- Candidato a 3 Oscar
- 16 vittorie e 49 candidature totali
Yul Vazquez
- Julio
- (as Yul Vázquez)
Camillia Monet
- News Producer
- (as Camillia Sanes)
6,6500.5K
1
2
3
4
5
6
7
8
9
10
Recensioni in evidenza
Could have been a real classic but is an above average alien-invasion movie instead.
This movie had huge potential. Everything to make this a science-fiction classic masterpiece were present; Spielberg's directing, a great concept, ILM special effects, Tom Cruise as the main character and lots of other professionals involved both in front and behind the cameras. Then where did it go wrong? The answer to that is the script. The story is very simple and lacks a real clear plot line. Basically the movie is only about Tom Cruise and his two children running and driving from city to city, from the aliens and their destructive Tripod-machines. Exactly why are we, out of all the people, following these persons? The character development is lacking, just as much as the story does. Both lack development and depth.
Of course the movie is by no means an horrible movie but it's just that the movie is a bit disappointing because of the fact that it had so much more potential. It still is a good and certainly spectacular movie to watch but it's not a movie people will still talk about in 5 or 10 years from now. The story makes this movie a bit of an easily forgettable movie that doesn't leave an huge impression afterward, even though the movie itself is pure eye-candy to watch.
There is no doubt about it that Spielberg is a great director. He directs his actors in this movie very well and everyone in the movie gives an amazing performance, especially Tom Cruise and Dakota Fanning. Tom Cruise for once again doesn't play the action hero. He is an average Joe instead and I think he did this in a very good and convincing. Spielberg also uses the special effects very well. He doesn't use the special effects to impress the audience as much as possible, with lots of spectacular and action filled sequences, which he could had easily had done, he uses them as a tool to tell the story with instead. The movie is purely told from Tom Cruise and his family's perspective, because of this the movie gets a very realistic feeling. We don't get to see any close-ups of the Tripods and how they destroy entire cities and fight off the American army. I like this approach. It makes "War of the Worlds" different from many other alien-invasion movies. It because of this certainly is one of the most believable and realistic alien-invasion movies, along with "Signs".
Visually there also is absolutely nothing wrong with this movie. The special effects from ILM are very impressive and look extremely convincing. The cinematography by Janusz Kaminski is also simply phenomenal at times and is typically gritty, which certainly adds to the tense and realistic atmosphere of the movie.
Unlike others, to me the ending didn't came really abrupt. But perhaps this was because to me the ending was already spoiled, thanks to the movie it's soundtrack, which featured the final narration of Morgan Freeman explaining how the movie ended. So I already knew what to expect. To be perfectly honest I liked the ending and I couldn't think of any other, or better way to end this movie, without losing any of its realism and credibility. I can understand how it might seem lame and sudden to most though but for me it was satisfying enough.
It certainly is a movie that will receive one or two, most likely, technical Acedemy Awards. And it deserves to. There isn't an awful lot wrong with this movie but it truly is the simple story that prevents this movie from being a classic or masterpiece. I still regard this movie as one of the must sees of 2005 simply because of the movie its look and acting. You can tell by watching this movie that there was lots of talent involved, both in front and behind the cameras. Especially Spielberg's touch still makes this movie better than just the average alien-invasion movie but still not even he can prevent this movie from being a bit of a disappointment. Not his or anybody else his/her fault, simply blame it on the script.
7/10
http://bobafett1138.blogspot.com/
Of course the movie is by no means an horrible movie but it's just that the movie is a bit disappointing because of the fact that it had so much more potential. It still is a good and certainly spectacular movie to watch but it's not a movie people will still talk about in 5 or 10 years from now. The story makes this movie a bit of an easily forgettable movie that doesn't leave an huge impression afterward, even though the movie itself is pure eye-candy to watch.
