AfterLife

This is a great example of very none Hollywood film making which is very thought provoking, moving and not without a sense of humor, Kevin McKidd and Paula Sage are superb.

I actually watched it on late night TV and I can see why I missed it in the cinema, its not the sort of film that the multi-screen "mega" cinemas show nowadays, mores the pity.

I am going to look for the DVD. Not for those who prefer, the current trend towards special effects and no story. If you liked the best selling book "The Curious Incident of the Dog in the Night-time", you'll enjoy this film.

This film ranks beside the best of Scottish films, such as "Small Faces" and "trainspotting". All films which Kevin McKidd also star in.

Highly Recommended.

Rather condescendingly and disappointingly this DVD has English subtitles come up by default. Why? Because it's Scottish and whilst some accents are stronger than others, most, if not all dialogue will be quite clear to all of us, here in Britain.

Actress Alison Peebles, who's CV looks a bit bleak, debuts with this her first, and only feature film. It's quite dour, depressing at times and is held together mainly by some now familiar actors and their performances.

Kevin McKidd and Shirley Henderson, both stars in Trainspotting, here play arrogant journalist and his photographer/artist girlfriend, respectively. Both have carved Hollywood careers since. As Kenny, he starts out following a story concerning one of those now notorious Swiss euthanasia clinics, after a man suspected of being mentally unwell was 'treated' there and wasn't in a position to decide his fate for himself.

This rather pales into the background as the intense Kenny copes with his mother, May, who is diagnosed with ovarian cancer and her chances are slim. He is further bound by his Downs syndrome sister, Roberta, whose character blows through the otherwise maudlin story like a breath of fresh air. Real-life Downs sufferer Paula Sage cannot help bring smiles and tears - anyone who knows a Downs person (I worked with one) know all too well their zest for life and can be very characterful but also their vulnerabilities.

These elements do - though not always smoothly, or satisfactorily run alongside and with each other. Kenny is obviously annoyed by his sister's long term incapacity and the limits that puts on his freedom, both as journalist and future life with his new girlfriend. This is intentionally made obvious, but that doesn't make him, or the film any more pleasant.

Some reviews on other sites have said how the ending was a disappointment, or other phrases meaning much the same thing. Obviously, without even hinting what that is, I would say that I for one, was OK with it.

I have to admit that I bought this DVD in error, as I was in a shop many years ago and knew of another film with the same name, but without being able to access reference material, I bought the wrong one. I found the one I wanted later (Hirokazu Koreeda's 1998 Japanese film).

So, get this mainly for early performances - including Eddie Marsden - and a sterling and at times uplifting performance from Paula Sage.

This film takes you through a pretty rough ride. First, you feel like hating Kenny, the career minded, selfish big brother; his arrogance, his bad temper at home, and his womanising ways. As the film progresses however, he is gradually softened by the irresistable nature of his little sister Roberta, and the realisation of what the future holds.

Roberta provides much of the film's humour with her cheekiness to Kenny and her mum. She also keeps the biggest surprise till the end with a clever twist to the story.

Rating: 8/10

This film may be low budget but it is certainly high on the emotional scale with fantastic performances, especially from Paula Sage (Roberta) who has Downs Syndrome. The film is very funny and moving and depicts Roberta in a completely different way than characters with special needs are usually shown - she is selfish, rude but also very funny - in fact most of the humour in the film comes from Roberta. The relationship between Kenny (Kevin McKidd) and May (Lindsay Duncan) is realistic and insightful.

The ending is very moving, a little twist had us all cringing in our seats as we awaited the final outcome. This film quite rightly won the audience award at the Edinburgh Film Festival with the highest votes ever.

Just a very short note to disagree with Andrew Whyte's (?) comment.

I didn't think this film had much to do with "Rainman", certainly it's about an adult with a very different handicap from the autistic spectrum problems that Hoffman's character had. Putting someone with Down's syndrome as a central and very real protagonist here is far more challenging than putting someone with autistic problems centrally and I thought the film, as well as the actress, managed that rather better than Hoffman et al. managed the parallel challenge.

I did think the acting in this was weak in places and certainly there's a lot of shouting. I thought the subplot about the brother having given up medicine was almost too lightly played but perhaps as someone who stayed that distance but always with ambivalence about medics and our delusions of grandeur, I would be sympathetic to that. Although some acting did seem stretched, I thought the handicapped daughter and mother were very, very good.

Not a great film and probably not as good as "Rainman" but certainly worth a DVD rental and our whole family, from age 9 to 49, felt it had been a tough but worthwhile rent.