Negli US Open del 1913, il ventenne Francis Ouimet giocò a golf contro il suo idolo campione del 1900 US Open, l'inglese Harry Vardon.Negli US Open del 1913, il ventenne Francis Ouimet giocò a golf contro il suo idolo campione del 1900 US Open, l'inglese Harry Vardon.Negli US Open del 1913, il ventenne Francis Ouimet giocò a golf contro il suo idolo campione del 1900 US Open, l'inglese Harry Vardon.
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What I loved best, however, is how this theme of class is manifested in the characters of Ouimet's parents. His father is a working-class drone who sees the value of hard work but is intimidated by the upper class; his mother, however, recognizes her son's talent and desire and encourages him to pursue his dream of competing against those who think he is inferior.
Finally, the golf scenes are well photographed. Although the course used in the movie was not the actual site of the historical tournament, the little liberties taken by Disney do not detract from the beauty of the film. There's one little Disney moment at the pool table; otherwise, the viewer does not really think Disney. The ending, as in "Miracle," is not some Disney creation, but one that only human history could have written.
As a person who golfs it was both interesting and frustrating to see how golf was played in the early part of the century but much more could have been done with the game of golf itself in the film. (I think that non-golfers who don't know the game will find it hard to keep track of who is ahead in the matches which is a problem in the film's editing.) Instead, the story concentrates on two sub plots. The conflict between Shia LaBeouf and his father Elias Koteas. Shia is a natural golfer but his father is totally against it. The other sub plot is the desire to win back the US Open cup for England. This pits world famous champion Stephen Dillane against influential lords who are portrayed as gross, oyster-slurping, upper-class snobs. There is also a small love story aside between Shia and Payton List. A standout in the film is little Josh Flitter who plays Shia's plucky caddy in a comic relief role which I found amusing but other may find annoying.
As for the film-making, the colors of the film are muted which gives it a nice look and since it's a period piece the costumes are interesting. Since golf itself is not very visually exciting the director chose to use Matrix style visuals such as having the camera fly behind the golf ball as it sails to the hole accompanied by a really huge swishing sound. There is one shot as if taken underneath glass looking up at a putt.
If you can forgive the melodramatic musical swells, you can find this film an enjoyable 2 hours and if you have any interest in golf it's one of the few movies about golf. If you are in the mood for an underdog film this one makes par.
The film starts with some creative opening credits (imagine a Disneyfied version of the animated opening credits of HBO's "Carnivale" and "Rome"), but lumbers along slowly for its first by-the-numbers hour. Once the action moves to the U.S. Open things pick up very well. Paxton does a nice job and shows a knack for effective directorial flourishes (I loved the rain-soaked montage of the action on day two of the open) that propel the plot further or add some unexpected psychological depth to the proceedings. There's some compelling character development when the British Harry Vardon is haunted by images of the aristocrats in black suits and top hats who destroyed his family cottage as a child to make way for a golf course. He also does a good job of visually depicting what goes on in the players' heads under pressure. Golf, a painfully boring sport, is brought vividly alive here. Credit should also be given the set designers and costume department for creating an engaging period-piece atmosphere of London and Boston at the beginning of the twentieth century.
You know how this is going to end not only because it's based on a true story but also because films in this genre follow the same template over and over, but Paxton puts on a better than average show and perhaps indicates more talent behind the camera than he ever had in front of it. Despite the formulaic nature, this is a nice and easy film to root for that deserves to find an audience.
This is one I'd recommend to anyone.
Lo sapevi?
- QuizFilmed at the Kanawaki Golf Club outside Montreal, Quebec. The producers had the white clubhouse painted yellow for the film. Members liked the change so much they kept the color after filming.
- BlooperDuring the playoff, Harry Vardon's ball blocks Francis Ouimet's ball's path on the green, a play called a "stymie." That only applied to singles match play. The playoff for the 1913 US Open was medal (stroke) play, and the stymie rule would not have applied. The USGA eliminated that rule in 1952.
- Citazioni
Harry Vardon: [to Lord Northcliff] Let me tell you something. I came here to win a trophy. And on the face of it Ted Ray or I should carry it off. Not for you, not for England, but for sheer bloody pride at being the best, *that's* why we do this. And if Mr. Ouimet wins tomorrow, it's because he's the best, because of who he is. Not who his father was, not how much money he's got, because of who he bloody is! And I'll thank you to remember that. And I'll thank you to show the respect a gentleman gives as a matter of course.
- Colonne sonoreYou Made Me Love You
Written by James V. Monaco and Joseph McCarthy
Recording arranged by Jennifer Hammond
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- The Greatest Game Ever Played
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 26.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 15.337.393 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.657.322 USD
- 2 ott 2005
- Lordo in tutto il mondo
- 15.431.177 USD
- Tempo di esecuzione
- 2h(120 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1