There is no doubt about it that Spielberg is a great director. He directs his actors in this movie very well and everyone in the movie gives an amazing performance, especially Tom Cruise and Dakota Fanning. Tom Cruise for once again doesn't play the action hero. He is an average Joe instead and I think he did this in a very good and convincing. Spielberg also uses the special effects very well. He doesn't use the special effects to impress the audience as much as possible, with lots of spectacular and action filled sequences, which he could had easily had done, he uses them as a tool to tell the story with instead. The movie is purely told from Tom Cruise and his family's perspective, because of this the movie gets a very realistic feeling. We don't get to see any close-ups of the Tripods and how they destroy entire cities and fight off the American army. I like this approach. It makes "War of the Worlds" different from many other alien-invasion movies. It because of this certainly is one of the most believable and realistic alien-invasion movies, along with "Signs".
Visually there also is absolutely nothing wrong with this movie. The special effects from ILM are very impressive and look extremely convincing. The cinematography by Janusz Kaminski is also simply phenomenal at times and is typically gritty, which certainly adds to the tense and realistic atmosphere of the movie.
Unlike others, to me the ending didn't came really abrupt. But perhaps this was because to me the ending was already spoiled, thanks to the movie it's soundtrack, which featured the final narration of Morgan Freeman explaining how the movie ended. So I already knew what to expect. To be perfectly honest I liked the ending and I couldn't think of any other, or better way to end this movie, without losing any of its realism and credibility. I can understand how it might seem lame and sudden to most though but for me it was satisfying enough.
It certainly is a movie that will receive one or two, most likely, technical Acedemy Awards. And it deserves to. There isn't an awful lot wrong with this movie but it truly is the simple story that prevents this movie from being a classic or masterpiece. I still regard this movie as one of the must sees of 2005 simply because of the movie its look and acting. You can tell by watching this movie that there was lots of talent involved, both in front and behind the cameras. Especially Spielberg's touch still makes this movie better than just the average alien-invasion movie but still not even he can prevent this movie from being a bit of a disappointment. Not his or anybody else his/her fault, simply blame it on the script.
7/10
http://bobafett1138.blogspot.com/
I'm Never Having Kids
I don't wish for any civilization ending event to take place in my time... but since the chance of that may be low but never zero... I will actively avoid having children.
The photography is Spielberg level quality, you know you'll get that from a movie he's directing. The story is not all that bad considering that the choice of the protagonist is an everyday guy. You don't get government insight into these things, no "Mr. President, we're getting reports that these things are showing up in every major city in the world" scenes, no grand counter attack plans or any other trope you'd expect in an alien invasion. There is no 4th of July speech outside the hangar on Area 51 to motivate the people into a fight.
This is just about survival. Pure and simple survival.
Over the course of the movie, the characters stumble from one set piece to another, each time presented with a challenge to overcome and then moving on towards the next one. Simple.
That can work if the challenges are well developed and, far more important part, if the characters are good. This movie lacks the latter. While Tom Cruise' everyday man is fine, clearly way over his head, struggling to make sense of what's happening around him, trying to survive and to keep his children safe. And that's where the movie falls apart.
In every. Single. Scene. At least one of those two children are making a very bad situation even worse. Either the little one is screaming or spazzing out or the big one is running off on his own little adventure completely devoid of any common sense or care for his family. Both of those characters were designed to make things difficult for Tom Cruise and I can't for the life of me figure out why do people insist on making characters like that present in movies like this.
Survival of the fittest is a simple character development guide to follow in a story like this. Write characters that are out of their depth, sure, but who also have a grain of salt between their ears and are applying common sense in order to survive. I mean, sure, have stupid characters... and then show the audience what happens to those stupid characters when they make stupid decisions in the worst possible moments... and move the story along without them.
But not here. Here, you're stuck with nightmare kids. One is useless and either terrified or annoying most of the time. It makes sense, little girl like that would be out of herself in a situation like this. But that doesn't have to be annoying. The big one, he's clearly designed just to make things harder for Tom Cruise and I feel zero shame in wishing he gets killed so we can move on without him.
Anyways. It's a good looking movie with great effects, fairly solid main character and typically stable Spielberg direction... but everything around that is just meh.
The photography is Spielberg level quality, you know you'll get that from a movie he's directing. The story is not all that bad considering that the choice of the protagonist is an everyday guy. You don't get government insight into these things, no "Mr. President, we're getting reports that these things are showing up in every major city in the world" scenes, no grand counter attack plans or any other trope you'd expect in an alien invasion. There is no 4th of July speech outside the hangar on Area 51 to motivate the people into a fight.
