Le scappatelle casuali di Stan Smith, un agente della CIA tradizionalista che deve occuparsi della sua vita familiare e tenere al sicuro l'America, nel modo più assurdo possibile.Le scappatelle casuali di Stan Smith, un agente della CIA tradizionalista che deve occuparsi della sua vita familiare e tenere al sicuro l'America, nel modo più assurdo possibile.Le scappatelle casuali di Stan Smith, un agente della CIA tradizionalista che deve occuparsi della sua vita familiare e tenere al sicuro l'America, nel modo più assurdo possibile.
- Candidato a 4 Primetime Emmy
- 1 vittoria e 33 candidature totali
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- QuizOriginally, the character of Klaus was going to be a native of France named François. When Dee Bradley Baker auditioned, he told the producers that his French accent wasn't very good, and that he would read the lines in a German accent instead. Producers liked Baker's performance so much, they decided to make Klaus German.
- BlooperEarly episodes had Roger gradually learn to use disguises to go out into the world; but in later seasons we see that he had actually been using disguises for decades before he met the Smiths.
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Roger the Alien: [after a hallucinogenic meal] I just don't have the words for it. Schmooblydong. Is that a word?
- Curiosità sui creditiThe Credits end with a Security Guard from Fuzzy Door Productions waving and saying "Bye, have a beautiful time!"
- Versioni alternativeUp until the '08-'09 season, the opening credits featured a shot of Stan looking at a newspaper headline, which would be a joke headline relating to recent events. Episodes shown on Adult Swim have the headlines blanked out, leaving Stan looking at just white space. The credit sequence for new episodes for '08 - '09 eliminate this sequence altogether.
- ConnessioniFeatured in I Griffin: Excellence in Broadcasting (2010)
- Colonne sonoreGood Morning U.S.A.
Composed by Walter Murphy, Michael Barker, Seth MacFarlane, Matthew Weitzman
[Main Title Theme]
Recensione in evidenza
On first glance, American Dad looks like a carbon copy of Seth MacFarlane's "other" show Family Guy. The animation is near identical, the lead character Stan Smith's knuckle headed optimism and in-your-face presentation doesn't so much recall Peter Griffin as grab you by the throat and scream in your face and Roger the alien and Klaus the goldfish work in much the same way Stewie and Brian do in the previous show. So far so very familiar, as though MacFarlane dressed up his fourth FG series with different characters when it was initially cancelled so as to stay on the air but stick with it, and American Dad will eventually reveal itself as a superior cartoon to it's predecessor.
Sure, the humour is once again a mixture of insightful witticisms, biting satire and odd bursts into toilet humour but rather than the chaos of Family Guy where the plot seems to revolve round the jokes, here the opposite is true. The flashbacks are almost totally absent and instead each episode features a structure and character development that is normally missing from the first show. Okay some of the episodes fall a bit flat but nevertheless, there are considerably more hits than there are misses and when it's good, it's brilliant. "A Smith In The Hand" for example is in this writer's humble opinion, the funniest thing MacFarlane and his team have ever produced.
What's more, American Dad is considerably more politically-orientated and everything you could conceive about the USA's current state of fear mongering and distrust is put beneath a microscope and parodied mercilessly. Stan Smith is a boorish depiction of all that paranoia rolled into one and some of his outbursts and overreactions are hilarious. Take the scene where he locks up his new Arab neighbours in his back garden for instance in a moment that scarily recalls the nightmarish conditions of Guantanamo bay yet still manages to be side splittingly funny or any of his numerous conceited one-liners ("only women have emotions son, they come from their ovaries").
Only time will tell if American Dad can outlive the shadow of it's far more successful big brother, but like the relationship between Futurama and the Simpsons beforehand, it's often a far funnier and considerably more focused show that deserves a wider audience. Highly recommended.
Sure, the humour is once again a mixture of insightful witticisms, biting satire and odd bursts into toilet humour but rather than the chaos of Family Guy where the plot seems to revolve round the jokes, here the opposite is true. The flashbacks are almost totally absent and instead each episode features a structure and character development that is normally missing from the first show. Okay some of the episodes fall a bit flat but nevertheless, there are considerably more hits than there are misses and when it's good, it's brilliant. "A Smith In The Hand" for example is in this writer's humble opinion, the funniest thing MacFarlane and his team have ever produced.
What's more, American Dad is considerably more politically-orientated and everything you could conceive about the USA's current state of fear mongering and distrust is put beneath a microscope and parodied mercilessly. Stan Smith is a boorish depiction of all that paranoia rolled into one and some of his outbursts and overreactions are hilarious. Take the scene where he locks up his new Arab neighbours in his back garden for instance in a moment that scarily recalls the nightmarish conditions of Guantanamo bay yet still manages to be side splittingly funny or any of his numerous conceited one-liners ("only women have emotions son, they come from their ovaries").
Only time will tell if American Dad can outlive the shadow of it's far more successful big brother, but like the relationship between Futurama and the Simpsons beforehand, it's often a far funnier and considerably more focused show that deserves a wider audience. Highly recommended.
- ExpendableMan
- 8 mag 2006
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- Người Cha Nước Mỹ
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- Tempo di esecuzione22 minuti
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By what name was American Dad! (2005) officially released in India in Hindi?
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