Maria Full of Grace

"Maria Full of Grace" tells the tale of an impoverished 17 year old Colombian who becomes pregnant and, in need of money, signs on as a drug "mule", smuggling cocaine pellets into the US in her GI tract. An exceptional film for a low budget one man band indie with a deubting artist in the leading role, this film imparts a strong sense of been-there-done-that reality as it follows Maria from Bogota to New York where her life begins to unravel. Unusually well managed without being junked up with the usual Hollywood tawdry tinsel and situational extremes, this very human drama does more pound-for-pound than most films many times its size. Kudos to auteur Marston and company and ingenue Moreno for this interesting and enjoyable drama. (B+)

Maria Full of Grace is one of the better films of 2004: well acted, well written, and very unique in its' story. From the beginning to the end Joshua Marston chooses to present the story in a way that has us relating and sympathizing with Maria in her plight to find her place in the sun.

A very real topic with very real portrayal and acting, this is definitely one of the better films to come out. It presents its story at a quick pace and leaves you wanting more.

Overall, I enjoyed the film and recommend it to anyone in general, being a great triumph in film-making. I hope to see more films from Joshua Marston in the future.

This movie was powerful, seamless. I can't think of a scene where I asked myself, why did we need that? It was even-handed. The director could have dramatized the plight of María's family more. But he didn't. I didn't think a real-life Maria would have told Lucy's sister that Lucy had died and she didn't.

I liked seeing the crowding in the house in Colombia and in the house in Queens. The customs agents weren't portrayed as stupid boobs, but rather as professionals, thus making María's plight seem more real. Don Fernando's role seemed incredibly accurate as an immigrant ombudsman. And the ending was powerful. It touched me. I will take my students to see this movie this week. (I'm a high school teacher). When will they stop producing heroin and cocaine in Colombia? As soon as we here in the United States stop shoving it up our noses.

I really liked this movie a lot. It's refreshing to come across a compelling human drama that is told in such an incredibly honest and unexaggerated fashion that it ends up feeling wonderfully real and completely believable. The rather straightforward story only makes the movie feel more convincing - not at all contrived.

Maria Alvarez, played by previous unknown Catalina Sandino Moreno, is a seventeen year old who falls into the sticky-sweet trap of seeking a quick escape from the drudgery and hopelessness of her mundane existence. She turns to drugs. Not using them, though - smuggling them. Working as a drug mule offers her the chance at easy money. But, like most young people, she dives into it headlong - without fully realizing the risks and possible consequences. In fact, this movie really is all about young people stumbling over their own poor judgements (yes, it can be painful to watch at times).

Given all the hype that surrounded this movie when it was released, I found it to be not quite as harrowing as I had expected. Perhaps I'm just too jaded and desensitized. In truth, there were moments where I felt genuinely afraid for Maria. Mostly, though, there was just a real sense of the despair and desperation that fills the lives of these young Colombians. Perhaps this movie will, after all, not be the centerpiece of the Colombia Tourism Board's upcoming marketing and public relations campaign.

In the spirit of keeping it genuine (aka believable), all the acting in this movie is right on the mark - all the actors deliver. Of course, Catalina Sandino Moreno (Maria) is so graced with natural beauty and she projects such a gentle and humble manner that one can't really help but feel empathy for her character. In fact, if there is anything to find fault with in the casting of her as Maria, it's that you're left wondering why her boyfriend would be such a God-damned idiot as to pass her up. If he had even an ant's worth of common sense, he would be madly in love with her. Not? So, that's the one element that doesn't gel so well.

The moody and melancholic music throughout this film - with plenty of beautiful acoustic guitar playing - supports the emotional content of the movie perfectly. Thankfully, it doesn't overtly bang you on the head with "feel sad here", and "feel scared here", and "feel relieved here". It sinks back a bit to find its harmony with the other elements. Nice.

The cinematography is beautiful in its simplicity and its understated manner. The word "modest" - in its best sense - serves well in describing this movie. Overall, it's just not as heavily stylized as other the-perils-of-getting-involved-with-drugs type movies - such as "Requiem For a Dream", "Traffic", "Blow", and "City of God", to name but a few - and with little of the annoying moralizing that tends to poison movies of this "genre".

In conclusion, most of us have already learned in life that one shouldn't be an ass. What this movie teaches us is that it's also not a good idea to be a mule.

Horrowing like nothing I've seen in a while.What a great movie, it was so disturbing at times I could'nt sleep. Reading Ralph Michael Stein comments I realize how differently people's take on the central character of Maria can be, to me she and people like her are not the criminals in this sad story but definitely the exploited. If it were'nt for drug users in wealthy countries like ours, who considered "partying" a fun harmless escape, girls like Maria would never even have the opportunity of risking their lives in such a miserable way. It's definitely put guilt and thought towards those times I might have indulged in irrisponsible behavior in the past, so taking that into consideration, the film's done it's job.