This is just about survival. Pure and simple survival.
Over the course of the movie, the characters stumble from one set piece to another, each time presented with a challenge to overcome and then moving on towards the next one. Simple.
That can work if the challenges are well developed and, far more important part, if the characters are good. This movie lacks the latter. While Tom Cruise' everyday man is fine, clearly way over his head, struggling to make sense of what's happening around him, trying to survive and to keep his children safe. And that's where the movie falls apart.
In every. Single. Scene. At least one of those two children are making a very bad situation even worse. Either the little one is screaming or spazzing out or the big one is running off on his own little adventure completely devoid of any common sense or care for his family. Both of those characters were designed to make things difficult for Tom Cruise and I can't for the life of me figure out why do people insist on making characters like that present in movies like this.
Survival of the fittest is a simple character development guide to follow in a story like this. Write characters that are out of their depth, sure, but who also have a grain of salt between their ears and are applying common sense in order to survive. I mean, sure, have stupid characters... and then show the audience what happens to those stupid characters when they make stupid decisions in the worst possible moments... and move the story along without them.
But not here. Here, you're stuck with nightmare kids. One is useless and either terrified or annoying most of the time. It makes sense, little girl like that would be out of herself in a situation like this. But that doesn't have to be annoying. The big one, he's clearly designed just to make things harder for Tom Cruise and I feel zero shame in wishing he gets killed so we can move on without him.
Anyways. It's a good looking movie with great effects, fairly solid main character and typically stable Spielberg direction... but everything around that is just meh.
A brilliant alien invasion film for the first two acts
What Spielberg, Cruise, and Koepp accomplish here in the first two acts is nothing short of revolutionary. They've made a big-budget summer blockbuster about massive destruction and action that manages to studiously avoid every cliché and expectation of such films. It stays resolutely on the characters' points of view, showing us almost nothing they don't see, even to the point of coming tantalizingly close to a raging battle, then avoiding showing it. It keeps its focus on character instead of spectacle. The "hero" of the piece remains decidedly unheroic, wanting only to escape, and trying to talk others out of fighting back. The purpose of every piece of action is to frighten and disturb rather than thrill, making ingenious use of familiar 9/11 imagery. At the end of the second act, it is hands-down the best alien invasion film ever made, and perhaps one of the best sci-films of all time.
Then something strange happens. The filmmakers lose their nerve, and remember that this is an extremely expensive summer film financed by two studios. Or perhaps it was the fact that it stars Tom Cruise, who up to this point has spent almost two hours doing nothing but run for his life. Suddenly, and tragically, the film changes, violating not only its carefully established tone, but its own internal logic. Suddenly, Cruise begins to act like a hero, and summer action clichés force their way into the story like a worm into an apple. The transition is jarring, and it creates a serious disconnect from the story.
While it's true that Wells' original ending creates a problem for a movie, here they try to remain faithful to it, while still shoehorning moments of triumph into the conclusion. Unfortunately, these moments come off as alternately false, unbelievable, and meaningless, since it isn't mankind that defeats the invaders in the end.
Is it recommendable? Well, I suppose that depends on what kind of viewer you are. If you feel that 75% brilliant material overshadows the 25% that falls apart, then you'll enjoy it. If, however, you're the kind of viewer who feels that the final impression a movie makes is its ultimate stamp on your memory, you may be in for a crushing disappointment. On the other hand, if you're the kind of viewer who just likes the cliché of the boom-boom summer action spectacle, you're likely to be bored and frustrated with the first two acts, and only engage in the end. It is confused about what audience it's trying to reach, and consequently, isn't likely to satisfy any of them.
Then something strange happens. The filmmakers lose their nerve, and remember that this is an extremely expensive summer film financed by two studios. Or perhaps it was the fact that it stars Tom Cruise, who up to this point has spent almost two hours doing nothing but run for his life. Suddenly, and tragically, the film changes, violating not only its carefully established tone, but its own internal logic. Suddenly, Cruise begins to act like a hero, and summer action clichés force their way into the story like a worm into an apple. The transition is jarring, and it creates a serious disconnect from the story.
