there, and the movie is more or less about her exploits therein.

The film starts well; the Three Days Grace concert helps set the musical tone for the movie. That was an unexpected surprise, although I suppose I'm partially biased since I like the band.

A beautiful performance by Hilary Duff. I am more and more impressed with her with every movie I see her in. She brought me to tears twice in the first twenty minutes of the movie. I was impressed by the colorful array of teens at the school, even if they were chosen primarily to make it believable that they're in L.A. I appreciated that none of the teens were written to fulfill any particular stereotype and all seemed like real people, for stereotypes are a sore spot for me, as my teen years were not all that long ago.

I loved the scenes with Denise playing the violin; again, very refreshing and stylistic. John Corbett turns in a innovative performance as a progressive music teacher, breathing a little more life into the film.

The direction really helps to further the movie along, as it is pretty anti-climatic. The 'unwanted kiss' was a bit predictable, however an element of predictability is generally assumed in movies of this persuasion. The make-out scene was completely unnecessary and should've been cut.

And it should be noted that the film is more or less like a Crossroads (2000) for a slightly younger generation, but despite that, it still maintains its own life.

I absolutely love the last song in the film—that was the perfect song for the theme of the movie. And I don't care what anyone says, Hilary Duff is a true performer, even if she isn't that great of a singer. She just always has this glow about her, and no matter how I feel, seeing her perform always makes me smile, and that's something to be commended.

VERDICT: Very enjoyable musical film despite its predictability. Recommended to anyone with kids, who's young at heart, who likes Hilary Duff, or just needs a good smile, but be forewarned—you might get a little teary-eyed before that smile reaches your lips.

6.5 out of 10.0