Le parole non dette

It's the first day of school and Melinda Sordino (Kristen Stewart) arrives as a quiet depressed loner. Her old friends like Rachel (Hallee Hirsh) have abandoned her. There was a traumatic event at a summer party that is shown in recurring flashbacks and she is haunted by Andy Evans. She bullied as the Squealor. The only girl talking to her now is peppy new girl Heather. Mr. Neck is the intolerant teacher. Mr. Freeman (Steve Zahn) is her kind art teacher. Her parents (Elizabeth Perkins, D.B. Sweeney) are clueless. Agitator Dave Petrakis is assigned to be her lab partner.

Kristen Stewart is terrific. She makes this not just simply another Lifetime TV teen rape drama. I love the title which is almost a plead for Melinda to speak up. It's the constant refrain at the back of my head throughout this movie. It creates intensity as the audience roots for her to speak up. A couple scenes do hold it back a little. Mr. Neck is pushed too far in one scene where he's almost a cartoon villain. I also think Melinda was a bit too mean to Heather in that one scene. Heather wasn't wrong when she tells her to talk to a professional. She also stuck with her a lot longer than most people would. Other than talking too much, she seems to be a good friend. Also a couple of times, the movie takes on too light of a tone. Overall, this is a compelling teen movie with a great central performance.

I can react to this movie on a number of levels. First of all, it is a wonderful thing that this film was made. It deals with a very real yet very troubling issue, and handles it with sensitivity and hope. This movie has the potential to really help people, and I can't think of a better legacy for a filmmaker.

Despite all that, I wish this would have been a better movie. The pacing of the story seemed wildly out of whack and there were a couple of directorial decisions that could certainly be questioned. On the other hand, Kristen Stewart's performance in the lead role of Melinda was excellent, although the rest of the acting left me flat. (Even Steve Zahn, who I normally love, seemed a bit miscast.) And while the writing didn't grab me, there were enough light-hearted moments to make Melinda's personal anguish bearable for the audience.

Beyond cinema as therapy, the film contained meaningful insights into the potential of artistic expression in healing, the general alienation of being a freshman in high school, or the critical relationship of an individual's will and determination with the healing process. People should see this movie not because of its cinematic excellence but because it has an important and optimistic message.

This finally aired on Lifetime yesterday, and since I was such a big fan of Laurie Halse Anderson's novel, I might as well wanted to see the movie to compare them.

The first few minutes of the movie turned out to be exactly pages from the book, as well as some emotional moments that almost reduced me to tears, showed exactly the way she was feeling, and how she was connected from the moment to the school year in such depressive, mute fashion that she manages to handle so well. The story involves a teenage girl who, after calling the cops to bust a wrecked summer party, comes to acknowledge her peers won't talk to her anymore. So, what do you do when times like these come to happen? Stay silent, don't get noticed by anyone. However, there was something at the party that she doesn't want people to know, and if she tells it, it will rip and shed her into pieces. Now, your probably asking yourself? Why wouldn't you talk to your parents? She would, only that her mom (Elizabeth Perkins) and dad (D.B. Sweeney) are almost never home so that way they can talk to her about anything.

As the movie goes on, Melinda (Kirsten Stewart) begins to lighten up around the surroundings. She starts to feel into her own, and the school year (besides the fact her grades went flushing down the toilet). Melinda starts to make friends little by little, as she connects with her eccentric Art teacher Mr. Freeman (Steve Zahn). The two of them exemplify what it means to try and go against what is asked of them, and go above that to raising the bar to a whole new level of education, and life.

As for the acting, Stewart is extraordinary as the reclusive Melinda Sordino. She fits the feelings of a depressed girl, striving for help, and need from peers, not harmful words. She makes herself known around the school, as "the girl who busted Kyle Rodgers's summer party" and shows it around by the depressive acts (cutting (both class and self mutilation), making her own room, being practically mute). Stewart has the absolute potential to be another Lindsay Lohan, but in this case, she's become her own actress.

The rest of the cast could have been better, but the second runner up is Steve Zahn, whose films could have seen better days, but this film is probably his best work, compared to "Saving Silverman" or "Freak talks about Sex". He should make films like these more often than not. His portrayal of the rebellious, journeyman Mr. Freeman tell the students about themselves, and tells a small anecdote about him. His overshadowing of the students make him sound more powerful than the principal himself, and his voice strengthen amongst the weaker ones.

Powerful movie, I recommend this to anyone with teenagers, or any educational film. This is a worth to watch.

8/10.

I just finished watching this film and decided that I should say something about it. Firstly, Wow! Kristen Stewart. There is an actress with a great future. An impressive performance. The support cast, which it must be remembered, play a fairly incidental role in this film, were adequate at allowing her to shine through. The Directing was solid. I didn't get lost, it wasn't all over the place.

Plotwise, I was quietly moved. I had seen this film on cable a couple of times before and just flicked passed it thinking it was just more "made for TV" crapola, but tonight I tuned in at the beginning and failed to channel surf away. I stuck with it till the end, and if anything, was sorry that it was over. It managed to suck me right into the story, I wanted to see where I was being taken.

It's not a bold film, even though it discusses a challenging topic. I was worried the Teen Angst Engine may kick in, and was glad to see it nowhere in sight. It was a film that left me thoughtful, and wanting to tell someone to give it a chance.... so... give it a chance, I thought it was worth it.

I was luck enough to see this film at Sundance. I'd read the book when it came out and loved it, but wasn't sure how it would translate to film, given that the main character really doesn't talk at all in the book. Jessica Sharzer's adaptation handles all of the potential problems beautifully, without changing the fundamental story and using voiceover only sparingly. What really makes the movie, though, is Kristen Stewart's complete embodiment of Melinda. She does things with her face that actors twice her age with twice her experience only wish they could do. Though the film is not at all didactic in nature, it would be a great one for teens to see with their parents. Lots of good material for discussion. It's great to see Laurie Halse Anderson's wonderful book get the screen treatment it deserves. If you like this movie, you might also like BLUE CAR, MANNY & LO, and THE CHOCOLATE WAR.