While it's true that Wells' original ending creates a problem for a movie, here they try to remain faithful to it, while still shoehorning moments of triumph into the conclusion. Unfortunately, these moments come off as alternately false, unbelievable, and meaningless, since it isn't mankind that defeats the invaders in the end.
Is it recommendable? Well, I suppose that depends on what kind of viewer you are. If you feel that 75% brilliant material overshadows the 25% that falls apart, then you'll enjoy it. If, however, you're the kind of viewer who feels that the final impression a movie makes is its ultimate stamp on your memory, you may be in for a crushing disappointment. On the other hand, if you're the kind of viewer who just likes the cliché of the boom-boom summer action spectacle, you're likely to be bored and frustrated with the first two acts, and only engage in the end. It is confused about what audience it's trying to reach, and consequently, isn't likely to satisfy any of them.
Tom Cruise's Kids are Worse than the Martians
I've never seen such petulant spoiled- rotten kids. The world is ending, and they scream and whine about every little detail. The older boy is the worst, he wants to fight the invaders...who have forcefields that can block ballistic missiles. These kids need a good spanking.
The Martians devouring those brats and spraying their remains all over the place would've redeemed this mediocre effort.
Aliens bury their ships underground. I'd like to know who came up with that nonsense. Like Humans who build tunnels and huge mines would never stumble on to these gigantic tripod machines. Spielberg what were you thinking?
The Martians devouring those brats and spraying their remains all over the place would've redeemed this mediocre effort.
Aliens bury their ships underground. I'd like to know who came up with that nonsense. Like Humans who build tunnels and huge mines would never stumble on to these gigantic tripod machines. Spielberg what were you thinking?
2 most annoying kid actors ever
I love the book and overall theme of the movie but Tom Cruise acting is annoying which is probably because he had to work with 2 most annoying kid actors ever seen on the film.
I mean almost every scene is ruined by hysterical yelling of the 3 main characters. Little girl is the worst but Tom and his movie son are not far behind.
I mean it's watchable but by the middle of the movie I was hoping aliens will take them down so we don't have to suffer this atrocity of acting
I mean it's watchable but by the middle of the movie I was hoping aliens will take them down so we don't have to suffer this atrocity of acting
Lo sapevi?
- QuizWhen the aliens are investigating the junk in the basement, one of them plays with a bicycle wheel. This is a reference to the original book; the main character observes that, with all the advanced technology the aliens possess, they do not use any wheels, and wonders if the alien life form had skipped the invention of the wheel.
- BlooperIn the part where the jet crashes into the house, it should have destroyed everything in sight, but the mini-van Ray was driving afterwards was unharmed.
- Citazioni
Robbie Ferrier: What is it? Is it terrorists?
Ray Ferrier: These came from some place else.
Robbie Ferrier: What do you mean, like, Europe?
Ray Ferrier: No, Robbie, not like Europe!
- Curiosità sui creditiThere are no opening credits after the title is shown.
- Versioni alternativeFor the U.S. theatrical release, the Paramount logo appeared before the Dreamworks logo at the beginning of the film, and the poster credits said, "Paramount Pictures and Dreamworks Pictures present." Since the U.S. version's home video/DVD rights are owned by Dreamworks, the Dreamworks logo at the beginning of the movie appears before the Paramount logo, and the back of the box's cover art says, "Dreamworks Pictures and Paramount Pictures present." In the European version, the original order of the logos and studio names is preserved (and the DVD is released by Paramount).
- ConnessioniEdited into The Arrivals (2008)
- Colonne sonoreFlatline
by Jeffrey Scott Harber, Jayce Alexander Basques, William Peng & Drew Dehaven Hall
Performed by Aphasia
Courtesy of Luke Eddins at Luke Hits and Joint Venture Recordings
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- La guerra dei mondi 3D
- Luoghi delle riprese
- JF Kennedy Blvd., Bayonne, New Jersey, Stati Uniti(Ray's house - soundstage)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 132.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 234.280.354 USD
- Fine settimana di apertura Stati Uniti e Canada
- 64.878.725 USD
- 3 lug 2005
- Lordo in tutto il mondo
- 603.873.504 USD
- Tempo di esecuzione
- 1h 57min(117 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti






